A
wager between God and the Devil has seen mankind been influenced
by good and evil for millennia but there has always been a steady
balance until now. The emergence of the ‘Spear of Destiny’,
the weapon that killed Jesus Christ on the cross, has caused
stirrings in the deepest depths of Hell, leading the balance
to shift in the favour of evil. Supernatural detective John
Constantine (Keanu Reeves), who has a gift to see both the agents
of good and evil on earth, sees this horror coming and it is
up to him to stop the coming apocalypse.
Another comic book
movie hits the silver screen but does ‘Constantine’
have what it takes to set the box office ablaze?
Based on the popular
Vertigo/DC comic book series ‘Hellblazer’, ‘Constantine’
opens your eyes to a world were the difference between going
to heaven and hell can be influenced by the powers of good and
evil. Here we see both angels and demons walking amongst us,
pushing mankind to extremes or bringing them back from the brink.
This mythology of the ‘Hellblazer’ universe opens
up a myriad of plot possibilities and a fascinating outlet for
both action and horror. Unfortunately the film doesn’t
capitalise on this fully.
Feeling more like
the first act of a much larger story, ‘Constantine’
is an introduction into the ‘Hellblazer’ universe.
Here we find out about the continuing battle for the control
of the human soul by the forces of light and dark. With an intriguing
premise revealing how God and the Devil made a wager about their
influence over human beings, the film takes us into the battleground
of Earth as the balance between good and evil is though on a
covert scale. In the middle of this are a select number of ‘gifted’
humans that can see the agents of good and evil on Earth. One
of these people is John Constantine, a self-proclaimed supernatural
detective who has taken it himself to banish the agents of hell
who try and tip the balance more into their favour. An intriguing
premise that is only partly realised.
The main problem
with the film is that it spends a lot of its time introducing
you to these facts and not enough time on the actual main plot
of the film, the tipping of the balance in the favour of evil
and the plot that surrounds this. For a character that already
supposed to know all about this, John Constantine seems to spend
an awful lot of time rehashing a lot of things that he has already
explained to Angela Dodson but making out that he has discovered
these facts for the first time. As Angela becomes more awake
to John’s vision of the world, the interweaving of backstory
and current plot becomes confusing, when it would have been
far similar to reveal his in a flashback montage or an epic
opening scene.
This aside there
is still much to enjoy about ‘Constantine’. The
look of the world that the supernatural detective inhabits is
superbly realised. Treating Heaven and Hell as parallel universes
that exist on the same plain as Earth, we see our anti-hero
travel into Hell itself to find him wondering through a fire
engulfed version of Los Angeles, where the film is set. Filled
with demons and the souls of the dammed, this version of Hell
is more vivid and frightening than the usual, more traditional
approach as you can easily relate it to a destroyed version
of our own paradise.
The characters are
also well realised. John Constantine himself is a little bit
more than your typical anti-hero. His gift is more of a burden
that he has to carry but he is driven in his fight to make amends
for a previous mistake that cost him his place in Heaven. Keanu
Reeves excels in these types of roles. While he might not be
the best actor in the world, he does have a screen presence
that draws you into the characters he plays. Add you this that
he also does action really well and you have some one who is
always worth watching. Rachel Weisz is an actress that always
draws your attention. No stranger to big budget action films,
this a role that calls for many of these skills but also draws
on her ability to create good, believeable characters. As Angela,
we meet a character riddled by grief over the death of her sister
but driven by the need to find out what happened to her. Add
to this good support from the constantly watchable Shia LaBeouf
as Constantine’s sidekick Chas, Djimon Hounsou as Papa
Midnite, Tilda Swinton as the archangel Gabriel and a fantastic
turn by Peter Stormare and you have an extremely watchable cast.
‘Constantine’
is a good comic book movie that only suffers from trying to
tell you too much in too shorter time. As this feels like the
start of something much greater, this first film does get bogged
down in backstory and introductions into the ‘Hellblazer’
universe, to the detriment of the main plot of the film. The
performances, the look of the film and the gripping finale make
up for this however and make ‘Constantine’ the first
act of a continuing story of the fight between good and evil.
Star Rating = * *
*
PICTURE & SOUND
Presented in Anamorphic
Widescreen 2.35:1 with Dolby Digital 5.1, the movie is presented
extremely well.
BONUS FEATURES
Single Disc Version
Commentary by Francis
Lawrence, Frank Cappello and Kevin Brodbin
The director and the two co-screenwriters talk about bringing
Alan Moore’s creation to the silver screen. The trio talk
about the film’s development from the initial purchase
of the rights and the first draft of the script back in 1998
to the major and minor changes that occurred over the film’s
development. They also talk about the change of location and
the nationality of the lead character, as they switch the story
from England to the US and Los Angeles, but trying to keep the
full essence of Alan Moore’s vision. This is an interesting
commentary from three men who have spent a lot of time with
the character and the project.
‘Passive’
Music Video by ‘A Perfect Circle’ (4.16 mins)
Watch the promotional
music video that features clips from the movie and the band
descending into Hell.
Teaser and Theatrical
Trailers (3.11 mins)
Watch the promotional
trailers from ‘Constantine’.
OVERALL
Movie Studios are
now releasing single and double disc version of many of their
hit movies and ‘Constantine’ is another example.
The single disc version is for those people who just want the
movie and not the extras that add to the film and ultimately
the price. This gives film fans the option of what they want
to buy, which is what everyone wants. The single disc version
still comes with a good commentary track and promotional material,
offering good value for the casual viewer but major fans should
buy the 2-disc set.
DVD Star Rating =
* * *
Disc 2
Deleted scenes, including
an alternative ending
'The Production From
Hell' documentary gallery: Director's Confessional / Collision
With Evil / Holy Relics