Returning
to her sound booth at the United Nations building, interpreter
Silvia Broome (Kidman) overhears a plot to assassinate the leader
of her home country, picked up by one of the microphones on
the floor of the general assembly. Fearing for her life, she
informs the authorities and Secret Service Agent Tobin Keller
(Penn) is assigned to investigate but when he looks into the
plot he discovers that person with the darkest past and the
deepest secrets is the interpreter herself.
Political intrigue,
assassination plots and characters that you don’t know
whether you can trust are all the stalwarts of a great thriller
but does ‘The Interpreter’ have the twists and turns
to keep you on the edge of your seat?
Director Sydney Pollock
returns to the thriller genre and has brought two of Hollywood’s
hottest Oscar winning talents with him. With unprecedented access
to the actual United Nation building in New York and using the
great city as an exciting backdrop this is a movie that certainly
looks and plays the part but does the story have what is takes
to keep you enthralled? Yes and no.
The movie is a simmering
potboiler that does take slightly too long to come to the boil.
While this can be an advantage to the plot, as we have time
to build character, tension and intrigue but there is something
slightly too slow about the pace of the film. It just takes
too long to get going, making the movie over long and could
have done with ten or fifteen minutes cut out of it. The film
does pick up midway through the second act however and this
is when the plot and the characters really get a chance to shine.
Bringing the conspiracy
to life are two Hollywood big hitters. Sean Penn is arguably
one of the finest actors of his generation. He could be on screen
reading his shopping list and you would be captivated. As Secret
Service agent Tobin Keller he plays a character trying to recover
from a momentous loss in his life. Throwing himself into work,
Keller’s instincts take over and his investigation skills
come to bear as he throws open a web of intrigue and political
revelations that have profound ramifications. Penn portrays
the character with his usual skill and presence, making him
all the more watchable. Nicole Kidman has a go at another accent
as African native interpreter Silvia Broome. She gets to play
the screaming victim with a chequered past and to be fair she
does make the role all the more watchable via a good performance.
While some may say that she is one of Hollywood’s most
talented actresses as she reinvigorated her career has splitting
up with her superstar husband but she has a tendency for overplaying
roles. Happily this isn’t one of those times and this
character is watchable and believable.
‘The Interpreter’
is a real potboiler of a thriller that just takes a bit too
much time simmering before boiling over. The performances of
the two leads will keep you enthralled however, even though
either of the roles never really pushes their Oscar winning
talents to the maximum. With enough twists and turns to keep
you guessing until the end, this is a thriller that does deliver
but just not quickly enough.
Star Rating = * *
*
PICTURE & SOUND
Presented in Anamorphic
Widescreen 2.35:1 with Dolby Digital 5.1 surround sound, the
movie is presented very well.
BONUS FEATURES
Alternative Ending
(2.55 mins)
Watch an alternative
finale that sees Silvia Broome interpreting as the dictator
of her addresses the General Assembly.
Deleted Scenes (2.19
mins)
Entitled ‘Gamba
and Lud in the car’, ‘Dot and Silvia in the car’
and ‘Lud, Gamba and Marcus watch the news report’,
these three deleted scenes are not accompanied by either an
introduction or commentary so we don’t know why they were
cut.
Sydney Pollock at
Work: From Concept to Cutting Room (10.03 mins)
The director talks
about his two-year journey in bringing this movie to the silver
screen. He reveals how he got into filmmaking and acting and
moves on to talk about how the movie came about and his total
involvement in most aspect of the films production. The fact
that the film was started with a finished script is also revealed,
as the director talks about editing his movies and other aspects
of the production.
Interpreting Pan
& Scan vs. Widescreen (5.08 mins)
Director Sydney Pollock
champions watching movies in their proper widescreen format
and not that of 4x3 pan and scan. Outlining the differences
between the two types of presentation, the director shows how
the director’s vision for each frame of the film is lost
when some else edits their movie to fit a 4x3 screen.
Trailers
Previews of ‘Pride & Prejudice’ and ‘The
Bourne Identity: Special Edition’
Audio Commentary
with director Sydney Pollock
Even though the acclaimed director has a very monotone voice,
he still offers a fascinating insight into the making of ‘The
Interpreter’. He talks extensively about the locations
used in the movie, highlighting both Africa and New York but
it is the scenes shot with the UN building that he offers the
most insights to. The man at the helm also talks about casting
and the characters involved, revealing that Sean Penn and Nicole
Kidman signed on with seeing a complete script. This is a decent
commentary from the director but he does leave a few gaps every
now and again, letting the scenes speak for themselves.
The Ultimate Movie
Set: The United Nations (8.03 mins)
Director Sydney Pollock,
location manager Rob Striem, producers Tim Bevan and Kevin Misher,
director of photography Darius Khondji and star Nicole Kidman
take you behind the scenes of location shoot at the United Nations
Building in New York. Here we see the Security Council room
and the General Assembly, and we find out about the joy and
difficulties in shooting in the famous building.
A day in the life
of real Interpreters (8.17 mins)
Director Sydney Pollock
and Nicole Kidman are joined by Diana Liao (Chief Interpreter
at the United Nations) and Bridget Andreassier-Pearl (Chief
– French Section, Interpreter Service) to talk about the
job that the Interpreters have to do for the UN. They explain
the difference between translating and interpreting and discuss
the country and the language that was created for the movie.
OVERALL
Universal
has done a good job with the DVD transfer of ‘The Interpreter’.
With some interesting featurettes and a decent commentary track
from the director, the only real downsides are the lack of a
commentary or introduction on the deleted scenes and the lack
of many cast interviews, especially one with Sean Penn. These
omissions should not put of fans buying this good political
thriller.
Political
thrillers seem to be on the rise again, which is why The Interpreter
did not seem too appealing to me at first. I was afraid it would
be more of the same material I had seen previously, and the
trailer seemed to confirm this suspicion. Fortunately I was
wrong, and however unoriginal the trailer may have seemed, The
Interpreter proved to hold my attention and keep me at the edge
of my seat, no doubt because of the expert direction of Sydney
Pollack.
When returning
to retrieve her belongings one night, translator for the United
Nations, Silvia Broome (Nicole Kidman), overhears a secret about
a planned assassination in a language that few people other
than her would understand. Although she is unable to see who
is speaking, they clearly get a view of her before she escapes.
Now her life is on the line, but there are suspicions that she
may be involved because of a few hidden details about her past.
Investigating the case is federal agent Tobin Keller (Sean Penn),
who is dealing with an unfortunate loss and has just returned
to work. The drama involved in figuring out whether or not Silvia
is lying is just the beginning of the suspense, with plenty
of twists and turns leading up to the dramatic climax.
What is
truly amazing about The Interpreter is that the script was not
finished by the beginning of shooting. With some films it is
obvious that this is the case, but The Interpreter is such a
tightly wound tale tat it is surprising to find that it was
not all figured out long beforehand. What is also amazing is
that Penn and Kidman attached themselves to the film before
the script was completed. This just shows that they must have
trusted Pollack to make a good film, which he did.
The DVD
has received very good treatment. The menu is the first thing
that I noticed. It has a great feel to it, which made me think
of some thrillers from the seventies, and although it may not
have been the most appropriate style for this exact film, I
still loved it.
There is
also a great deal of fantastic special features on this DVD
as well. There are some that are not too interesting, such as
boring deleted scenes and a really awful alternate ending, but
the featurettes are great. There is a featurette on Sydney Pollack’s
experience making The Interpreter. It is basically a making
of featurette through the eyes of the director. There are also
featurettes about the United Nations and real interpreters,
but my favorite little special feature is the small lecture
given by Pollack about pan and scan vs. widescreen. If only
this information could be given to all of the ignorant film
watchers. There is also director’s commentary, which always
boosts the integrity of a DVD in my opinion.