Although
I love to be frightened at the movies, “Malevolence”
scared me almost too much. There’s not a lot of in-your-face
gore on screen, but I was terrified by the film’s psychotic
killer and spooky music as well as by my fear of stabbing and
dismemberment. Believe me, this low-budget movie is a classy
horror package. While watching it, I had the same creepy feeling
Halloween gave me the first time I saw it. No wonder “Malevolence”
won the 2003 New York City Horror Festival Best Feature Award.
Like all
good horror flicks, the plot is relatively simple. It's the
film's atmosphere and mood, thanks to impressive cinematography
(by Tsuyoshi Kimoto), that evoke our deepest fears. A robbery
has gone wrong, and three disappointed robbers (Brandon Johnson,
Heather Magee, Richard Glover) agree to meet later in an abandoned
house “in the middle of nowhere.” Unfortunately,
the house in question sits next door to an empty slaughterhouse
where a deranged serial killer disposes of his hapless victims.
Complications
arise when one of the thieves (Glover) takes a woman (Samantha
Dark) and her daughter (Courtney Bertolone) as hostages. I don’t
know about you, but innocent hostages earn my empathy right
away – and I forgive any lack of character development
where they’re concerned. They just have to be good screamers
– and the lovely Dark is one of the best. (On a related
DVD feature, it’s fun to hear Dark talk about how her
ability to scream helped her snag this role.)
Filmmaker
Stevan Mena, obviously a fan of the horror genre, makes his
directing debut with “Malevolence.” He also served
as the film’s producer, writer, composer (and even played
a small role in the movie). Inspired by films like “Psycho,”
he wanted to go back to the type of horror seen in movies of
the 60s and 70s. Good idea! I applaud this new director for
concentrating on the dread and alarm factors inherent in his
film rather than on juvenile humor and sex like so many current
horror flicks. I also admire the creative way he managed to
tie in the unsettling issue of missing and abused children.
DVD bonus
features include: “Back to the Slaughterhouse,”
a featurette with Mena and others discussing how they brought
this horrifying story to life; audio commentary with Mena, Johnson
and associate producer Eddie Akmal; rehearsal footage; deleted
scenes; original trailers and TV/radio spots; a gallery of stills;
and the original screenplay on DVD-ROM.
Fortunately,
because “Malevolence” is intended as the second
film in a trilogy, viewers can look forward to at least two
more horror movies from the multi-talented Steven Mena.