1876,
the Black Hills of South Dakota. In an age of plunder and greed,
the richest gold strike in American History draws out a throng
of restless misfits to an outlaw settlement where everything-and
everyone-has a price. Welcome to Deadwood...a hell of a place
to make your fortune…
Deadwood
After executing a last act of justice as a Montana marshal,
Seth Bullock relocates to a gold-mining camp known as Deadwood,
where he and partner Sol Star look to start a hardware business.
Bullock soon crosses paths with another new arrival - legendary
gunfighter Wild Bill Hickok - and clashes with the formidable
boss of the Gem Saloon, Al Swearengen. For his part, Swearengen
must handle the deadly result of a run-in between one of his
whores and a trick, while brokering the sale of a gold claim
to wealthy New York socialite Brom Garret. When reports come
of the massacre of a frontier family by Indians, a suspicious
Bullock and Hickok ride out in search of survivors; for Swearengen,
the results are bad for business.
Deep Water
As suspicions arise
that "road agents" may have been the true perpetrators
of the massacre, Swearengen takes a special interest in the
health of its sole survivor, a young girl ministered to by the
unlikely team of Doc Cochran and Calamity Jane. Meanwhile, Bullock
and Star attempt to buy property from Swearengen, who suspects
an alliance between Hickok and these hardware boys. At the Grand
Central Hotel, Brom Garret rethinks his recent investment, while
his wife Alma medicates her anxieties. And as a confrontation
brews over the young survivor, Hickok asks Bullock to cover
his back in a tension filled poker game.
Reconnoitering The
Rim
Competition arrives for Swearengen in the form of the Bella
Union, a new gambling outfit from Chicago operated by savvy
Cy Tolliver, Madame Joanie Stubbs and gaming guru Eddie Sawyer.
Hickok puts up precious collateral in a poker game with McCall;
Bullock and Star strike a deal with Swearengen on a lot for
their store and, with help from Hickok and Utter, set to building;
Brom threatens Swearengen with The Pinkertons before he and
Dan Dority are dispatched to reconnoiter his claim.
Here Was A Man
Swearengen directs Farnum to buy back the Garret claim; Alma
prevails on Calamity Jane and Hickok for help; Hickok commissions
Bullock in his stead; Charlie Utter leaves the camp; an ailing
colleague, Andy Cramed, rejoins the Bella Union; and Hickok's
run of luck at poker yields an unexpected return.
The Trial Of Jack
McCall
Swearengen transforms the Gem into a courtroom as Deadwood is
forced to make its own laws to try a murderer; with Jane off
on a bender, Swearengen employs Trixie to help Alma with the
Metz Child; Doc Cochran fears Cramed's illness might threaten
the camp; Tolliver sends Cramed to take air in the woods, where
he meets Jane; and Bullock decides to take the law into his
own hands.
Plague
Bullock encounters native resistance in his quest to bring a
murderer to justice. Swearengen presses a resentful Farnum to
keep tabs on Alma and Trixie; the camp fathers pool their resources
to dispatch riders after precious vaccine and build a sick tent;
Cochran enlists Jane as a nurse; and Swearengen collaborates
on an article appearing in the Deadwood Pioneer.
Bullock Returns To
The Camp
After tracking down
a murderer, Bullock returns to Deadwood a changed man--and a
marked one--while Utter must pay final respects to a fallen
friend. Dority and Stubbs both take special interest when teenagers
Miles and Flora Anderson arrive in camp in search of their father,
each finding work at a rival saloon; Calamity Jane earns her
moniker in the Pest Tent; Swearengen sees through Trixie's latest
subterfuge; and Alma remains cold on Farnum's inappropriately
advanced bid on her claim.
Suffer The Little
Children
Deadwood breathes
easier when riders arrive with precious vaccine--and word of
a possible treaty with the Sioux. Awaiting Trixie's return,
a pragmatic Swearengen resists counsel from a bloody-minded
Farnum; results of Bullock's assay of her gold claim moves Alma
to reassess her plans and sets up a confrontation between Bullock
and Swearengen; and Tolliver teaches Stubbs a deadly lesson
at the expense of a couple of con artists.
No Other Sons Or
Daughters
With annexation looming, Swearengen calls a meeting to set up
an informal government. Bullock and Alma compare notes on Ellsworth,
and each other; Farnum gets a special-delivery letter from Hickok;
Utter offers Jane a job; and Stubbs prepares to make a go on
her own, with Tolliver's avowed blessings.
Mister Wu
An opium theft leaves Swearengen trying to find common language
with his supplier, as well as navigating tricky waters to deal
with the mess. Meanwhile, Silas Adams, bagman for the magistrate
from Yankton, arrives with bad news for Swearengen; Bullock
regrets having raised his hand at the government meeting; Merrick
proposes Deadwood's first "club"; and an unwelcome
Rev. Smith gravitates to the Gem and its new piano.
Jewel's Boot Is Made
For Walking
Alma's father, Otis Russell, arrives from New York to "help"
with her claim; Swearengen strikes a bargain with Adams to rid
him of some legal baggage; Jewel journeys to Cochran's cabin
for help with her leg; Utter hazards an opinion on the safety
of Nuttal's saloon; Leon and Sawyer resume work at the Bella
Union; Bullock is angered by the choice of a new sheriff; and
Star winds up paying for a free service.
Sold Under Sin
The U.S. Army--under General Crook a.k.a. "Custer's Avengers"--rolls
into Deadwood, prompting a parade...and business solicitations
from Farnum and Tolliver. Swearengen delivers a tortured soul
from suffering; Bullock reacts decisively to Russell's intentions
regarding Alma; Con Stapleton's new commission proves short-lived;
Adams shows Clagett where his loyalties lie; and Bullock and
Alma have a late-night meeting.
Once in a while a
TV show comes along that totally re-invigorates a long dead
televisual genre. ‘Deadwood’ has done that for the
western.
Based on the real
stories that came out of the emerging town in 1876, ‘Deadwood’
has its place in Western folklore but you have never seen it
portrayed like this before. HBO and series creator David Milch
(co-creator of NYPD Blue) have gone for total realism that will
totally amerce you in that South Dakota without law.
Deadwood is an emerging
prospecting town filled with people who have dreams of striking
it rich and those that will take them for every penny. This
is a town without government, council or law, living by its
own rules and forgetting about the America that is growing around
them. This is a place where no rules apply, where your past
is wiped away and you can start again with a clean slate. While
you might think this is rather liberating and free, this is
still a town with rules and its own kind of justice. Enforcing
most of these rules is local saloon and whorehouse owner Al
Swearengen, who owns most of the land in Deadwood and has his
hand in everything that goes on in the town. Everything goes
through him, even if you think it doesn’t, as nothing
is secret from Al, especially when there is money to be made.
Things start to change however when ex-marshal Seth Bullock
comes to town, to start his own new life.
This might sound
like the premise of many a western but ‘Deadwood’
is very different. This is an uncompromising look at how life
actually was in that lawless town. The violence is real, the
language is course, the people are lowest kind of scrum with
power and the place is filled with not one person that doesn’t
have a past. This is how it was and ‘Deadwood’ isn’t
afraid to show this.
Bringing this realistic
view to life are some outstanding performances from an excellent
ensemble. Timothy Olyphant plays Seth Bullock, a man trying
to start his life again after years serving as a marshal. He
longs for the simple life, running a hardware supply business
with friend Sol Star (played by the excellent John Hawkes) but
in this town he is bound to find himself in the mitts of trouble
again. This is a career-defining role for Olyphant and gives
him a chance to show what he can really do. Brad Dourif is brilliant
as Doc Cochran, the local physician who has to deal with all
the blood shed and diseases that riddle the town. Molly Parker
plays Alma Garret wonderfully. The upper-class woman of society,
who stakes a claim in the hills surrounding the town has a few
dark secrets of her own that she is trying to escape from. Stealing
the show is the performance of Ian McShane as Al Swearengen.
You would never believe that his is the same man who played
lovable antiques dealer Lovejoy all those years ago. This is
a role that the actor absolutely revels in, bringing a real
sense of menace to the character and making him one of the most
memorable creations to hit TV in recent years. When you also
throw in support from Keith Carradine as Wild Bill Hickok, Jeffrey
Jones as local journalist A. W. Merrick, Robin Weigert as Calamity
Jane, Jim Beaver as Ellsworth and Powers Boothe as rival saloon
owner Cy Tolliver and you have a cast that any movie would be
proud of.
With a twelve episode
arc that grabs you from the off, the first season of ‘Deadwood’
is another fine example of how TV should be made. Uncompromising
and realistic, this is how the Wild West actually was, making
completely reverting television.
Season Star Rating
= * * * * *
PICTURE & SOUND
Presented in 16x9
Widescreen with a Dolby Digital 5.1 soundtrack, the town of
Deadwood never looked or sounded as good.
OVERALL
For a series that
just cried out of bonus material, decision not to include any
is almost criminal. Still this shouldn’t put you off purchasing
this fantastic piece of television, especially if you love westerns
because you haven’t seen anything like this.
Deadwood: Season One Cast:
Brad
Dourif, Ian McShane, Jim Beaver, John Hawkes, Molly
Parker, Paula Malcomson, Timothy Olyphant, Robin Weingart,
Keith Carradine, Jeffrey Jones, Ray McKinnon, Brent
Briscoe, Sean Bridgers, Kim Dickens and Peter Coyote