Alone in the Dark
was one of the first films to come out in 2005, and for sure
one of the worst films of 2005 already. Based off of the ancient
Atari video game, this is a terrible horror/action film that
is worst than most direct to video movies. Most of the film’s
horrendous nature comes from director Uwe Boll, who directed
another terrible movie based on a video game with House of the
Dead. The direction is weakly lost, the production value is
cheap, and the cast is pretty dreadful as well.
Opening with a very
long scroll speaking of an ancient civilization that disappeared
off the earth after opening a door to another dimension, which
in affect let something slip through. That something that slips
through is just a part of this film’s overzealous and
overcomplicated plot for a film of this nature. The creatures/monsters/demons,
or whatever you want to call them as like chameleons in the
dark and just get really angry and kill people.
This secret civilization
has a childhood connection and is an obsession for paranormal
investigator Edward Carnby (Christian Slater). Carnby has just
received a critical artifact from the Amazon involving this
ancient race. He quickly learns that the secret paranormal government
agency, 713, which he use to work for is also hiding something
from him about the disappearance of his recent childhood friends.
The 713 is led by the hardcore Burke (Stephen Dorff), who has
no respect or trust for Carnby. That is until a plot involving
an obsessed scientist named Hudgens (Matthew Walker) is unveiled
with the release of those creatures raving havoc on all humans.
Carnby’s ex-girlfriend Aline (Tara Reid) is Hudgens’
assistant and joins the fight against this hideous creatures
and finding the secrets of Carnby’s past.
As the synopsis inscribes
the plot for this film just gets too complicated. There is no
reason to have so many things going on in a mindless film like
this one. It just makes for more problems and things left uncovered.
Uwe Boll’s trashy direction also does not help with uneven
action moments involving acrobatic attempts and slow motion.
Boll of course also has an early sequence where bullet time
is focused through a block of ice. The sequence is so weak that
it is obvious Boll just places props like ice among other things
just to create unnecessary effects to look cool. There is not
one solid piece of direction in this film. The creatures themselves
are never defined, even on how they kill their victims; Boll
has fun with his hands in gore as usual.
The cast are cardboard
cut outs as well. It is ashamed Stephen Dorff can not get a
good role, because he is not that bad of an actor, he just needs
to get a new agent. Christian Slater tries to be better than
he has in the past few years, but he hits an all time low as
Carnby in this film. He and Tara Reid share one of the worst
love scenes to ever grace the screen, it is painfully pointless
and clumsy. Speaking of Reid, she is suppose to be a smart artifacts
guru, but wears super tight pants, tons of makeup, but of course
her glasses make her smart. Reid is as unconvincing as it gets.
Alone in the Dark
is not just bad, it is really bad. It is embarrassing that this
film got a wide release in theatres. Even fans of the video
game will hate this one. Perhaps if Boll would have not taken
this film too seriously, it could have been camp fun. The end
result is an atrocious experience.
Audio
The sound is noisy
and defined. The work on the details of the action sequences
and the creature noises are drowned out by the film’s
loud soundtrack.
Video
The film is transferred
for the most part clearly, but the way Boll shot the film almost
makes it look a little hazy at moments, such as when the final
nest of the demons is found. When not in the dark, the colors
are visible, especially the blood.
Special Features
--Audio Commentary
by Director Uwe Boll
Maybe one of the worst and the funniest commentaries to ever
surface on a DVD. Director Uwe Boll speaks swiftly about all
areas of the production and all his intentions with the film.
Though amusing, you will ask yourself continuously what he was
thinking.
--Into the Dark:
Behind the Scenes of Alone in the Dark
This is a typical making of feature that contains interviews
with the cast and crew. Stephen Dorff is the only actor not
interviewed, and probably because he knew how bad a production
the film was. It is hilarious how much the writer of the film
and Uwe Boll think that this film is great. Boll’s egotistical
side comes out, and though the basis of the video game is mentioned,
it is never focused on. The feature also does not last too long,
which is good.
--Shedding A Light:
The Visual Effects of Alone in the Dark
This extra feature contains numerous interviews and in depth
looks at all of the visual effects used in Alone in the Dark.
The interviews reflect that the effect artists know what they
are doing, but just don’t utilize their ideas together
too well. There is one sequence in the film that is so cheaply
done with Tara Reid among everyone just shooting in the dark.
The sequence looks horrendous and in this feature, the visual
effect gurus show that none of the actors were shooting their
guns, all of the sounds, and flashes of light were added as
visual effects. Like most of the film, bad idea. The artists
also get too excited over using a pointless green screen in
the introduction of “713” and the character of Burke.
--Music Videos
“Uredesbyrd” by Dimmu Borgir
“Eraser” by Hypocrisy
“The Quiet Place” by In Flames
“As I Slither” by Kataklysm
“Deathbox” by Mnemic
--Storyboard to Screen
The opening chase sequence with Slater’s character and
the half demon, half human predator is storyboarded in this
feature. What is most amusing about this feature is that some
of Boll’s cheeseball choices, such as slow-motion and
rising backflips are not part of the original storyboards.
--Alone in the Dark
Trivia Track
By turning on this special feature, little trivia facts not
only about the film, but the cast and crew pop up occasionally.
It is a nice idea, but not too revealing.
--Bullet Time Animatic
This is another visual effect feature that shows in detail the
utilization and creation of the “one” bullet time
moment in the film that as stated before is pretty weak.
--Trailer Gallery
Theatrical Trailer of Alone in the Dark
DVD trailer for House of the Dead
DVD trailer for Stephen King’s Riding the Bullet
DVD trailer for The Final Cut
Overall:
Alone in the Dark
is a very dismal DVD, mostly because of how bad the film is
itself. The extra features will only be fun for those few people
that enjoyed this film. One of the worst films of the year thus
far. Let’s hope that Uwe Boll never gets another project
to make again, and that soon Stephen Dorff will get a smart
supporting role in a solid ensemble film. This is cheap, horrendous,
filmmaking at its worst.
The Film:
F
Video: C+
Audio: C+
Extra Features: C-
Bailey Henderson
Region 1 Release Date: 05/10/05
Dolby Digital 5.1
DTS Surround ES 6.1 English
Subtitles: English and Spanish
24 Scene Selections
Widescreen (1:85)
Rated R for violence, language and some sexual content
Paranormal
investigator Edward Carnby (Slater) is drawn into a battle between
good and evil when he discovers an artefact that belongs to
a long lost Native American civilization called the Abkani.
Professor Lionel Hudgens (Walker) needs this to complete a key
that will finally allow him to open a door that will unleash
the pure evil on Earth. Carnby and Aline Cedrac (Reid) are the
only ones who can stop his dastardly plan.
When it
comes to transferring successful video games to the silver screen
most adaptation miss more often than hit but can ‘Alone
in the Dark’ change this? Definitely not!
The ‘Alone
in the Dark’ franchise has been around since the early
1990s and has spurned four games with another in development.
The game invented the survival horror genre and games like ‘Resident
Evil’ and ‘Silent Hill’ owe everything to
the adventures of paranormal investigator Edward Carnby because
he was the original monster hunter. Investigating the occult
and ghostly goings on, the character and his adventures should
have been good material for a motion picture but that was until
Uwe Boll and his team got involved.
For some
unknown reason director Uwe Boll seems to the game industry’s
go-to-guy when it comes to adapting games to the big screen
and it is very hard to see why. He is a director that makes
Ed Wood look like a master. Imagine if the so called ‘worst
director in history’ was given a budget and some stars
desperate for a hit and you would get better films than Uwe
Boll is producing.
The film
does absolutely nothing with the source material, using only
the Edward Carnby name and the supernatural setting to link
it with the gaming franchise. For a movie entitled ‘Alone
in the Dark’, seventy-five percent of the film takes place
in daylight, with only the climatic events taking you into darkness.
Another major problem is that the film only has three monsters
and one of those is a normal human taken over by a worm simbiot.
This fact makes the film look cheap and undeveloped.
The script
is also appalling. How can accomplished and well know actors
like Christian Slater, Tara Reid and Stephen Dorff actually
agree to deliver these awful and embarrassing lines? All of
these actors maybe desperate for a hit but you have to wonder
if they actually read the script before agreeing to appeal in
this rubbish. For example, when Edward and Aline have an unneeded
love scene, the music is ‘Seven Seconds’ by Youssou
Ndour and Neneh Cherry, which is unintentionally funny.
With Uwe
Boll involved in more upcoming video game adaptations, the future
of big screen versions of hit game franchises is looking very
bleak indeed. For anyone who is a fan of the ‘Alone in
the Dark’ games they will be horrified by what they are
witnessing because this isn’t the adaptation that they
have been wishing for. Game companies really need to watch this
film and his previous effort, the just as awful ‘House
of the Dead’ before they let him loose on their games.
Star Rating
= *
PICTURE
& SOUND
Presented
in Anamorphic Widescreen 2.35:1 with Dolby Digital 5.1 and dts
surround sound tracks, the movie is presented extremely well.
BONUS FEATURES
In the Dark
(7.42 mins)
Director
Uwe Boll, writer Elan Mastan, producer Shawn Williamson and
stars Christian Slater and Tara Reid talk about bringing the
video game to the big screen. They reveal why they choose to
not base the film on any of the game plot but to try and come
up with a new Edward Carnby adventure. Christian Slater and
Tara Reid talk about preparing for the film including fight
and firearms training.
Shedding
a Light (9.27 mins)
Visual effects
supervisor Doug Oddy, visual effects Ted Gervan, visual effects
compositors Joel Tong and John Fukushima and 3D artist Ben Wylie
talk about the main visual effects shots in the movie. The group
reveal the secret behind the Bureau 713 Base, the bullet time
sequence, the sandworm and the battle in the darkness.
Storyboard
to Screen
View storyboard
to finish sequence comparisons for the ‘Pinkerton Chase’
and the ‘Sandworm’ sequence.
Bullet Time
Animatic (1.32 mins)
View the
computer generated walkthrough of the Pinkerton chase sequence.
Music Videos
Watch the
music videos from the film including Dimmu Borgir’s ‘Vredesbyrd’,
Mnemic’s ‘Death Box’, Hypocrisy’s ‘Eraser’,
In Frames ‘The Quiet Place’ and Kataklysm’s
‘As I slither’.
Director’s
Commentary
Uwe Boll
talks about how he got involved in the project and why he has
become fascinated with computer game adaptations. He reveals
how the film was financed and how he uses his own funds to bring
the projects to the silver screen. The then goes on to talk
about the story and the changes to the character, revealing
how he cast the production and the way he approached it. He
is very enthusiastic about the film and his past and future
prospects but you have to question some of his logic.
OVERALL
While the
film maybe appalling, the DVD treatment isn’t too bad.
With some decent featurettes and a commentary track from a director
who clearly thinks he knows what he is doing, fans (if there
are any) should be pleased with the DVD package.