The
mistake that many films have made over the years comes when
the easy route is taken. Shortcuts to our heart are attempted
and it may work for some, causing tears and sympathy, but it
is a cheap approach. Often this approach includes the death
of a child or a pet as a quick step to making the audience feel
something. The other cliché often uses, or rather abuses,
the mentally handicapped. The Keys to the House, the latest
film by Gianni Amelio, takes the time to tell an honest and
complete story. The emotional impact of the film is not thrown
in the audience’s face, but instead an honest story is
told which may or may not affect each individual by the end
of the simple tale. For some this may seem boring, but those
that are sick of the contrived and forced sentimentality influenced
by box office reports, this film is bound to prove a plentiful
bounty of truth.
Gianni has never
met his fifteen-year-old son, after leaving him to be raised
by his aunt and uncle when an unfortunate delivery caused the
loss of his wife. The delivery also caused serious mental and
physical damage to his son, Paolo, as well. Gianni is meeting
his son for the first time in order to take him to Berlin for
treatment. Paolo’s doctors believe that if the trip is
taken with his father there may be some extra recovery to be
gained. As Gianni struggles to relate with a son he has never
met, he is also introduced to a world he has never known, filled
with handicapped children and adults alike. In the hospital
Gianni meets a fellow parent, a mother with a full-grown adult
daughter. This relationship helps Gianni to see even further
into the dedication of parenthood.
This is a simple
story, and yet not a simple film. There are layers of meaning
within the short trip that the father and son take, and the
conversations they hold. At times Paolo shows extreme signs
of rebellion, reminding Gianni of the fact that his home is
with his aunt and uncle. These outbursts seem to be partially
due to his handicap, but there are definite signs of teenage
rebellion against a parent that abandoned him as well. It is
a beautiful film, though not one that I would have an easy time
recommending to casual filmgoers. It is a foreign film, subtitled
and character driven, a style which many viewers may not be
used to.
While the video
and audio transfer seems great for this film, there are many
other problems with the DVD. The subtitles seem to be off, often
coming up at awkward points, leaving silence in strange places
so that it is difficult to decipher what is being said where.
There are also a few things left out, making some scenes hard
to follow. There are no real features, except for trailers for
other Lions Gate releases. The DVD menu is bare and rather dull
as well. That being said, the artwork on the disc is fantastic.
If only the rest of the package had been given the same treatment.