Fifteen
years ago, Tim Jensen (Watson) was told a story about the man
who lived in your closet and who get you when lights went out.
Terrified to go to sleep, his dad came into show him that everything
was safe, only to be taken before his very eyes. Now grown up,
Tim was still gripped by fear but on hearing about the death
of his mother, he realises he has to return to the house were
it all started.
After starting well
with the remake of ‘The Grudge’, Sam Raimi’s
production company ‘Ghost House Pictures’ second
picture is an original fright fest but does it have what it
takes to produce some genuine scares? Definitely not!
Hopes where high
when Sam Raimi started his own film company to specialise in
horror but after this effort you might start thinking it is
going down the same route as Robert Zemeckis’s Dark Castle
Entertainment buy producing unoriginal, mundane horror movies.
This is horror on its most basic level, providing the most basic
scares and delivering a pay off that is extremely predictable
and just plain lame.
By trying to utilise
different camera techniques, quick focus, erratic movements
and fast cuts, director Stephen T. Kay, wants to create as many
jumps as he can but he just doesn’t have the still or
vision of the current leaders in the field, Asian cinema. For
a film that is supposed to be running on tension, the level
is high in the beginning but then plunges to an all time low
when it comes to the completely awful finale.
The main problem
with the movie is the pacing. It is just far too slow and this
just dissipates any tension that has been built up in the pre-credit
sequence. The film plods along, offering the odd jump but as
the movie builds to its inevitable climate, everything becomes
far too clichéd and repetitive. How many times do we
have to have Tim looking scared while looking at a closet door?
The climatic reveal
of the Boogeyman himself is the biggest let down. Originality
is thrown totally out of the window and, as with many Hollywood
horror flicks, they do not reveal the origins or reasoning behind
his actions. What drives him to torment little children? Where
does he come from? How did he get his powers? These questions
are unanswered and this will frustrate most horror fans.
‘Boogeyman’
is an example of Hollywood doing horror extremely badly. With
no real creativity or originality, this is a like and instruction
manual on what not to do. By trying to imitate the Japanese
style but combining it with the traditional tinsel town monster,
the filmmakers have created something that just doesn’t
work and creates no tension, suspense or real horror. You’d
be right in expecting more from Sam Raimi’s production
company.
Star Rating = *
PICTURE & SOUND
Presented in Anamorphic
Widescreen 1.85:1 with Dolby Digital 5.1 surround sound, the
movie is presented very well.
BONUS FEATURES
Cast and Crew Interviews
Evolution of the
Horror film (14.55 mins)
Director Stephen
Kay, producer Rob Tapert and stars Barry Watson, Lucy Lawless,
Skye McCole Bartusiak, Tory Tusset and Emily Deschanel talk
about bringing ‘Boogeyman’ to the silver screen.
The cast and crew reveal the influences behind the movie, looking
at the Japanese approach to the genre. They also look at night
terror experiences and explain what they think the Boogeyman
actually is.
Crew, Characters
and Cast (19.35 mins)
Director Stephen
Kay, producer Rob Tapert and stars Barry Watson, Lucy Lawless,
Skye McCole Bartusiak, Tory Tusset and Emily Deschanel talk
about the technical aspects and characters of the movie. Here
we are taken behind the scenes of the film making process, highlighting
the look and feel of the piece and the influences behind the
aesthetics. The featurette also looks that the characters Tim,
Jessica, Kate, Franny and Tim’s mother, as each actor
and actress discusses their roles.
Deleted Scenes (15.52
mins)
Entitled ‘Alternative
Ending’, ‘Trying to rescue Dad’, ‘Tim
strapping himself into a chair’, ‘Owner of the backpack’,
‘Bedroom flashback & dead cat’, ‘Park
& Street scene’, ‘Photocopy room and Jessica
in the office’, these deleted or alternative scenes suffer
from a lack of commentary or introduction to inform you why
they were cut.
Storyboards (9.15
mins)
Watch the animated
storyboards for ‘Opening’, ‘Missing Children’
and the ‘Alternative Ending’. These transition from
the actual film into the animated storyboard, letting you put
them into the context of the film.
Visual Effects Progression
(4.26 mins)
Watch the how the
visual effects were created for the ‘bathroom’,
‘final confrontation’ and ‘the battle’
sequence’ at various stages of completion.
OVERALL
Even though this
is a completely awful horror movie, the DVD transfer is good.
Despite the lack of a commentary track (probably due to embarrassment),
the rest of the extras are very watchable, even when you hear
producer Rob Tapert comparing the film to ‘Evil Dead’.
Fans of the film will be very happy.