Sometimes
a movie makes me so upset I have trouble writing a review about
it. “Heart of the Beholder” had that kind of effect
on me. This impressive but disturbing drama, based on a true
story, describes events that resulted in tremendous loss for
a family just trying to live the American Dream back in the
1980s. It’s a compelling tale of bad things happening
to good people.
After Mike and Diane
Howard (Matt Letscher and Sarah Brown) open the first videocassette
rental store in St. Louis, Missouri, their company grows into
a multi-million dollar chain of video stores. Working hard and
enjoying their success, the happy couple have no inkling of
serious problems to come. When a religious organization called
the Citizens for Decency asks the Howards to stop renting a
movie titled “Hail Mary,” they agree in order to
avoid confrontation with the group. However, it’s a very
different story when the CFD comes back requesting the removal
of an entire list of other “objectionable” films
including “Splash,” ”Blazing Saddles,”
and “Mr. Mom.”
I know what you’re
thinking: What in the world could be objectionable about “Splash”?
“It’s about bestiality,” complains a CFD supporter.
“Tom Hanks has sex with a fish,” she declares angrily.
Not surprisingly,
the Howards refuse to remove these movies. Adding fuel to the
fire, their stores are the only ones in St. Louis carrying Martin
Scorsese’s “The Last Temptation of Christ.”
Egged on by the CFD,
an ambitious prosecutor brings obscenity charges against the
Howards, who face demonstrations in front of their stores as
well as threats against their daughter’s life. Although
winning in court, Mike and Diane lose everything because of
the negative publicity surrounding this case. They eventually
have to declare bankruptcy. As the put-upon husband and wife,
Letscher (“Identity”) and Brown (TV’s “As
the World Turns”) deliver first-rate performances. Letscher
exudes an Aaron Eckhart type of appeal, even in his darkest
scenes, and Brown, who’s perfected what Spencer Tracy
called the art of “reaction,” projects a strong
screen presence.
Written and directed
by Ken Tipton (the man who lived the story behind the film),
“Heart of the Beholder” is at its best in the final
sequences showing how Mike discovers an unexpected enemy, then
pulls himself out of the depths of despair to exact a special
kind of revenge.
Despite the unsettling
nature of this movie, it needed to be made – and I commend
producer Darlene Lieblich for her belief in the film’s
important subject matter. For more information about “Heart
of the Beholder” go to www.Beholder.com.
(DVD or VHS copies can be ordered at http://www.customflix.com/206725.)