Dick
(Bell) had never really fitted in and struggled to find his
place in the small mining town. When he gets a job working at
the local store, he meets Stevie (Webber) who tells him that
the toy gun he brought for his friend’s birthday is actually
real. From then on the pair become firm friends and start to
study their own guns and the history behind them. Filled with
a newfound confidence, the Dick and Stevie decide to introduce
their fascination to fellow losers Huey (Owen), Susan (Pill)
and Freddie (Angarano) and form a secret society of pacifist
gun lovers called ‘The Dandies’.
A film about honour,
friendship and guns might sound like a promotion for that most
lethal of weapons but when you discover that the film is written
by Lars von Trier, you know you are in for something completely
different.
Famed for his performance
driven drama that are never afraid to shy away from controversy,
his script for ‘Dear Wendy’ is controversial but
also probably his most accessible. Set in a nameless mining
town, the film approaches the topic of guns, not from a violent
point of view but from a personal one, it is the connection
between man and weapon that is the main emphasis of the movie.
Classing their guns
as ‘Partners’, the ‘Dandies’ are pacifist
gun lovers who study everything about their weapons, the injuries
they can cause and how to fire them with pinpoint accuracy.
The film also explores the confidence that their partners bring
to them, as they carry them constantly but swear never to show
them in public. Each of them has also given names to their partners.
Susan’s guns are called ‘Grant’ and ‘Lee’,
Huey’s is called ‘Lyndon’, Stevie’s
‘Badsteel’, Freddie’s ‘Woman’
and Dick’s partner is called ‘Wendy’. They
become part of each other, an extension of their being and the
motivation for their lives. Each of them changes completely,
becoming confident, skilled and they feel like they belong to
something for the first time in their lives.
It is the sense of
belonging and camaraderie that is at the core of the movie.
The fact that a gun can change someone from a social outcast,
with no confidence or friends into someone with a purpose and
a sense of code that is fascinating. In essence, the gun gives
the group a sense of purpose, something that has been lacking
from the current generation as they just let life pass them
by. Lars von Trier sees this not as a pro-gun movie but as a
statement for the lack of authority figures or things for the
young to respect in the world today. The Dandies respect and
fear their partners, making them the driving forces in their
lives.
Bringing this to
life is a group of young performers that breathe life into their
characters. Jamie Bell continues to build a career after making
such a big impact in ‘Billy Elliot’. As Dick, the
leader of the Dandies, it is his narrative, a letter to his
partner, which drives the film and explains the reasoning behind
it. Chris Owen as Huey, Alison Pill as Susan, Mark Webber as
Stevie and Michael Angarano as Freddie are the rest of the Dandies
and they show a maturity far beyond their years. Danso Gordon
is also good as the new Dandy Sebastian who completely changes
the dynamic of the group and subsequently leads them to their
downfall.
‘Dear Wendy’
is a fascinating film with performances that bring the story
to life. This is not a movie about that promotes guns, it is
the complete opposite as the characters respect their weapons
as pacifists. It is a story about young people finding a reason,
some motivation to do something that will give them a purpose
in life because of this symbol of authority and fear. The final
is captivating and the performances are fantastic, making the
movie impossible to take your eyes off.
Star Rating = * *
* *
PICTURE & SOUND
Presented in Anamorphic
Widescreen 1.85:1 with Dolby Digital 5.1 and dts soundtracks,
the movie is presented extremely well.
BONUS FEATURES
Audio Commentary
by director Thomas Vinterberg & cinematographer Anthony
Dod Mantle
The director and his cameraman provide a chatty track that offers
an insight into the making the movie. They talk about bringing
Lars von Trier’s script to life, the characters and the
look of the film. They reveal more about how the film was shot
and how the style of the movie was similar to von Trier’s
form of filmmaking.
9 Letters
Stars Jamie Bell, Mark Webber, Alison Pill, Danso Gordon, Michael
Angarano, Chris Owen and three from director Thomas Vinterberg
write letter to Wendy about the making of the movie. The director
and actors read their letters as they are accompanied by footage
from the movie.
Letters to Dear Wendy
(25.01 mins)
Director Thomas Vinterberg, writer Lars von Trier, art director
Jette Lehmann and stars Jamie Bell, Mark Webber, Alison Pill,
Danso Gordon, Michael Angarano, Chris Owen and Bill Pullman
talk about the making of ‘Dear Wendy’. The cast
and crew talk about the shoot in Denmark, where they had to
create an American mining town and Electric Square. We see the
actors getting into character during the rehearsals and their
preparations for using their ‘partners’ at the shooting
range. The director and writer also talk about the themes of
the film and the lack of morale.
The Director and
Screenwriter (16.50 mins)
An interview with director Thomas Vinterberg and screenwriter
Lars von Trier as they talk about bringing ‘Dear Wendy’
to the screen. The pair talks about the changes to the script,
the fascination with firearms, rituals and fetishes, the research
and what they felt like actually firing a gun.
Trailers
Watch the UK-US teaser, UK-US theatrical, theatrical and TV
spot trailers for ‘Dear Wendy’
Deleted Scenes (16.41
mins)
Entitled ‘Guess the gun’, ‘Sebastian’s
Baptism’, ‘Second Parade’, ‘Marshall
Walker’ and ‘Original ending’, these deleted
or alternate have optional commentary by director Thomas Vinterberg
and editor Mikkel E.G. Nielsen.
Poster Artwork
View the many different posters designed to promote the movie
OVERALL
The DVD package for
‘Dear Wendy’ is very good for a single disc presentation.
Fans of Lars von Trier will be very pleased to see the acclaimed
writer/director’s input and see the collaboration between
director Thomas Vinterberg and him. The featurettes are very
good and the commentary track is very informative which will
delight fans of the film and those of Lars von Trier.