So
much time is spent worrying about remaking Asian horror movies
in Hollywood, but hardly ever in another genre. Perhaps this
is because they are doing the same with the genres Hollywood
has already exasperated. The thriller H has many qualities which
could have been taken directly from Se7en and Silence of the
Lambs, and they don’t seem ashamed about this either.
Even the DVD cover says in large letters, “Se7en meets
Silence of the Lambs”. However, this fact cannot be held
against the film too much considering it has been years since
a thriller as good as those two was released from Hollywood
or elsewhere. H is definitely not the film which will reach
the same level as those films, but aside from a rather silly
ending it manages to pull its own weight for most of the film.
Detective Kim and
Kang are on the case of a series of grisly murders beginning
with the murders of pregnant women and moving on to other victims.
The unique element of the murders is that they are exactly like
the ones committed by a killer who now rots in jail. This killer,
Shin Hynn, confessed to his murders after driving the cop on
the case to suicide. Now all signs point to him although he
is behind bars. As the horrific murders continue, even as they
think they may have already caught the killer, Kim and Kang
begin to despair, realizing that it is likely Shin Hynn is responsible.
There are all of the necessary elements in H to make it mesmerizing
in the disgusting way that only thrillers can manage. Even though
we don’t see many of the murders they manage to be graphic
in a way that few films have managed before. It seems that new
ideas must be born to make these films work, and H has created
an awful idea involving a pregnant woman.
Aside from the gruesome
elements, there are also some very good chase sequences in the
film, one of which over a rooftop, very much reminiscent of
the chase in Se7en. These chases are where the film succeeds
the most, able to use the camera work in a way that fuels the
energy of the film while looking really good at the same time.
Where the film fails is in the prison questioning Shin Hynn.
He is not nearly as menacing as he could have been, mostly because
he is exposed from the very beginning.
The acting in this film is good, but most credit goes to the
two detectives, Yeom Jeong-a and Jee Jin-hee. They manage to
pull the weight of the film playing opposites that work off
of each other. Jeong-a is almost too deadpan throughout the
film, but it is balanced by Jin-hee’s looser approach.
The DVD is nothing
if not stylish, with a cardboard slipcover that has a fantastic
photo for cover art. Stinging of black, white, and red, I immediately
wanted to pop the disc in the player to see what the film was
all about. The quality of the picture is not at all disappointing,
with great sound and sharp images.
The special features
are not as plentiful as they may look at first glance. The back
of the DVD claims a list of features, including Easter Eggs
as one of them, but there are actually only a few worth watching.
There is an alternate opening, which is somewhat interesting
but not at all revealing once you have seen the film, and a
photo gallery. The only real special feature that is worth watching
is some behind the scenes footage, but even that can get a bit
much after a short while. Really, the film is packaged quite
well, but it is somewhat of a façade, although the film
is definitely worth viewing for die-hard thriller fans.