When
the head of Ong-Bak, the sacred Buddha of a poor village is
stolen, the people are plunged into famine. Ting (Tony Jaa)
is selected by the villagers to travel to Bangkok and retrieve
the relic. Ting has an affinity with the statue as he was left
on the temple steps as a baby and raised by monks, who taught
him muay Thai, but forbid him to use it in combat. Now the time
has come for Ting to use these skills to do whatever’s
necessary.
A movie
that comes with the kind of hype accompanying this one is either
fully justified or a huge disappointment, Ong-Bak falls squarely
in the middle.
The first
thing we need to address here is whether relative newcomer Tony
Jaa is indeed “the new Bruce Lee” as many are saying,
on the basis of this movie the jury is out. His martial arts
skills are unquestionable as is his athleticism and commitment
to his art just like the late legend. The problem judging from
this movie is his charisma and presence when not fighting on
screen. Perhaps it’s the fault of the script and possibly
the limitations of its Thai origins that this side of him doesn’t
shine through. This is the only downside of his electric calling
card to Hollywood, this is a man destined to be Thailand’s
biggest export since their green curries.
The film
itself gets off to a slow start for a martial arts movie, taking
over half an hour to get the set up out of the way, what follows
is an hour of sometimes-breathtaking action. The chase on foot
through the streets has more then a nod to another of Jaa’s
oft compared to luminaries Jackie Chan,
even utilising the multiple take pioneered so effectively by
Chan. We see Ting (Jaa) running, jumping through hoops and even
amusingly running over the chasing mobs heads. In this sense
Jaa is closer in comparison to Chan than Bruce Lee however lacking
the slapstick comedic talent so evident in the great Jackie’s
movies.
The plot
itself is the staple of so many other martial arts movies, small
town/village/country man goes to big city for whatever reason
and ends up using his fighting skills for money/honour under
the guide of a mentor/exploiter (certain Van Damme movies spring
to mind). We even have a sub bond villain in a wheelchair using
a voice box to speak.
This is
a martial arts movie so lets talk about the fighting, firstly
it’s very welcome to see a none kung fu style instead
we have the art of Muay Thai, an effective medley of crunching
elbows and bruising knees. Owing to its low budget eastern origins
we get far more realistic fight scenes then
the more recent penchant for wirework and arty slow motions,
here we have blows that connect and genuinely make the audience
wince. When Ting takes on his third consecutive adversary in
an illegal fighting contest and is met with a crazed opponent
who will use anything at his disposal to kill
him, you know you’re firmly out of Steven Seagal territory.
This movie
suffers notably from budgetary restraints, some of the acting
is incredibly poor and the script serves merely to get us to
action scenes, which is just about forgivable when the scenes
in question are so good. Martial arts fans can add a star or
two to this score; period drama fans
can subtract one (or two).
Geoff Lewis
Star Rating
= * * *
PICTURE
& SOUND
Presented
in Anamorphic Widescreen 16x9 with Dolby Digital 5.1 surround
sound, the movie is presented very well.
BONUS FEATURES
Disc 1
·
Exclusive brand new orchestral soundtrack composed specially
for the UK theatrical and DVD release!
· Audio commentary from Asian film expert Bey Logan
Disc 2
The Cutting
Room Floor (8.36 mins)
Entitled ‘Devine Inspiration’, ‘Three-point
rendezvous’, ‘Two wheel taxi’, ‘Looking
for trouble’, ‘Money for noodles’, ‘Deity
valued’, ‘Close to death’ and ‘Alternative
ending’, these deleted and alternative scenes are more
story oriented than action.
Promotional
Archive
Ong-Bak
on Tour (3.01 mins)
A montage of footage from Tony Jaa’s promotional tour
for the movie as he gives demonstrations of Muay Thai/Thai Boxing.
The Art
of Muay Thai (24.05 mins)
A featurette that looks at the philosophy and techniques of
Thai Boxing.
From the famous Chitralada Gym and Sor Vorapin Thai Boxing Gym
in Bangkok, trainers and fighters talk about the 200-year history
of the sport.
UK Promotional
Trailer (2.10 mins)
Watch the trailer that accompanied the UK cinematic release.
Road to
Glory: The Making of Ong-Bak (1hr 16.43 mins)
Split into sections entitled ‘The Sacred Cloth’,
‘The market chase’, ‘Fight Club’, ‘Tuk-Tuk
Mayhem’, ‘Ringside’, ‘Man on Fire’,
‘Pole Position’ and ‘Final Victory’,
this documentary includes commentary by director Prachya Pinkaew
as he talks over B-Roll and rehearsal footage from ‘Ong-Bak’
From Dusk
to Glory: An interview with leading man Tony Jaa (3.46 mins)
Director Prachya Pinkaew joins the star of the movie as they
talk about the shooting style and choreography of ‘Ong-Bak’.
Fight Club
Visible
Secret: Rehearsal Footage Montage (4.04 mins)
Star Tony Jaa and co-star Don Ferguson ‘block out’
potential ideas for a fight sequence.
The Bodyguard:
An Interview with Don Ferguson (10.05 mins)
Tae-quon-do expert talks about his martial arts career, this
involvement in Thailand and the movies he has become involved
with.
Mad Dog:
An Interview with David Ismalone (11.33 mins)
The martial artist reveals how he came to Thailand, how he got
involved with movies, working with Jackie Chan and the full
contact fights of ‘Ong-Bak’.
Pearl Harbour:
An Interview with Erik Markus Schuetz (13.45 mins)
The martial arts expects reveals how he became involved with
stunt work, working with Jackie Chan on ‘The Medallion’
and becoming involved with the choreography for ‘Ong-Bak’.
OVERALL
Premiere
Asia has done a fantastic job with the DVD package of ‘Ong-Bak’.
The special features on the second disc are extremely good,
covering most aspects of the films production and the history
behind Thai Boxing/Muay Thai. Foreign language films tend not
to receive as much bonus material as their Hollywood contemporises
but this is different when it comes to martial arts movies and
this package keeps up that standard.