Buddy
cop films have been a staple in the action/comedy genre for
long enough that audiences know what to expect from them. In
many cases the plot of the film is often less important than
the chemistry of the two actors. If the actors have two distinctly
different characters that play well off of each other in opportunities
for humor, it helps move the film along until the action starts
up again. The Man is more comedy than it is action, so much
more of the film relies upon this chemistry. Individually Eugene
Levy and Samuel L. Jackson are fantastic, and it makes sense
that they would make a good pair onscreen, but what actually
ends up on film is far less entertaining than I ever would have
imagined from the two of them.
Jackson is somewhat
like a superhero without his powers as Agent Vann in this PG-13
film, where only a certain level of foul language is permitted.
Agent Vann might now curse as much as we would expect, but he
still does things his way, with a stylish hair-do and no regard
for police regulation. He is on a case tracking an arms dealer
when a dental supplies salesman, Andy Fiddler (Levy), accidentally
finds himself mistaken as the buyer of the weapons. This proves
to be a perfect opportunity for Agent Vann to catch the arms
dealers. He forces Fiddler to follow along with his plan, despite
numerous complaints.
We are supposed
to gather humor from the fact that a rough cop needs help from
a dentist supplies salesman from out of town, who never stops
running his mouth. Eugene Levy has made himself known as a great
supporting character actor, but it doesn’t seem to translate
nearly as well when he is in nearly every scene. The constant
bickering between Levy and Jackson has more of an irritating
quality than a humorous one. This may have worked if it had
been regulated, but every scene seems to be playing the exact
same objectives; Agent Vann wants to catch the bad guys, and
Andy Fiddler wants to get away from Agent Vann.
It is possible that
this cast could have worked, had it been a different film, but
this simply is not the case. There is too much or too little
of just about everything in the film, and although the failure
of the film is not the fault of either of these two actors,
neither seems to be making great choices these days. A film
needs to be more than just an idea, it needs to have a good
script as well.
What The Man lacks
in quality as far as the film is concerned, it makes up for
it in the way the DVD is set up. While most PG-13 films (or
even some R-rated ones) try to push the DVD sales of the film
by releasing an unrated version of the film, The Man doesn’t
attempt to trick consumers in this way. The cover doesn’t
even boast about the special features, although there are plenty.
It is ironic that one of the bonus features is titled, “Sam
Jackson’s Guide to Cursing Like a Bad A&% Motha F$#@*”
considering the fact that he is forced to limit the amount of
cursing in this film, but is actually an entertaining little
featurette. Other featurettes include “Who’s the
Man”, “Making an Action Scene” and “The
Ride: A Look at the ’83 Cadillac”. They are all
fairly short and specific, but what makes them work well is
the fact that they are all in good fun and don’t take
the topics too serious. There are also deleted scenes and gag
reels, which are hit and miss, and a theatrical trailer.