When
the production code was lifted and the rating system began,
gradually films started to test the waters. At first films were
not horribly graphic, but compared to the censored films that
audiences were used to watching, these rated films must have
had quite an impact. Over time that impact was diminished and
in order to get the same reaction, certain films became more
graphic. Now it seems as though a film must be absurdly violent
to get any reaction whatsoever. Films like Final Destination
3 and Kill Bill are so over-the-top, that the only way they
can be appreciated is by understanding the significance in what
they are showing. The violence in these films is an homage to
films from another time, and they strive to get the same reaction,
only in order to do so with a numb audience stakes must be raised.
Cronenberg understands this with A History of Violence, which
is just as much a play off of his earlier work as it is all
violent cinema. The only problem is that the subtlety may be
lost on most audience members, and then it is simply a horrifically
violent film.
Taunting
us with the endless possibilities of twists and turns our life
could take, A History of Violence opens with the casual everyday
living of an everyday man. Tom Stall, played by Viggo Mortensen,
lives in small town Millbrook, Indiana with his lawyer wife
and their two children. Tom owns a diner in town, and one night
he foils an attempted robbery. When the media gets word of how
Tom rescued all of the customers in the diner he becomes an
instant celebrity. Suddenly a group of rugged men come into
town, led by Ed Harris, accusing Tom of being a man with a different
past. Suddenly they are a threat to Tom and his family, and
he must protect them. Meanwhile his family must figure out if
Tom has been lying to them, or if it is just a case of mistaken
identity.
A History
of Violence begins with forced normality. Life is almost so
perfect that it is unbearable to watch. You just want something
to happen to stir up the sugary sweet images, and they are suddenly
replaced with images of graphic violence. It is a shattering
experience to watch A History of Violence, and not always a
pleasant one, but there is also something fascinating about
it as well. Each moment without violence builds the tension
to unbearable levels, always relieved by some horrific conclusion.
The performances
in A History of Violence are top notch, and everyone gets bonus
points for accents as well. Mortensen brings depth to each scene,
a mystery even to the very end of the film. Ed Harris has fun
with eye prosthetics, Maria Bello is steamy, and William Hurt
is wickedly entertaining. The whole film relies on these performances,
and it keeps A History of Violence from being cheap. Some might
be frustrated with the understated ending of the film, but the
fact that the actors can end the film with no words and have
everything come together clearly is impressive regardless.
The DVD
is so impressive that it leaves little room for any special
edition in the future. There is a great documentary, “Acts
of Violence”, which is filled with behind the scenes footage,
interviews, and other great things in eight acts. There is one
deleted scene, Scene 44, and there is also a short featurette
about the making of this dream sequence that was cut from the
film anyways. There is a short feature about the small differences
in the United States version of the film and the International
version. One of the best features is a tour through Cannes,
showing all of the interviews and photo sessions that go along
with the premiere. There are also trailers and a fantastic and
intelligent commentary by the seasoned director, David Cronenberg.