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The Producers DVD Review:

After
a string of failures producer Max Bialystock (Mostel) has lost
every ounce of dignity to the point that he has to romance old
ladies to get money to fund his next play. When the bank sends
accountant Leo Bloom (Wilder) to check his records, Leo tells
him that he would actually make more money having an enormous
flop than a hit. This instantly gives Max an idea. He and Leo
will produce sure-fire flop and walk away with a million dollars.
Mel Brooks’
may have lost his way over the last couple of decades but there
was a time when he was the king of comedy and back in 1968 this
was the film that launched his career.
The Producers typified
what Brooks does really well, taking a premise and then pushing
it to the extreme. Probably best known for his masterful parodies
‘Young Frankenstein’, ‘Spaceballs’ and
‘Blazing Saddles’, Brooks started off with a movie
that actually set the tone of many that would follow. This has
a great premise that is instantly funny as soon as you think
about it. What if a gigantic flop could make more money than
an enormous hit but could you find a play that would be guaranteed
to fail? When you produce a play that paints Adolf Hitler as
a nice guy, you’d think you’d have discover a certain
disaster but things don’t always work out that way.
The excellent premise
is backed up by two Stella comedic performances that instantly
draw you into the film. Zero Mostel is masterful as the desperate
Max Bialystock who will do anything to make some money. You
cringe for him as he tries to scrounge money out of old ladies
that are just glad of the attention. But it is when the plan
starts falling apart when Zero comes into his own. The sheer
panic he endures when he actually achieves the goal he was so
desperate to gain before he came up with his elaborate scheme
is comedic acting at its very best. Equally as good is Gene
Wilder. This is the movie that kick-started his comedy career
and the start of his collaborations with Mel Brooks. As Leo
Bloom, Wilder created a manic, panic ridden character that would
become his trademark but it is only when you see this performance
you realise what a gifted comedic actor he actually is. This
is a man who is an actor, plain and simple whose background
has nothing to do with comedy but found a genre in which he
can excel.
Their support is
also first rate. Kenneth Mars is brilliant as former Nazi turned
play writer Franz Liebkind. He shows a true passion for Hitler
and can’t believe what the producers have done to his
beloved creation. Christopher Hewett, Lee Meredith and Estelle
Winwood are also very good.
The premise is simple
but the execution is very good. Brooks creates the situation
really well but the movie comes into its own when “Springtime
for Hitler” springs into life. The play is hysterical
and it makes you wish that you could watch the whole thing on
its own. The Brooks written songs are real highlights that leave
you gagging for more, it is just a shame that the movie cuts
to Max and Leo during the performance.
The Producers is
a great movie that is filled with excellent comedic moments.
The premise and execution is first rate and shows that Mel Brooks
gets something right, he really gets something right and produces
something that is high in the comedy echelons.
Star Rating = * *
* *
PICTURE & SOUND
Presented in Anamorphic
Widescreen 1.85:1 with Dolby Digital 5.1 surround sound, this
digitally remastered transfer is very good. Bearing in mind
that the movie was made in 1968 the picture and sound quality
are first rate. Don’t expect much from the surround sound,
except during the musical numbers where your speakers do come
to life abit more, the emphasis is more on the exceptional dialogue,
which you want with a film like this.
BONUS FEATURES
Making the Producers
(62.32 mins)
Writer/director Mel
Brooks, first assistant director Michael Hertzberg, composer
John Morris, choreographer Alan Johnson, production designer
Charles Rosen, casting director Alfa-Betty Olsen and stars Gene
Wilder, Kenneth Mars, Lee Meredith and Andreas Voutsinas come
together to reminisce about bringing The Producers to the sliver
screen back in 1968. Split into five sections entitled “Opening”,
“Act 1”, “Intermission”, “Act
II” and “Closing”, just like a play, the documentary
gives the cast and crew the chance to discuss their memories
of the production and what the film did for their resulting
careers. Mel Brooks reveals how he got the idea for the movie,
the difficulties of getting it made and how some of this first
choice cast left the production or didn’t turn up before
filming starts. He also talks about the problems he had getting
any attention for the film until Peter Sellers saw the movie.
This is a fascinating insight into low budget filmmaking in
the 1960s and the reflections from the cast and crew, especially
Mel Brooks and Gene Wilder, make this a must watch for fans.
Sketch Gallery (2.12
mins)
A montage of production
designer Charles Rosen’s set designs and sketches used
to in the pre-production of the movie.
Trailer (2.12 mins)
Watch the original
1968 preview that was used to promote the movie.
Playhouse Outtake
(3.41 mins)
Your chance to watch
a deleted scene where Bloom, Max and Liebkind try and blow up
the theatre with less than successful results.
‘Peter Sellers
Statement’ read by Paul Mazursky (0.53 mins)
Filmmaker Paul Mazursky
reads from the advert that Peter Sellers posted in Variety after
seeing The Producers for the first time. You can’t buy
publicity like this.
OVERALL
A classic movie gets
a great DVD treatment. While the absence of a commentary track
is a bit of a disappointment, the hour long documentary make
up for this slightly by answering most of the questions that
would have been raised in a track. The presentation of the movie
is first rate also making this a great package for fans and
a fantastic way to discover a comedy classic.
DVD Star Rating =
* * *
Jamie Kelwick

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The Producers Info: |
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The
Producers Director:
Mel
Brooks
The
Producers Written By:
Mel Brooks
The Producers
Cast:
Zero Mostel, Gene Wilder, Kenneth Mars, Christopher
Hewett, Lee Meredith and Estelle Winwood
Reviewed
by:
Jamie
Kelwick
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