Smattering
onto the scene like a hoard of angry gatecrasher’s punk
music created a mini revolution during the seventies. Who brought
this cultural phenomenon to our fragile ears? what was its relevance?
And most importantly, what does ‘selling out’ mean!
With Attitude director
Don Letts answers these questions by presenting a linear and
comprehensive history of all that is, and was, punk. From Chuck
Berry to Brain Ferry (scrub that last one) Attitude probes punk’s
roots and unearths many surprises. Never straying from its strolling
narrative, it’s the extreme depths that Letts plumbs which
really make this doc a standout.
Highlighting the
main players but also handing out kudos to littler known bands
such as The Dictators all the way up to Fugazi, you are reminded
of the complexity of Punks flowering family tree. Be it an infusion
of Reggae, the regionalism of the Cali sound, or the No Wave
Scene, these complex sub genres are all rooted to the DIY, anything
is possible, punk aesthetic. Through this weaving inter connectivity;
Letts documentary begins to solidify in conveying its intended
message.
Drawing all of the
main players out of their state of semi-retirement. Big hitters
of the genre such as Mick Jones, Chrissie Hynde and Henry Rollins
all share anecdotes against the backdrop of Letts subtly rolling
archive footage highlighting punk’s former glory days.
Sometimes bitter, sometimes just plain angry yet, ever fascinating
- Attitudes interviewees guide you through ever aspect of the
doc whilst explaining the meaning of ‘punk’ (it’s
all about the ethos). It’s with this basic simplicity
that Letts enables the viewer to engage with punk’s rooted
past, present and future, whilst still injecting you with enough
afterthought to come running back for more.
Raising interesting
and surprising points from all bases, Attitude conveys the anger
born beginnings and endings of punk by tainting them with the
barbed, tongue-lashings of its former heroes. Check out Henry
Rollins as he slams uber pop-punkers Greenday and Blink 182,
or chuckle at Jim Jarmusch’s insidiously cloaked hints
at America’s part in originating the scene. It’s
through these interviews that Letts’ superlative documentary
really hits its stride, and come the documentary’s closing
riff, seeing Letts’ crew of punk idols grumble about this
generation’s slew of ‘punk’ music, you are
left with a sad tingling that the torch is yet to be passed,
and can only wonder: when... When will the next ferocious wave
strike the ‘manufactured anger’ of the pop-saturated
music scene?
No matter where you
were when it started, or how late you have came to discover
the scene, the only thing that’s gonna be selling out
is this exceptional documentary.
Star Rating ****
Extras:
No sign of the Don
himself in a yak track but still plenty to get your teeth into
with this features-packed two discer. Disc one starts with an
interactive family tree - enabling hours of fun connecting up
the ‘who’s been where?’ element of punks history.
It’s a neat touch and like the preceding Where are They
Now feature both beef up the viewers knowledge on punk’s
history.
Disc two
offers eleven mini doc’s ranging from fashion (apparently
it wasn’t all safety pins and mohicans) all the way up
to a discussion on the sound of punk. Although insightful there’s
a slight amount of interview retrieval from Letts original doc
in these mini’s, and even more disappointing there’s
a total absence of actual live performances on this disc. But,
alas these are all minor quibbles in what is a concise and factual
accompaniment to Letts feature and is definitely worth the money,
now after three… “I am the antichrist-tah!”