Ten
years after the death of her husband, Anna (Kidman) has finally
started to become open to the possibility of getting married
again. After years of asking Joseph (Huston), thinks he has
helped Anna get past her grief and will finally get her down
the aisle. As they announce their engagement and start planning
their May wedding, a ten year-old boy turns up at the party
and tells Anna that he is her dead husband Shawn (Bright) and
that she should not marry Joseph.
The intriguing
plot device, reincarnation is the driving force behind ‘Birth’
but why is a fascinating subject approached in such a mind numbly
boring way?
From the
director of the critically acclaimed ‘Sexy Beast’,
you might be expecting a lot more from Jonathan Glazer’s
second feature but you will be extremely disappointed. While
the premise is quite interesting, the execution is simply awful.
A snail would be thinking the pacing of the movie is slow, as
the extremely slight story is dragged out for 100 minutes.
The revelation
of Shaun’s appearance and the effect it has on Anna and
the people around should have opened up a cornucopia of possible
plot lines but all the film does is border on the ridiculous.
While it is easy to agree that it would stare up past feelings
and memories, some of Anna’s reactions are simply preposterous
and bordering on paedophilia. This is never graphic or exploitive
but the suggestion is there and this instils a nasty tinge to
the whole film.
The film’s
only saving grace is the performances of the cast. Cameron Bright
is a talented child actor who deserved a better script than
this. He delivers Shaun’s lines with a believable conviction
that makes the character more authentic, even as the plot collapses
around him. Anne Heche and Peter Stormare make good cameo appearances
but their characters are very underdeveloped and underused.
Danny Huston probably gives the best performance as Joseph,
the only one who seriously questions Shaun’s revelation
and reacts accordingly with it. The character is let down slightly
in the finale, as he doesn’t really question any of Anna’s
actions or mental state. Lauren Becall brings some class to
the proceeding but doesn’t have enough to do, making the
role a real waste of her talents.
The movie
is all about the performance of Nicole Kidman and you can tell
that this was put together in order for her to get award recognition.
Her performance is fine and you have to applaud the fact that
she does choose more challenging and interesting sounding productions
but this won’t do anything to further her career.
‘Birth’
is one of the dullest and most drawn out cinematic experiences
you could ever choose to endure. You know that you are in for
something truly excruciating when you have to sit and watch
Nicole Kidman stare out of the screen for well over four minutes,
without actually doing anything. While the performances save
this from been a total disaster, the film lack of a real conclusion
and any explanation as to why the Shaun thinks he is Anne’s
long dead husband make the film less credible and more farcical
than it should have ever been.
Star Rating
= *
PICTURE
& SOUND
Presented
in 1.85:1 Anamorphic Widescreen with a Dolby Digital 5.1 surround
soundtrack, this is a decent transfer. The look of the movie
was already slightly grainy and pastel coloured and the transfer
reflects this. The sound is also fine, emphasising the dialogue
but never really setting your speakers ablaze.
BONUS FEATURES
Trailers
Previews of ‘Fat Slags’, ‘Blade Trinity’,
‘Assault on Precinct 13’, ‘In Good Company’
and ‘Million Dollar Baby’
OVERALL
Even a film
as appalling as ‘Birth’ deserves some DVD bonus
features. While some may argue that some films don’t need
extras, fans and film enthusiasts still want to know as much
information about a movie as they can get and as the DVD market
becomes the dominant form of Home Entertainment, the viewer
now expects more than just the movie. This is not good enough.