Billy
Elliot tells the story of an eleven-year old boy whose dream
is to become a ballet dancer, set against the background of
the miner’s strike in 1984 in Northern England. Hiding
this from his father, he takes up secret ballet lessons with
a teacher, played by Julie Walters. Drama and comedy go hand
in hand in the portrayal of adolescent growing pains. When the
big moment of the audition comes, will Billy’s family
accept his choice? Dad (yes, that’s what he’s called
on the credits) had imagined his son as a boxer, and can’t
shake the idea that ballet dancing has something to do with
effeminacy; this is a story not just about ballet but about
the relationship between father and son, youthful rebellion
and community, in which anyone can find echoes of their own
growth. Twists and surprises make the story anything but a conventional
tale, right up to the last moment.
First-time
director Stephen Daldry brings a sure touch to the film, with
many surprising comic moments (maybe the most memorable visual
pun is the schoolchildren trailing sticks against a wall which
then becomes a line of police shields). The children are sensitive,
humorous and resilient. My only reservation is that the script
tweaks its moments of drama by suggesting that when working
class families have an argument, someone is going to get hit.
A ballet lover might be surprised by the lack of ballet music
– in fact the film uses music wonderfully, T-Rex and the
Clash; London Calling is played against the charge of the police
against the members of the community. A cynic might wonder where
Billy learned to tip-tap, since we only see him working at ballet.
But that’s carping; this film was a great success on its
release and watching it again it does seem to be that unusual
gift – a film that reminds you why you go to the cinema,
rather than offering an opportunity to watch something as you
munch popcorn, say. Jamie Bell’s career seems to have
taken the turn it deserved after this film, leading to roles
in the recently completed The Chumscrubber and the Peter Jackson
remake of King Kong among other things.
BONUS MATERIAL
Disc Two
The real Billy Elliot
Diaries
This tells the story of the three boys chosen to play Billy
Elliot in the musical launched in the west end’s Victoria
Palace Theatre. All three played Billy alternating the role
in the musical during the week, since what was required would
have been too exhausting for any one of them. Each was chosen
from the north of England, each had to be able to sing dance
and act. The background of the boys and their family are shown,
cutting back to scenes from the film that parallel the real-life
stories. We see Stephen Daldry and Elton John giving the boys
advice on their stage roles, and moments from the stage musical
itself.
From Screen to Stage
As the theatre people
point out, the task of looking for boys talented enough to take
on a role that demanded singing voices, acting ability, as well
as ballet and tip-tap skills was pretty daunting. This extra
is basically the story of the auditions process. Stephen Daldry
discusses the beginnings of the musical project, from his meeting
with Elton John at the Cannes film festival (where the film
was first shown publicly) who proposed the adaptation into a
musical. The differences between film and musical are emphasised,
the musical offering the opportunity to concentrate on some
of the personal drama and the community during the miners’
strike. We don’t get to see much of the musical, though
we do hear Elton John’s ‘Merry Christmas Maggie
Thatcher’ with its surprising lyrics – how many
musicals deal with industrial wage labour issues? This and other
songs are played over the auditions in which a truly incredible
number of talented hopefuls take part.
Billy Eliot the musical
This is a brief advert
for the musical.
The film
Deleted scenes with
director’s commentary.
Billy’s story.
These are scenes cut from the beginning and end of the film
that show Billy at school and home. There is a funny classroom
scene in which children ask a despairing teacher if the coal
belongs to God or the government.
Tony’s story.
A number of scenes
between Billy and brother Tony show the more sympathetic side
of Tony, with conversations about their mother and girls, and
a scene in which Billy spies on his brother making out with
a girl.
Dad’s story
Scenes of Dad’s
(that’s the name in the credits) relationship with Billy,
as well as his arrest by the Police. Daldry comments on the
political context of the story and the aftermath of the strike
on the community they filmed in. There is an extended version
of the farewell scene between Tony and Billy.
Extended scenes
These are scenes
that exist in the DVD version but which were filmed with small
variations, with Daldry’s commentary. The three are versions
of Billy’s failed boxing attempt, the supermarket encounter
with the scab, and the audition for the Royal Ballet.
The music
There are nine songs
from the film with optional commentary. Billy Elliot is remarkable
for its use of music, most notably T-Rex (Cosmic Dancer) and
the Clash (London calling) with Daldry’s notes on their
use in the film and comments on the scenes shown. Alongside
the pop and punk Tchaickovsky can also be heard on the last
number.
Subtitles
There are subtitles
in English for the hard of hearing (SDH).
Overall
Billy Elliott glided
its way effortlessly into the nation’s hearts as one of
the most loved UK films of recent memory. Thankfully this new
special edition doesn’t negate any of those feelings,
and with Jamie Bell finally following up on the promise he showed
in this (was it just five years ago?) this special edition is
well worth your while.