Carnages
is an eccentric, dark tale following the remains of a bull who
is killed having goaded and defeated a young Matador; subsequently
carved-up, the Bull’s remains are sent across Europe,
coming into contact with several unusual groups of people. Each
group are ultimately linked together, and we watch their lives
unfold, the Bulls mystical remains always dictating what is
happening.
The characters are
all very much bizarre: They include a death-obsessed, Valium-popping,
five-year-old; A suicidal philosopher; A recluse taxidermist,
who shares a caravan and bed with his aging mother; and an amnesiac
teacher … to name but a few.
This film is particularly
dark and moody. It’s also very quiet, moments of music
a rarity and always coming in the diagetic form, no over-imposing
added score required to create tension, the atmosphere being
created through expert cinematography and slow editing; wide
shots and long takes are plentiful, and the placing of characters
(often at each end of the screen) really pushes the message
of one of the key themes, loneliness, a thing shared by all
the main protagonists. Maybe this is due to each one being such
an individual?
There is no central
figure in this story, it is divided between several characters,
or rather groups of characters who are joined together through
some form of intimate relationship. Despite their being no central
focus of the film the director, Gleize, manages to divide the
story up enough, and give enough subtle background information
to develop the characters substantially into a group we want
to know more about, and ultimately when the film ends we are
curious as to where their paths continued.
In recent screen
endeavours it appears a trend to under-develop characters, directors
choosing to instead concentrate on satisfying the superficial
visual needs of the audience, making the experience ultimately
unfulfilling, something designed only to gratify rather than
challenge, inspire and educate. This film does not suffer from
this, it is a challenge, and it is enjoyable.
Thematically the
film is something of a gem, there are many themes and issues
looked at in this film, it is a theorists dream. The themes
are, on the whole, a little darker than the mainstream. We have
issues such as death and the family unit, most notably the role
of the ‘mother’, which is looked at from various
angles; offering a suggestion as to what Gleize was saying would
be difficult, the audience should decrypt their own meanings,
something that a good film will allow the audience to do.
The Matador link
and concept of a Bull having mystical powers seems a somewhat
weak idea, but this is perhaps the only weakness in this great
film. The cinematography and portrayal of the major protagonists
is done in an expert and knowing way; I like the fact that each
one is a kook, it engages the audience much more than a stereotypical
character. Go on watch this film, it is definitely worth it
for anyone who is into stylish indie-type films.