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The Day After Tomorrow DVD Review:

As
tornados tear through Los Angeles, hailstones the size of footballs
pummel Tokyo and it snows for the first time in New Deli, climatologists
Jack Hall (Quaid) in Washington D.C. and Professor Terry Rapson
(Holm) in Scotland, make an alarming discovery. This isn’t
just a series of freak metrological events but the start of
something that could change the world forever. For the first
time in 10,000 years a super-storm is going to plunge the Earth
into a new ice age.
If you want to make
a disaster movie based on the effects of extreme climate change
due to global warming there is only one man to go to, Roland
Emmerich.
The master of disaster
brings us his best and biggest event movie yet. This is a director
who loves to destroy cites, especially American metropolises,
and put the world in cataclysmic danger but The Day After Tomorrow
is different, this time the villain is nature itself. There
are no aliens to attack or giant lizards stomping buildings
to the ground, just a wounded climate reacting to years of pollution
and environmental change in spectacular fashion.
The wizards behind
the special effects have a field day, producing some of the
most devastating phenomena that nature could unleash. You sit
in awe as tornados rip through the L.A. skyline and your jaw
drops as a giant wall of water heads for New York. These scenes
of destruction are some of the best ever created and the highlights
of the movie. Emmerich uses close and long shots with frightening
effect as we see the destruction tearing through the cites from
above and then we are taken to ground level to witness the human
perspective as the extreme weather roars on.
Mixed in the all
the devastation is a story of human survival. You realise very
early on that this isn’t going to be your typical disaster
movie where America and its gung-ho heroes save the day by averting
the coming Armageddon at the last possible moment. This is an
event that cannot be stopped so the story becomes one of despair
and realisation. This means characters die and the peril and
foreboding is very real.
The cast do a very
good job at conveying this. The very underrated Dennis Quaid
plays the obsessive scientist Jack Hall very well. He has an
old fashioned, slightly iconic leading man quality in a similar
way to actors like disaster movie veterans Steve McQueen, Charlton
Heston or Gene Hackman and this lends itself well to the genre.
Jake Gyllenhaal continues live up to his reputation as one of
the best upcoming actors in the business with another good performance
as Sam Hall. This character could have so easily have been an
annoying teen heartthrob who you are meant to believe is extremely
intelligent but even thought it might start off looking that
way, Gyllenhaal’s performance soon puts any of these fears
to rest. He is supported well by the beautiful Emmy Rossum as
love interest Laura and Arjay Smith as the geeky Brian. Sela
Ward is also good but slightly underused as Lucy Hall, Jack’s
wife and Sam’s mother. Ian Holm brings some class to the
proceedings and Kenneth Welsh plays the real villain of the
piece, the sceptical, non-environmentalist Vice President.
The movie does have
its problems however. Because of the grandeur of the situation,
the development of the characters does suffer because of this.
Why are Sam’s grades and interest in school dipping, where
were Lucy’s patient’s parents and why most of the
characters with exception of the main family so unconcerned
about their own relatives or friends? The film also needed a
few more hysterical, panic-stricken people to make the situation
more believeable. Also why do we always only get to see the
American cites been destroyed. Director Roland Emmerich has
now ruined New York three times, isn’t it about time he
took a bash at another city. We only get told that Europe is
been covered with ice and that Australia was consumed by the
Pacific, it would have been nice to have seen some of this,
even if it was only after shots.
This aside, The Day
After Tomorrow is still a very entertaining distaster movie
with a social message attached. As climatologists speculate
that this could actually happen, but just not as fast, the film
does make you more aware of Global Warming issues and the current
environmental policies of world governments, especially the
US. The film might not totally blow you totally away but it
gives it a very good try.
Star Rating = * *
*
PICTURE & SOUND
Presented in Widescreen
2.35:1 Anamorphic with a choice between Dolby Digital 5.1 and
dts soundtracks, the transfer is extremely good. The picture
quality is superb through, bringing the storm to life before
your eyes. The sound quality is also first rate, throwing you
into the eye of the storm, so to speak. The inclusion of a dts
sound track is also a much welcome bonus.
BONUS FEATURES
Disc One
Commentary by director/co-writer
Roland Emmerich and producer Mark Gordon
This is a chatty
and informative track from two people who are passionate about
the project. The pair talks about the technical aspects of the
movie, revealing many secrets about the production. They reveal
that most of the film was shot in Montreal, with the Canadian
city doubling for most of the locations in the film, also they
disclose when scenes where removed or altered and what those
scenes were actually like. This is a fine example of how a commentary
track should be, two people talking enthusiastically about something
they spent many years of their lives working on.
Commentary by co-writer
Jeffrey Nachmanoff, cinematographer Ueli Steiger, editor David
Brenner and production designer Barry Chusid
A more technical
orientated but still chatty commentary from the crew of the
movie. Co-writer Jeffrey Nachmanoff makes most of the conversation
as he talks avidly about his script and the characters. The
crew talk about how the shots where constructed revealing that
many scenes ended up on the editor’s floor and how real
shots were combined with CG to produce the stunning visual effects.
Again this is another fine example of a very informative commentary
by people who know a lot about the film making process.
Inside Look
Go behind the scenes
of the creature effects for the upcoming movie Aliens vs. Predator.
Trailers
Previews for I, Robot,
Garfield: The Movie and The Simpson’s on DVD
Disc Two
Inside The Day After
Tomorrow
Pre-production
Previsualisation
(5.08 mins)
Visual effects supervisor
Karen Goulekas takes you behind the scenes of the storyboard
and pre-vis processes used to block out the special effects
sequences for the movie. This mini-featurette also includes
comparisons between the final shots and the pre-vis computer
mock ups.
Pre-Production Meeting
(6.45 mins)
On November 2nd 2002,
director Roland Emmerich and his crew got together to discuss
how they are make the movie, mapping out the technical aspects
of the shoot. This gives you an interesting insight into how
a production gets started.
Storyboard Gallery
A montage of twelve
storyboards from the biggest scenes in the movie and some deleted
scenes.
Concept Art Gallery
Your chance to see
concept art for the beach house, chopper, diner, ice shelf,
India, I.S.S., LA Tornado, Library, Mall, Mexico, Natural History,
N.O.A.A., New York City schematics, Tokyo, United Nations and
the wolves.
Production
Eye of the Storm:
Filming The Day After Tomorrow (1hr 08.44 mins)
Director Roland Emmerich,
producer Mark Gordon, co-writer Jeffrey Nachmanoff, visual effects
supervisor Karen Goulekas, production designer Barry Chusid,
director of photography Ueli Steiger, special effects supervisor
Neil Corbould and stars Dennis Quaid, Jake Gyllenhaal, Sela
Ward, Glen Plummer, Austin Nichols, Arjay Smith and Emmy Rossum
take you behind the scenes of The Day After Tomorrow. Starting
on the first day of production, 7th November 2002, this documentary
covers the entire filming process. Here we find out how the
production made the Montreal look like LA, New York, Tokyo and
India. We also discover how the many special effects shots were
created, both digitally and in real life, including the use
of fake snow, weathering of the many sets and how they created
fake snow fall on the real Mexican border. This is a fascinating
documentary that covers every aspect of the production process.
It shows you how much work goes into a huge movie like The Day
After Tomorrow.
Post Production
Pushing the Envelope:
Visual Effects (31.34 mins)
Director Roland Emmerich,
visual effects supervisor Karen Goulekas and the members of
the various special effects houses that were involved with the
production talk about creating the 416 visual effects shots
created for the movie. The featurette covers the creation of
the opening ice sheet, the super storm cell, the LA Tornados,
the helicopter crash, New York City storm tide, the wolves,
the big freeze and the computer recreation of New York. This
is a very interesting insight into how different FX Houses come
together to produce the large amount of shots needed for a film
of this magnitude.
Deleted Scenes (17.40
mins)
With optional commentary
by director/co-writer Roland Emmerich and producer Mark Gordon,
these ten deleted or extended scenes entitled “Scene 21:
Kids Study”, “Scene 25: Gary’s shady deal/Taka
dies”, “Scenes 9-19 Hurricane Hunter/Kona Beach”,
“Scene 58A: Gary vs. Foster”, “Scene 59: Tommy’s
big break”, “Scene 100-103: Stock Market Crash”,
“Scene 156: Ask Mexico for help”, “Scene 207A:
Campbell & Co, last exit to Brooklyn”, “Scene
200-206: Wolf Chase Part 2” and “Scene 209-210B:
First version of Jack and Jason after Big Freeze” do add
a bit more to the movie but the director and producer explain
why they were removed.
Scoring (10.15 mins)
Go behind the scenes
with composer Harald Kloser at the recording the score at the
Newman Stage in LA. Here we hear the orchestra playing the music
that accompanies the wolves sequence, the end of the storm,
the big freeze and the freezing of New York City.
Audio Anatomy (1.44
mins)
This interactive
special feature allows you to listen to each sound element that
combines to make Helicopter crash scene so spectacular.
The Science of Tomorrow
The Force of Destiny:
The Science and Politics of Climate Change (1hr 00.22 mins)
Director/co-writer
Roland Emmerich, co-writer Jeffrey Nachmanoff, producer Mark
Gordon and numerous scientists and climate experts discuss the
effect humans are having on the planet. This documentary looks
at the devastating effect that the burning of fossil fuels and
population is having on the climate. Split into sections, the
filmmakers and experts explain what is happening to the planet,
showing evidence from Ice core samples, the increase in weather
related phenomena such as forest fires, ice melting and flash
floods. The documentary also reveals that the US contributes
25% of the world’s greenhouse gases, with India and China
the next biggest contributors and none of them making any roads
to reduce their outputs. Succeeding in raising awareness of
environmental issues and pointing out that the movie is an extreme
version of what could happen, this is a very informative documentary
that accompanies the movie extremely well.
Global Watch
Read about different
weather patterns such as floods, tornadoes, storms, hail and
other anomalies.
City Freeze
You chance to see
artistic impression of what major cities around the world like
London, New York, Los Angeles, Sydney, Tokyo, Paris, Berlin
and Moscow, would look like if a new ice age did happen.
OVERALL
Fox have done it
again with another fabulous DVD treatment for one of their big
summer blockbusters. The bonus material is first rate, with
two extremely good commentary tracks and a plethora of behind
the scenes material that covers every aspect of the production
of the movie. The inclusion of an informative documentary only
adds to the value. Couple all of this together with a superb
picture transfer and the inclusion of a dts track and you have
another example of how a DVD should be produced.
DVD Star Rating =
* * * *
Jamie Kelwick

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The Day After Tomorrow Info: |
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The
Day After Tomorrow Director:
Roland
Emmerich
The Day After Tomorrow
Written By:
The Day After
Tomorrow Cast:
Dennis Quaid, Jake Gyllenhaal, Emmy Rossum, Sela Ward,
Arjay Smith, Jay O. Sanders, Austin Nichols, Kenneth
Welsh and Ian Holm
Reviewed
by:
Jamie
Kelwick
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