There
have been many war films, and even in the off chance that there
are no more wars, the films will still continue. As many war
films as there have been, the issue of soldiers during peace
time is one which has not often been dealt with. The Coast Guard,
a dramatic tale from the director of 3-Iron, Samaritan Girl
and Spring, Summer, fall, Winter…And Spring, deals with
these issues in all brutal honesty. Director and writer Kim
Ki-Duk has become an expert at bringing tales of harsh reality
and somber tones to screen, and the Coast Guard is no exception.
Along the Korean
coast there are Coast Guard soldiers who patrol every night
despite the fact that they are no longer in war. The guards
hope that if any spies come on the beach, they will be there
to kill them. It is driven into their training that killing
a spy is among the highest honor, and because of this fact Private
Kang waits eagerly for his chance to prove himself. In fact,
Kang is far more eager than the rest, wearing camouflage make-up
on patrol and sneaking through bushes on his free time. It comes
as no surprise when Kang is the one to spot and kill a suspected
spy on the beach. What is a surprise is the fact that the suspect
is actually a civilian. Kang is rewarded just the same and although
the girl who was with the victim went insane, Kang seems to
be handling the stress calmly for a while. The more it builds,
however, the more it seems inevitable that Kang is a danger
to himself and others.
There are no real
comments on war within the film, but more about the idleness
of a soldier without war, and perhaps the paranoia as well.
The film is a character study of one soldier’s journey
through the mad world he lives in. Kang is gung-ho until the
accident and then he seems unable to lift a weapon, but this
changes as well. By the end of the film we have a very harsh
portrayal which is difficult to shake.
As with other films
from this director, the emotions of the characters are extreme
and yet not always clear. The film focuses on them, so that
the technical aspects of the film are not quite as good, but
with the subject matter it would not work as well to be too
polished anyways.
The DVD includes
an interview with the director as well as a commentary track
by him. There is also an introduction to the film by the director
as well. It is clear that Kim Ki-Duk is very dedicated to his
films, and is willing to spend the time explaining it to his
audience as well. There is also promotional material, including
a film trailer and a music video.