This
is the tale of two murderous cousins who engage in a sickening
sexually-fuelled killing spree across LA. Based upon real events,
Chuck Parello’s story follow Bianchi and Buono’s
journey from it’s beginning to their incarceration.
The Hillside Strangler
reminds me very much of the film Boogie Nights, sharing a similar
look which highlights its success in replicating this era. Of
course, its parallels to this particular film ends there, lacking
the slick and stylish look, the great character development
and successful performances across the board. The only way these
two films draw any other similarities than successful costume
is shown in the acting, unfortunately The Hillside Strangler
often mirrors the level of acting attained within the porn films
Boogie Nights was mocking.
Parello really manages
to encapsulate the feeling of the 70s; the colour scheme, style
of filming use of costume is excellent (plenty of tight polyester,
flared trousers and garishly patterned sweaters). The colours
selected are just dull enough to reflect the programmes and
films of that era; colours less than life, dowdy, as opposed
to 50s Technicolor which boasted to be brighter than life; In
this, Parello has it spot-on.
In terms of dialogue,
this film is brutal! There is no soft-soaping at all in this
area, which adds a great deal of favour to the film as a whole.
It’s something which gives the film some genuine power,
I personally didn’t expect that level of vile expletive,
and the shock which it generated was welcome. It showed that
I did have feeling for the characters, and so I had attained
a level of involvement which makes the film a successful entertainment
endeavour. The language can be so harsh that even the most hardened
of cinema go-ers will cringe; they would be right to do so,
as it’s these moments that the cousins often find themselves
engaged in their lust-fuelled abuse. It you’re hardened
to the act, the dialogue will make you think.
Sex scenes are erotic,
though being harsh and hardcore, often violent and sickening
encounters. The fact that the women selected are centre-fold-looking
confuses the audience, and makes them engage more in the act
themselves, secretly wanting them to carry-out the ultimate
action so they can watch. However, when the kill is completed
the voyeurism ends instantly, confusing the audience as to their
own values, sickening their earlier desires and lusts (which
have put you in the mind of the rapist, making you empathise
and participate).
Despite the pluses
which were really difficult to find, this film isn’t worth
viewing. It’s an un-thrilling thriller, perhaps more likely
to be viewed as a speciality erotic film with some violent titillation.
It’s a film for tv, something to be watched once and discarded,
unless you’re a fan of the genre.