The
levels in which Ran works are so multi-layered and deep that
it takes an understanding of the production of the film to truly
appreciate the film entirely. Akira Kurosawa made Ran in his
later years, which is interesting considering the subject of
the film. It is a film of beautiful scope as well as simplistic
themes, with sweeping visuals filling every shot. The story
is an old one, guaranteeing a higher level of quality as well.
In Ran, Kurosawa
re-imagines William Shakespeare’s King Lear, a story about
a king and his sons. This king decides to step down from his
throne before death, giving his spot to his eldest son, only
asking to remain as an advisor and have the same respect that
he had as king. In the process of this decision, his youngest
son tells his father that he thinks it to be a horrible decision.
The king banishes his youngest son, only to find that he was
the only one who was truly loyal. Once in power, the other sons
fight and overthrow their father and watch other. They kill
each other and many others in order to get power.
Kurosawa sets his
version in sixteenth-century Japan, and the king is a clan leader
for a group of samurai warriors. All of the details fall into
place flawlessly in the new setting, and in some ways the story
makes even more sense in a culture where honor is so important.
Ran is built upon metaphors, and with each viewing there are
new lessons to be learned in this bleak and somewhat pessimistic
tale of humanity. It isn’t surprising to see the film’s
main character go mad as events unfold, although it is deeply
disturbing. It is ironic that a film this beautiful in contrast
would be so horrific to watch, much in the way that Sam Mendes’
Road to Perdition was.
The first disc of
the two disc set contains the film in its newly restored high-definition
transfer. The first disc also contains a detail and fact filled
audio commentary by film scholar Stephen Prince. It is not an
exciting or entertaining commentary, but he was a very good
choice nonetheless. There is also an appreciation of the film
by director Sidney Lumet and a series of theatrical trailers.
The second disc
contains a great deal more as far as features; most worthy of
mention is the full length documentary about the making of the
film, A.K., by director Chris Marker. It is a very slow moving
and thoughtful documentary, at times allowing the audience to
simply observe moments of the shooting process without interruption.
This may seem boring to some, but it is a worthy attempt considering
the body of work that Kurosawa contributed to film. The other
documentary of the making of Ran is much more traditional in
the way it is set up, and it is only thirty minutes long. This
documentary was originally made for the Toho Masterworks series
Akira Kurosawa: It is Wonderful to Create.
There are two other
supplemental features, which are equally good, and also as slow
and thought provoking as the film itself. There is a new video
interview with actor Tatsuya Nakadai and a thirty-five minute
video piece showing the film’s story through reconstruction
of Kurosawa’s paintings and sketches which he made in
preparation for shooting. It is an incredible look into the
director’s process. It was compiled for the series Image:
Kurosawa’s Continuity. There is also a twenty-eight page
booklet insert with an essay by Michael Wilmington, interviews
with the director and composer, and a number of breathtaking
photos.