After
successfully defeating the barbarian armies of northern Germania,
General Maximus (Crowe) wants to go home to his family after
nearly two and half years of war. But when the dying emperor
Marcus Aurelius (Harris) asks Maximus to be the new Caesar,
instead of his own son Commodus (Phoenix), the young prince
seeks vengeance by killing his father and condemning Maximus
death. Maximus escapes with his life, only to find his home
burnt to the ground and his wife and son dead. Almost dead,
he is captured and taken into slavery in North Africa, where
he is bought by Proximo (Reed) to become a Gladiator.
After over 40 years
of failure, director Ridley Scott and his cast and crew did
the impossible, made a brilliant ‘Sword and Sandals’
movie.
A genre that was
considered dead was resurrected from the movie graveyard to
prove that an epic can be viable in modern Hollywood. Not since
Charlton Heston rode the chariots in ‘Ben Hur’ has
the historical epic had such and impact on the type of movie
that can make money for Tinsel town. ‘Gladiator’
made this genre possible again and led to ‘Troy’,
‘Kingdom of Heaven’ and ‘Alexander’
getting the greenlight and even paved the way for ‘The
Lord of the Rings’ trilogy been as successful as it was.
In the 40 years previous,
Hollywood had been building towards the come back of this type
of movie. Advances in visual effects, stunts, costume design,
set construction and makeup techniques have all reached a level
that made the ‘Sword and Sandals’ epic a realistic
proposition again. Computer generated images mean that ancient
Rome can be visually realised without have to construct everything.
The Colosseum can now be brought to life in all its glory as
we witness the spectacle of the games with all the scope and
grandeur you would expect if you had actually been there. When
you combine this with brilliantly constructed sets, realistic
makeup and costumes and armour and weapons that are as historically
accurate as they could be, filmmakers can now take you back
to the time of Ancient Rome.
Having all the technology
means nothing if you haven’t got a story to utilise all
these advances but ‘Gladiator’ has plot that is
simply captivating. What could have been perceived as a simple
revenge movie is so much more as we see the political power
struggles between the new, young Caesar Commodus and the role
of the Roman Senate, secretly backed by his sister Lucillia.
Commodus longs to be loved by the people and his family, after
never receiving the love and respect his yearned for from his
father Marcus Aurelius but whatever he seems to do he can’t
get out of his father’s shadow. This underpinning story
runs concurrently with Maximus’s story of finding peace
for his family in death after their murder at the command of
Commodus. This main story draws you into the film but it takes
little time to make you realise that there is much more to the
movie.
Bringing these characters
to life are some brilliant performances from the cast. Leading
the way is Russell Crowe as Maximus. This is one of the great
cinematic roles and character that will be remembered as one
of the best to ever hit the silver screen. Maximus is not just
the powerful warrior easily slays anyone who enters the arena,
he is a driven man empowered by the memory of his family and
the Rome that his mentor Marcus Aurelius had envisaged. On paper
this is a powerful character but it is Crowe’s performance
that makes Maximus such a classic character. From total anger
and power on the battlefield and in the arena, to scenes of
humility and pain as he discovers what Commodus has done to
his family, Crowe makes this character real and not the screen
superman he could have so easily have been. Joaquim Phoenix
is a skilled actor who can turn his talents to any kind of character.
As Commodus, he portrays a man who is consumed by power of his
position and the need to be loved, after receiving nothing from
his father. This is a role that really made Phoenix’s
career and lead him on to establish himself in Hollywood as
a big hitter. Connie Nielsen is also extremely good as Commodus’s
sister Lucillia, who lives in fear of her brother and for the
safety of her son and heir to the throne Lucius. She has both
the beauty and dignity needed to make the role as regal as the
character needed to be. Almost stealing the show from the principles
are two supporting performances from two legendary actors, Richard
Harris and Oliver Reed, both who are sadly not with us anymore.
As Emperor Marcus Aurelius and gladiator trainer and owner Proximo,
the pair show the talents that made them cinematic legends in
the first place. Each of their performances are exceptional
and they both grab your attention every time they grace the
screen. There are also very good performances from Djimon Hounsou
and Derek Jacobi.
This version of the
movie has an extra seventeen minutes of extra footage compared
to the theatrical cut. The main emphasis of the added material
is adding more to the Commodus character and the political plot
between the Senate and Lucillia to have him removed from power.
This adds more to the secondary story and makes Commodus a much
more evil and power hunger villain. The footage does add to
the movie and makes it an even better watch.
‘Gladiator’
is a classic that quite rightly deserved all the accolades and
awards it received. With brilliant performances and a visual
spectacle, Ridley Scott and his cast and crew have produced
one of the best films in the ‘Sword and Sandals’
genre and, to be honest, one of the best films in Hollywood’s
history. Hail Maximus!
Star Rating = * *
* * *
PICTURE & SOUND
Presented in Widescreen
2.35:1 Anamorphic with Dolby Digital 5.1 soundtrack, the transfer
is extremely good. However unlike the original 2-Disc release
this version does not have a dts soundtrack.
BONUS FEATURES
Disc 1
Introduction by Ridley
Scott (0.32 mins)
The director introduces
the extended version of the movie.
Commentary by Ridley
Scott and Russell Crowe
Participating in
his first audio commentary track, Maximus himself Russell Crowe
joins director Ridley Scott for an informative and fun chat
about ‘Gladiator’. Feeling more like two friends
getting together to reminisce about old times, this is a great
commentary to listen to and makes you wonder why Russell Crowe
hasn’t done a track before. The pair talks about shooting
the film, revealing behind the scenes gossip and discussing
the many problems with the incomplete script and the obstacles
they had to overcome on set. The director and actor also talk
about the UK, Morocco and Malta location shoots, revealing behind
the scenes gossip and offering insights into the shooting such
a complex historical epic. They also chat extensively about
the cast, with the pair talking about the techniques and acting
processes each of them went through to get into character and
what it was like working with Richard Harris and Oliver Reed.
This is a fantastic commentary that is a joy to listen to.
“Are you not
entertained?”: Historical and Production Trivia Track
Read information
and trivia titbits about the history and production of ‘Gladiator’
while you watch the movie.
Disc 2
Strength And Honour:
Creating the World of Gladiator (3hrs 15 mins)
This feature length
documentary features contributions from director Ridley Scott,
writers David Franzoni and William Nicholson, producers Douglas
Wick, Branko Lustig and Walter F. Parkes, production designer
Arthur Max, editor Pietro Scalia, 2nd assistant director Adam
Sommer, costume designer Janty Yates, supervising armourer Simon
Atherton, fight manager Nicholas Powell, visual effects supervisor
John Nelson, visual effects producer Nikki Penney and stars
Russell Crowe, Connie Nielsen, Richard Harris, Oliver Reed,
Joaquim Phoenix, Djimon Hounsou, David Hemmings and Tomas Arana,
and is split into seven parts.
Tale of the Scribes:
Story Development (34.03 mins)
The origins and evolution
of the story is discussed, as the director, cast and crew talk
about resurrecting a long dead genre after almost fifty years
but how they had to make it relevant for a modern audience.
The problems with the script are also discusses, as writers
David Franzoni and William Nicholson talk about their contributions
and how the story changed significantly, even during shooting.
Director Ridley Scott also reveals how he became involved in
the project and how he approached the movie, relying on accuracy
and intensive research to make the film as realistic as possible.
Tools of War: Weapons
(12.56 mins)
Supervising armourer
Simon Atherton takes you through the various weapons such as
swords, shields, bows, tridents, spears, crossbows and ball
and chain weapons that were designed for the Germania battle
and the gladiatorial fights in Rome and Zuccuhabar.
Attire of the Realm:
Costume Design (19.40 mins)
Costume designer
Janty Yates takes you through the numerous costumes and clothes
designed for the main cast and the 3000+ extras that worked
on the movie. She talks about creating an authentic look and
the amount of research that went into the clothes, material
and look of each costume. She also talks about the looks of
the characters Maximus, Commodus, Lucillia and Proximo as well
as how she had to adapt for the different regions the film was
shooting in.
The Heat of Battle:
Production Journals (1hr 05.54 mins)
The cast and crew
take you behind the scenes of the Germania, Rome and Zuccuhabar
scenes in UK, Malta and Morocco. They talk about the problems
with the production, the ever-changing script, the weather,
the tigers and the amount of sets and extras that had to be
used. We also get to see the elaborate set construction for
all of the main locations, especially the Colosseum set that
is the main emphasis of the latter part of the movie.
Shadows and Dust:
Resurrecting Proximo (24.32 mins)
Visual effects supervisor
John Nelson, director Ridley Scott and producers Douglas Wick
and Walter F. Parkes talk about the performance of Oliver Reed
and how his untimely death affected the cast, crew and the movie.
They reveal how visual effects and editing meant that his mesmerising
performance could be completed with him and Proximo would see
out his destiny in the movie, even though it had to change a
little.
The Glory of Rome:
Visual Effects (20.11 mins)
Visual effects supervisor
John Nelson, visual effects producer Nikki Penney and director
Ridley Scott talk about talking you back to ancient Roman times
using advance in CGI. Taking you through the Germania battlefront
sequence and the recreation of Rome, in all its glory, we see
how troops, arrows, fire, buildings and the Colosseum were all
digitally created for the $8 million SFX budget.
Echoes in Eternity:
Release and Impact (19.27 mins)
The cast and crew
talk about watching the complete film for the first time during
previews and test screening. They then discuss the impact of
the release, the original box office opening and the momentum
it carried after the May 5th 2000 weekend. Then came the awards
and the critical reaction to the movie and how it affected the
way Hollywood looked at Historical epics from then on.
Disc 3: Supplemental
Image and Design
Production Design
Production Design
Primer: Arthur Max (9.33 mins)
Arthur Max takes
you through the 16-month pre-production process for ‘Gladiator’.
Across for different countries, the production designer shows
you his research, preliminary drawings, models, and technical
designs that led to the sets for the Colosseum, Imperial Palace,
Germania and Zuccuhabar been built.
Production Design
Gallery
View the conceptual
art for Germania, Zuccuhabar and Rome including the Imperial
Palace, Proximo’s gladiatorial compound, streets and exteriors,
dwelling and interiors and the Colosseum.
Storyboard artist
Sylvain Despretz gives you a demonstration on how to set out
a storyboard for a major motion picture. He takes you through
drawing, inking and adding shadow, informing you what to equipment
to use and how to set out your storyboard.
Storyboard to Film
Comparisons with Optional Commentary
Storyboard artist
Sylvain Despretz talks about the storyboards for the Germania
Battlefront, Chain fight and the Battle of Carthage. By pressing
the ‘Angle’ button on your remote control you can
switch between storyboard and split screen storyboard and film
comparisons.
Storyboard Gallery
View the storyboards
for ‘Ridleygrams’, ‘Germania Battle’,
‘Maximus escape and journey’, ‘Zuccuhabar
and the chain fight’, ‘Rhino fight’, ‘The
battle of Carthage’, ‘Zebra fight’, ‘Tiger
fight’, ‘Maximus vs. Commodus’ and ‘Two
Endings: Proximo and Juba’.
Costume Design Gallery
View the costumes
designs and sketches for Maximus, Commodus, Lucillia, Proximo,
the gladiators, Marcus Aurelius, the senators and citizens
Photo Galleries
View behind the scenes
images from the UK (Germania), Morocco (Zuccuhabar) and Malta
(Rome) shoots that include Proximo’s gladiatorial compound,
Roman streets and surroundings, the Colosseum, the battle of
Carthage, Tiger fight, underground and final battle and special
shoot: promotional portraits.
Supplement Archive
Abandoned Sequences
and Deleted Scenes
Alternative Title
Design (9.18 mins)
Title artist Nick
Livesley shows you the original opening sequence for ‘Gladiator’
that was removed from the cut after duration problems. He talks
about the influences behind the sequence and reveals how it
was designed and filmed.
Blood Vision (2.15
mins)
With optional commentary
by Ridley Scott, here we see an abandoned vision sequence that
includes storyboards and actual filmed footage for the scene.
Rhino Fight (4.12
mins)
With optional commentary
by Sylvain Despretz, this abandoned sequence sees Maximus take
on a Rhino in the Colosseum. Storyboards explain the sequence
and there is also a test of a computer generated Rhino.
Choose your Weapon
(0.48 mins)
Watch a cut sequence
were Maximus preps Juba for the chain fight.
VFX Explorations:
Germania and Rome (23.50 mins)
The visual effects
team take you through the CGI processes involved with ‘Gladiator’.
Here we see how the battlefront at Germania gained a more epic
scale by added more arrows, catapults, fire and smoke. We also
see how ancient Rome was created including the establishing
shot, the ‘helicopter’ shot over the city, the 360o
view of the Colosseum, the crowd, tigers and the motion capture
techniques used to make the people of Rome look realistic.
Trailers & TV
Spots
Watch the theatrical
and teaser trailers for ‘Gladiator’ and twenty TV
spots used to promote the film.
OVERALL
Universal have done
an exceptional job with the extended special edition of ‘Gladiator’.
With an excellent commentary tack from Ridley Scott and Russell
Crowe, a comprehensive documentary that covers every aspect
of the film’s production and supplementary material covering
everything else. The only thing missing is a look at the brilliant
music by Hans Zimmer. The only downside is decision to not include
a dts soundtrack with this edition, as it was included in the
original release. This aside, fans of the movie should bathe
in its splendour, as this is an exceptional DVD release.
Gladiator: Extended Edition
Director:
Ridley
Scott
Gladiator: Extended Edition
Written By:
David Franzoni, John Logan and William Nicholson
Gladiator: Extended Edition Cast:
Russell Crowe, Richard Harris, Joaquim Phoenix, Connie
Nielsen, Djimon Hounsou, Derek Jacobi, David Hemmings
and Oliver Reed