Trying
to cope with the heartbreak of his wife’s death, Justin
Quayle (Fiennes) doesn’t trust the British government’s
findings and decides to start his own investigation into how
she died. What he discovers draws him into a web of deception,
cover-ups and murder. As he digs deeper and gets closer to the
truth, he realises that Tessa (Weisz) has discovered something
that could expose how the drug companies and governments of
developed countries are exploiting Africa and its people.
Fernando Meirelles
made a real impact with the visually compelling ‘City
of God’ but can the Brazilian’s first English language
movie make the same splash?
Based on the best
selling novel by acclaimed author John le Carré, Meirelles
takes his unique visual style and sense of story and character
to Kenya, to tell a tale of the exploitation of Africa and its
people. The director has an immeasurable skill as taking you
into a story and letting the characters and what you have tell
you run the pace of the movie. He also uses the camera as a
witness or another character that follows the story along with
the main players.
Utilising handheld
filming techniques, Meirelles uses the camera to make the film
more like a documentary of actual events than a fiction tale
of deception and intrigue. He takes you into the heart of Africa,
showing you its people, its problems and the people who are
exploiting it. This is a movie with a lot to say and pulls no
punches it in showing it and pointing fingers. With political,
economic and social issues raised, the movie takes a long, hard
look at how the developed world sees Africa as an opportunity
and its own personal test bed for everything. This is certainly
a film that will get you thinking and talking by staying long
in the mind well after the final credits.
Bringing this story
to life are two superb performances from the main players. Ralph
Fiennes plays the good-natured Justin Quayle. He is a typically
British, mild mannered member of the British High Commission
in Kenya who has no real ambition or drive to move up the ladder.
He would rather spend time in his garden than deal with the
political or social injustices with the country he now lives
in. This all changes when his wife is killed and his love for
her drives him to find out what happened and the reasons behind
it. This is another scene stealing performance from Ralph Fiennes,
proving again that he is one of the best actors of his generation.
It is Rachel Weisz that truly drives the film however. Shown
in flashback as Justin recounts his memories or as revelations
have been uncovered, it is Tessa Quayle that is plot device
that drives the movie and Justin’s quest for answers and
justice. She has always been an actress to take notice of but
this is a role that will push her into the more serious actress
category and away from her usual Hollywood fair. The movie also
has some good supporting performances from Danny Huston, Hubert
Koundé, Bill Nighy and Pete Postlethwaite, who all drive
the movie to its dramatic conclusion.
‘The Constant
Gardener’ is a movie with a lot to say and pulls no punches
in saying it. With outstanding performances from the two main
players and their support and a director who takes you into
the heart of the story, this is film that will stay with you
for a very long time.
Star Rating = * *
* *
PICTURE & SOUND
Presented in Widescreen
1.85:1 Anamorphic with a Dolby Digital 5.1 soundtrack, the transfer
is extremely good, capturing the pure essence of the Kenyan
setting.
BONUS FEATURES
Deleted Scenes (10.33
mins)
Four deleted scenes showing more of Sandy’s home life,
more of Justin’s investigations, a confrontation in the
British High Commission and Kenyan life. Unfortunately these
scenes are not accompanied by either an introduction or commentary
track to say why they were removed.
Extended Scene: Harvma
– Play in Kibera (9.42 mins)
Watch the full version of the informational play about AIDS
prevention shown partly in the movie.
Embracing Africa:
Filming in Kenya (9.29 mins)
Director Fernando Meirelles, producer Simon Channing Williams,
Kenyan casting director Emily Mabonga and stars Ralph Fiennes
and Rachel Wiesz talk about filming in Kenya. The cast and crew
reveal how they actually choose to shoot in the same place as
the book was set and not in South Africa as originally planned.
They also discuss what it was like filming and working there
and the extraordinary cooperation they receive from the Kenyan
people themselves.
John Le Carré:
From page to Screen (8.08 mins)
Director Fernando Meirelles, producer Simon Channing Williams,
former British High Commissioner Sir Edward Clay and novelist
John Le Carré himself talk about the adaptation of ‘The
Constant Gardener’. The author reveals how he feels about
adaptation of his books by Hollywood in the past and how he
feels that this is the best he as seen in a very long time.
He also reveals how he came about the idea for the book and
how film differs from the novel.
Anatomy of a global
thriller: Behind the scenes of The Constant Gardener (11.35
mins)
Director Fernando Meirelles, producer Simon Channing Williams,
novelist John Le Carré and stars Ralph Fiennes, Rachel
Weisz, Danny Huston, Bill Nighy Donald Sumpter and Pete Postlethwaite
take you to Kenya for the adaptation of ‘The Constant
Gardener’. The featurette looks at the implications and
power of the story, the strength of the characters and the exploitation
of Kenya and Africa by First World countries.
Trailers
Previews of ‘Brick’, ‘Cinderella Man’
and ‘Law & Order’
OVERALL
Universal
has done a decent job with the DVD transfer of ‘The Constant
Gardener’. The featurettes are a little short but informative
but the lack of a commentary track for a film with such a lot
to say is almost criminal. Fans however should be pleased and
anyone who missed this marvellous movie on the big screen should
catch it now.
There is
a lot of attention given to filmmakers after they have had success.
The first film is only looked at with any consequence if it
is good, but when the filmmaker must decide on his next film,
it is guaranteed that he will be examined. Director Fernando
Meirelles drew attention on himself with City of God, and it
was no surprise when The Constant Gardener was watched carefully.
This must have been a fact that Meirelles was extremely aware
of, because The Constant Gardener is a calculated and well executed
thriller, almost to a fault.
The Constant
Gardener is a suspense thriller that creeps up on you in what
first seems like a drama about a man who has lost his wife.
In many ways the first half of the movie reminded me of Keith
Gordon’s Waking the Dead. We see through flashbacks how
a diplomat falls in love and marries a woman whose radical ideas
often get him into trouble at dinner parties. The two of them
move to Africa for his job, but she has plans of her own, which
end up getting her killed. As he searches for the truth he finds
that she had uncovered a conspiracy which was killing hundreds
of people and putting many more at risk. The closer he gets
to the truth, the likelier it seems that he will be the next
victim.
Ralph Fiennes
and Rachel Weisz both do fantastic jobs with the scenes that
they have away from each other, which is most of the film, but
there is something not quite believable about their relationship.
It isn’t that they are doing a bad job, or that there
isn’t any chemistry, but it just seems that the script
never gives proper time to establish that they love each other.
If anything it seems that he loves her while she is simply using
his status to try and change the world. This makes him seem
like a chump and her seem cold, and that doesn’t help
for the rest of the film.
It is a
slow building story; one in which car chases end up being paranoia
more than anything else. It is more of a realistic film, so
the action is usually not even shown. It is all done so that
we just get glimpses of suspense, leaving more to the imagination.
This style is similar to City of God, and it is obvious that
Meirelles has a very distinct way of shooting films. It is almost
a calculated sense of chaos that he seems to be going for in
most shots.
The DVD
has a great menu for the film, and plenty of trailers before
the menu, but aside from the film it is the special features
which are most impressive. There are some of the usual bonuses,
such as deleted and extended scenes, but they are not entirely
film altering. There are a few featurettes which are great though.
There is a featurette on the adapting of the John Le Carre story
and one on filming in Kenya. There is also a behind the scenes
featurette as well.