Comme
Une Image or translated as Look at Me, is about how people relate
to an image of a person rather than deal with how real that
person is. The story is centred around a young French woman,
20 year old Lolita Cassard who is still finding her indentity
in the world and wondering if she has any talent as an amateur
opera singer. As any young woman will discover, relationships
with her parents, namely her father are stretched at best with
a patriach being more concerned with his failure as a writer
than how his daughter's emotions are developing. He is successful
and well known but is losing his allure. His daughter also has
to grapple with the fact that she is overweight and her stepmother
is slightly anorexic although in reality she weighs about seven
stone. Lolita is taking lessons from a part time teacher who
does not see any hope for the budding singer until she realises
that she is the daughter of a famous writer who could have the
potential to help her husband hit the big time as a writer himself.
This picture won
Best Screenplay at Cannes last year and should be noted for
it's ability to compliment human emotions alongside a soundtrack
of wonderful chamber music, thus putting a different slant on
how people relate to each other. Another film that did this
successfully, 20 years ago was Robert Redford's elegaic contribution,
Ordinary People in which Mary Tyler Moore had to come face to
face with the death of one son whom she loved dearly, and the
yearning for acceptance by her from her only living son.
Like most foreign
films, subject matter is approached in a way that is honest
sometimes brutal, occassionaly comedic but always compelling.
Differing from the Hollywood machine, French films especially
celebrate the human condition by being brutally upfront about
it and intelligent in debating the subject. Stateside cinema
can sometimes brush it under the carpet or sweeten it with a
happy ending. Look at Me studies familial relationships, weight
gain and loss and failure with an air of maturity and frankness,
seldom seen in popular Hollywood or even British cinema. It's
also interesting to note that the music teacher, Sylvia played
by Agnes Joui also directed the film and wrote the screenplay.
The combination of music, communication and human fraility are
subdued with a light comedic touch in this gem of a movie.
Features
Making of featurette
A delightful hour where we are taken onto the set of the film
and how the production came about. There are segments of opera
singers practicing their craft and lipsyncing with the main
characters alongside interviews with the cast and crew, images
of Cannes and also vignettes of costume designs to fit each
of the different characters.
Theatrical Trailer
Regular 3 minute montage of the film, enticing movie lovers
to go see it.
Photo gallery
Still shots from the production.
Final Comment
When I opened the packet I feared this may have something to
do with Geri Halliwill, but that fear was soon diminished, when
I put the film on. This is an intelligent, uncompromising reality
check about fathers and daughters, aspirations and dreams, consequences
and losses. For those of you that are not allergic to subtitles,
go buy and enjoy this Gallic cinematic delight.