Sexual
romps amongst friends is a theme which was free flowing in many
comedies in the seventies. It was humorous despite the fact
that the
marriages in the film are destroyed. Films have developed a
slightly more serious look at the same issues lately, especially
in the case of Closer,
but Greg Lombardo’s sex comedy, Knots, brings back the
lightness to the topic. While Knots is not as much similar to
the comedies of the seventies
as it is just another sex comedy, there is an air of unoriginality
that spans three decades.
Greta and
Dave are a seemingly normal married couple, with normal single
friends, and all is well in their world until Dave finds Greta
in bed with
another woman, Liv, who also hit on Dave in a bar. This woman
slowly begins to work her way through the entire group of friends,
seducing and
manipulating for no reason other than entertainment. Michael
Leydon Campbell is the nice guy in the group of friends, and
the one who is always getting the short end of the stick in
the dating scene. The one countering the nice guy is Cal (John
Stamos), a classic womanizer who is cheating on his girlfriend
as a way of assuring himself that he is with the right woman.
Knots begins
with a bang, attempting to use as much offensive language and
shocking scenes as possible, possibly in hopes of grabbing the
audience. Unfortunately this is not a new technique for films
of this sort, and because of this audiences have become numb
to the careless use of obscenity. As the film allows the focus
to move from this type of dialogue to the plot, Cal remains
offensive. This may be one of the saving graces of Knots, because
Stamos is able to handle the dialogue in a way that is fresh
and humorous, instead of seeming forced and trite as the dialogue
seems in less able hands.
Much of
the film is quite predictable, and not all of the performances
are as fun to watch as Stamos. This makes for a slow and average
viewing
experience where there might have been potential for more. The
focus of the film is also somewhat difficult to figure out.
There are so many characters
that none of them receive enough attention to allow us to root
for them, leaving them all drifting around without much focus.
The DVD
has deleted scenes, bloopers, and a commentary track with the
writer, director, producer, and actress Annabeth Gish. These
little perks are somewhat exciting, however it would have been
much more fitting for Stamos to be on the commentary rather
than Gish.