Teenage
crises and puppy love have had their fair share of treatments
on the screen in recent years but rarely do they seem so fresh
and cliché-free as in this film, which must rank as one
of the best British films of the year. The only reservation
here is that the director, Pawel Pawlikowski (known also for
‘Last Resort’) is Polish, which may in turn explain
why ‘My Summer of Love’ combines the charm and innocence
of the adolescent affair it portrays with a distinct and seemingly
convention-free perspective.
Young Yorkshire lass
Mona (Nathalie Press) is out in the moors one day when she meets
horse-riding and posh Tamsin (Emily Blunt) and the two strike
up a friendship. Each have family problems which lead them to
bond with the other girl; Mona’s brother Paul (Phil Considine)
has converted from alcoholism to born-again Christianity, losing
his sense of humour and the trust of his sister in the process
(their parents are dead). Tamsin has been expelled from school,
and her parents avoid each other, mum by taking up acting and
dad by having office flings, leaving Tamsin to herself in their
country manor. Tamsin is apparently the worldlier of the two,
quoting Nietzche and playing Edith Piaf, and squeaking out classical
motifs on the cello. Fascinated as she is by her friend, Mona’s
comments reveal her to be the cannier one. Asked what she wants
to do with her life, she replies, ‘Get married, to a right
bastard, churn out a load of kids with mental problems and then
wait for menopause…or cancer.’ When Tamsin asks
Mona to show her how exactly her incompetent boyfriend made
love to her, things take their natural course.
Things get compplicated
as Tasmin reveals more about her life and seems to fall for
Mona’s brother, Paul offering a kind of vulnerable authenticity
which she cannot find in herself and which she sets out to test.
While both girls are beguilingly smitten, Mona is the more faithful
of the two, and Tamsin’s games turn out to hide truths
she hadn’t suspected.
The photography captures
lyrical features of the sun-kissed Yorkshire moors that break
from the commonplace association of ‘up north’ with
grimness and industrial grind; the haunting music of Alison
Goldfrapp which hangs like a charm over the film. The dialogue
is inventively casual, and the scenes seem (as they are) the
result of a willingness to improvise, and the two female leads
appear effortless in grasping our attention.
Special
features here are few but choice – apart from the trailer,
there are four interviews with Considine, Press, Blunt and Pawlikowski.
They talk about their approach to and identification with the
material, the means of shooting, improvisation and the importance
of the location Pawlikowski finally chose. Rather than the usual
feast of self-congratulation, this is a quartet of interviews
that answers the spectator’s desire to find out about
what brought the film together and to life. There are no language
features on this DVD.
Dominic Gavin
Focus Features
has become known for its original films and the unique visions
by the filmmakers. It isn’t surprising that Focus would
pick up Pawel Pawlikowski’s My Summer of Love, but not
for the reasons you might think. Although all marketing for
the film made it seem more about the lesbian relationship, and
possible love triangle, the most unique aspects of the film
deal more primarily with identity and religion. The issues of
the relationship are only relevant in the context of these two
topics, and that is what makes My Summer of Love somewhat interesting.
After her
brother becomes a born again Christian and turns the family
pub into a spiritual center, local girl Mona finds herself with
a new interest in escaping her home. She lives with her brother
since her parent’s death and no longer feels any connection
to him since he has decided to give up the lifestyle she is
accustomed to. After she is dumped by a local married man who
she is sleeping with, Mona runs across Tamsin, a rich girl who
is home for the summer. Tamsin quickly draws Mona into her world
of imagination, but it is impossible to know what is real and
what is just a game played by a bored prep-school girl. Soon
Mona finds her world turned around as the friendship turns into
a summer romance as well.
Paddy Considine
plays Mona’s brother, which is essentially just a sub-plot
to the story of the two girls, but in many ways is much more
compelling. Although he has given up drinking and closed down
the bar, Mona believes that he is not being true to his identity.
She thinks that he is faking it, and Tamsin makes it her personal
goal to prove this as well. Whether or not he truly does believe
the things that he says the entire film is never answered, but
it is definitely questioned. Considine does a great job making
the role believable as well as questionable.
The DVD
is quite basic, and although the menus are well done and the
cover art is quite fitting for the mood of the film, it just
seems as though the film was rushed onto DVD without much attention.
It seems as though attention was focused on other projects,
which have more chance of obtaining a wide audience.