A
film based on the experiences of three industrial lubricants
salesmen would have most clambering for the remote, but thanks
to some snappy dialogue The Big Kahuna is far from dull.
Holed up in a hotel
in Wichita, the salesmen are hoping to snare a potentially career-changing
client, the kahuna of the title. As you might expect, things
don’t exactly run smoothly. Newbie Bob (Peter Facinelli)
is the only one who manages to find their man at the conference.
Unfortunately, Bob prefers to talk about Jesus rather than business.
There are some fine
performances here. Kevin Spacey’s turn as the cynical
and outspoken Larry is highly entertaining. He’s given
some of the best lines in the film and his deadpan demeanour
and sarcastic drawl certainly do them justice. Facinelli manages
to hold his own against Spacey as the innocent and idealistic
Baptist Bob, who is perpetually shocked by Larry. His high principles
could have distanced him from the audience, but Facinelli always
manages to keep Bob sympathetic and vulnerable, even when his
rigid beliefs cause an ugly scene.
Yet although Spacey’s
performance grabs your attention by the lapels, Danny DeVito’s
understated acting is equally impressive. His portrayal of the
quietly despairing Phil draws the viewer in without any whistles
and bells. While Spacey enjoys spitting out various insults
and provocative arguments, DeVito manages to communicate just
as much with a few weary glances.
As the film develops,
the trio are forced to re-evaluate their lives and consider
what is truly the big kahuna in life. What started out as a
comic film slowly morphs into something more serious, with weighty
issues like love, life and death being offered up for debate.
For some this might be a disappointment, but there’s always
an element of sarcasm lurking. It is lucky that DeVito’s
performance is convincing, as it is mostly his character’s
musings that instigates this shift in tone. You’ll have
to see it to believe it, but he even manages to ask Spacey if
he loves him without being nauseating. Just about.
Others might be
put off by the fact that this is quite obviously more a play
than a film. Roger Rueff wrote the script based on his play
‘Hospitality Suite’ and director John Swanbeck appears
to make no attempt to disguise the film’s theatrical roots.
It is very static, only briefly cutting away from the hotel
room. The standard of acting should cancel this out, but if
you really can’t stand theatre you probably won’t
stomach this.
While it lacks the
punch of similar features like Glengarry Glen Ross, overall
The Big Kahuna can still boast great acting and a smart script
that manages to be both bitingly funny and thought provoking.