From
the very first frame of the film Oldboy will capture your attention.
It isn’t just the breathtaking cinematography, unexpected
humor, extremely well choreographed fight scenes, or great acting.
What makes Oldboy so good is the fact that it has one of the
most amazingly cool setups that I have seen in years. The premise
sounds almost too good to be true, and is amazingly pulled off
with the feeling of a Shakespearian tragedy by the end.
Oh Dae-su is a seemingly
normal man, aside from his tendency to drink too much. Other
than that he leads a normal life. He has a wife and a young
daughter. One night after drinking too much he is abducted and
locked in a holding cell. The cell resembles an apartment, with
a television and furnishings. He is provided with food and taken
care of for fifteen years when he is suddenly released. In all
of the time that Dae-su was held captive he never knew what
he had done to deserve such a punishment. As soon as he is released
Dae-su receives a phone call telling him that he has five days
to find out why he was captured and imprisoned.
There are so many
amazingly original scenes within the film, both in terms of
photography as well as story, it amazes me that more people
have not caught on and made it a hit yet. The intricacies within
the story are enough for me to place it in the hall of fame
for thrillers along with Se7en and Silence of the Lambs. Most
remarkable is the intricate fight scene within the hallway in
which Dae-su battles a group of armed thugs with no more than
a hammer. This scene could have been taken directly from Sword
of Doom, a classic samurai film, but this does not lessen the
artistic merit of it in the least.
This is the second
in Chan-wook Park’s trilogy of vengeance, the first being
released in theaters right now. Hopefully we will get a chance
to see the third soon to find out if Park’s innate ability
to tell horrifically graphic stories in a mesmerizing way hold
up.
The DVD transfer
for Oldboy looks fantastic, making use of widescreen to show
off the fantastic cinematography in all of its glory. The sound
is also top notch, with a haunting score and the option of an
English dubbed track or Korean with English or Spanish subtitles.
The special features include an interview with Park, deleted
scenes, a photo gallery, director and cinematographer commentary,
and the Oldboy trailer contest winner.