Going
through a traumatic divorce, Dahlia Williams (Connelly) moves
into an apartment block on Roosevelt Island with her daughter
Ceci (Gade). As she fights for sole custody with her husband
(Scott), things start going from bad to worse. Damp patches
start appearing on her bedroom ceiling, footsteps and other
noises start coming from the apartment above, Ceci starts talking
to an imaginary friend and she can’t get any sleep with
having nightmares.
As originality
continues to drain away in Hollywood, the passion of Asian horror
remakes continues with 'Dark Water' but this re-imagining forgets
to include the main element that made the Japanese original
so memorable, the scares.
Hideo Nakata's
2002 Japanese ghost story was filled with some genuinely frightening
moments that would literally send shivers down your spine. Like
'Ringu', 'The Eye' and 'The Grudge' had done, this was a movie
that had you jumping out of your skin as the films relied on
quick frights and fast cuts to really get your blood racing.
The Hollywood remakes, 'The Ring' and 'The Grudge' has also
done this successfully but this version of 'Dark Water' is very
different.
Acclaimed
director Walter Salles and his creative team have decided to
filter out most of the ghost story elements and thus the scares
and replace them with more psychological, family based drama
elements that make the film slightly confusing. He has keep
most of the other elements, the divorcing family, the dilapidated
apartment block, the mystery of the missing girl and certain
elements of the haunting such as the damp patches, the flooded
apartment and the black water but without the scares the movie
loses its purpose and ends up feeling empty. Now you end up
thinking is this all in Dahlia and Ceci's minds, as the trauma
of divorce, separation and the past become too much in this
isolated apartment building or is Natasha actually real and
controlling their fate to get what she so desperately needs,
love. Everything becomes far too bleared and the narrative and
direction of the film becomes completely lost.
The performances
however are what save this from becoming anything but average.
Jennifer Connelly's career has gone from strength to strength
since appearing in 'Requiem for a Dream' in 2000. She is no
longer considered just an extremely pretty face but a talented,
Oscar winning actress that has a gift for drama. 'Dark Water'
does nothing but strengthen this view, as she is the traumatic
heartbeat of this movie. As Dahlia becomes more and more paranoid
about the situation and the revelation about her childhood come
to light, Connelly's performance becomes totally mesmerising,
bringing real depth to the character. Child actress Ariel Grade
is also exceptionally good as Ceci. This is a key role in the
movie as she goes through just as much trauma as her mother,
when her pretend friend becomes more and more assertive. There
is also a top-notch supporting cast of Dougray Scott, as the
cheating, uncooperative husband, Pete Postlewaite as a lazy,
uncaring caretaker, Tim Roth as a lawyer living out of his car
and John C. Reilly as a sleazy landlord.
If the original
'Dark Water' didn't exist then this movie would be a good psychological
drama with a supernatural twist but as it was, comparisons are
bound to be made. The film's big mistake is getting rid of the
scares that served the original so well. You have to applaud
the performances and the look of the film, as they really do
capture the bleakness of the location and the feeling that the
characters are going through but with the ghost story elements,
the movie is missing its spirit.
Star Rating
= * * *
PICTURE
& SOUND
Presented
in Anamorphic Widescreen 2.35:1 with Dolby Digital 5.1, the
movie is presented well.
BONUS FEATURES
Beneath
the Surface: The Making of Dark Water (15.47 mins)
Director Walter Sallis, screenwriter Rafael Yglesias, producers
Ashley Kramer and Bill Mechanic, production designer Thérèse
DePrez and stars Jennifer Connelly, John C. Reilly, Dougray
Scott, Pete Postlethwaite, Tim Roth and Ariel Gade take you
behind the scenes of ‘Dark Water’. Split into five
sections entitled ‘Beyond the horror’, ‘An
Island apart’, ‘Water by Design’, ‘Deep
Water’ and ‘A director’s vision’, the
featurettes cover the adaptation of the original Hideo Nakata
and the novel by Kôji Suzuki, the use of Roosevelt Island
in the film, the construction of building set and the use of
rain and water throughout the production.
The Sound
of Terror (7.17 mins)
Director Walter Sallis, editor Daniel Rezende, associated editor
Maria Montoreano, sound designer Frank Gaeta and re-recording
artist Scott Millan talk about the role of sound within the
movie. They reveal how sound enhances Roosevelt Island, the
darkness, the ceiling stain and the water.
Deleted
Scenes (1.51 mins)
Entitled ‘Dahlia at the Laundromat’ and ‘Ceci
& Kyle in the car’, these deleted scenes are not accompanied
by a commentary track so you don’t know why they are removed.
Extraordinary
Ensemble (25.54 mins)
Director Walter Sallis, screenwriter Rafael Yglesias, producers
Ashley Kramer and Bill Mechanic, production designer Thérèse
DePrez and stars Jennifer Connelly, John C. Reilly, Dougray
Scott, Pete Postlethwaite, Tim Roth and Ariel Gade talk about
the characters of the piece, the style of the film and what
it was like working with the director.
Analysing
Dark Water Scenes
Director Walter Sallis, editor Daniel Rezende, associated editor
Maria Montoreano, production designer Thérèse
DePrez and producer Bill Mechanic analyse the scenes ‘Blue
Robe’, ‘Wall of Water’ and the ‘Bathroom
Scene’. They talk about the structure of the scenes and
why the wall of water was removed.
Alternative
Sequence: Wall of Water (4.07 mins)
Watch the full version of the removed dream sequence that Dahlia
goes through while visiting the room.
OVERALL
The DVD
release of ‘Dark Water’ is accompanied by some good
bonus features that cover most aspects of the film production.
The only thing lacking is a commentary tack but this should
not put off fans from purchasing the DVD.