Rebel Samurai: Sixties Swordplay Classics DVD Review:
The
samurai film was very popular in Japan, showing heroic characters
who exemplified honor and noble virtues. The samurai was held
to very high standards, but with the turmoil of the sixties,
these classic heroes began to see a change. The samurai is supposed
to sacrifice for the good of the larger group, but a lone hero
emerged in the sixties samurai film. Many of these characters
were actual antiheroes, questioning the way that society is
run.
A collection
of four of these films has been placed together in a box set,
Rebel Samurai, each directed by great directors. All of the
four films were made between 1965 and 1968, and feature some
of the most dramatic statements and fighting in cinema at the
time. The four films each have individual cases, and all of
them are set in a cardboard cover wit simple cover art of brown
and brick red. It is a fairly simple box set, but the films
speak for themselves.
Samurai
Rebellion (1967)
Directed
by: Masaki Kobayashi
Executive Producer: Tomoyuki Tanaka
Screenplay by: Shinobu Hashimoto
Original Story by: Yasuhiko Takiguchi
Cinematography: Kazuo Yamada
Cast: Toshiro Mifune, Yoku Tsukasa, Go Kato, Shigeru Koyama
Running
Time: 121 minutes
Most samurai
films begin and end with swordplay action, but Samurai Rebellion
is entirely different. It is a slow and calculated story about
the right and wrong of a very specific situation during peacetime.
There is one scene at the very beginning in which a samurai
is testing a sword against a straw dummy, but other than that
hardly a sword is seen and none are unsheathed until the final
act of the film. This makes for a fairly slow moving human drama
tale, until the fighting finally begins.
Isaburo
Sasahara is an aging swordsman who only raises a sword in order
to test them for the clan. Isaburo and his son, Yogoro, are
confronted with a moral dilemma when practically forced to accept
the clan lord’s mistress, Lady Ichi. She is presented
to Yogoro for marriage as a way of getting rid of her, which
is difficult at first, but over time their feelings grow for
each other. Soon after Ichi has given birth to Yogoro’s
child, the lord demands her return to his home. When they refuse
to return her it soon becomes evident that the situation will
end in bloodshed.
As slow
as the first ¾ of the film may be, the last half-hour
is filled with incredible action, and a few unconventional surprises
as well. The film builds with such intensity, using human drama,
that it is almost painful waiting for the fight to begin. Once
it begins, the fighting makes the remainder of the film fly
by with incredible intensity.
The DVD
has a great essay by Japanese film historian Donald Richie.
There is also an excerpt from a 1993 interview with director
Masaki Kobayashi, an original theatrical trailer, and a restored
high-definition digital transfer of the film.
In an attempt
to reform his clan, Gennosuke is talked into killing his clan’s
counselor. It is implied by one of his superiors that he will
rise up from his low-level position with this act of rebellion,
but instead he is turned into an outcast as many seek him out
for revenge. As a way of escaping, Gennosuke decides that he
will retreat to the jungle as a beast. Always on the run, he
decides to help illegally mine gold off of the mountain and
he finds himself running into another swordsman and his wife
in the hills. By helping these strangers, Gennosuke may be able
to regain the honor he feels that he has lost.
Sword of
the Beast features great swordplay action, but it doesn’t
stop there. The story is filled with great drama and character
dilemmas. Each of the characters have choices they must make
which determine the outcome of everyone else. Taking place primarily
on the mountainside, the scenery is breathtaking and the fights
are remarkably original.
Sword of
the Beast is shown in a new, restored high-definition digital
transfer. It is also the first time that Sword of the Beast
is available on home video in The United States. The insert
in the DVD case features a new essay on the film by Japanese
film and pop-culture authority.
Samurai Spy (1965)
Directed
by: Masahiro Shinoda
Screenplay by: Yoshiyuki Fukuda
Based on the novel by: Koji Nakada
Cinematography: Masao Kosugi
Cast: Koji Takahashi, Shintaro Ishihara
Running
Time: 100 minutes
Many samurai
films take patience. They are very much about honor and character,
so that fighting is the last resort. This may be weary to some
viewers who simply want to see really great fight choreography.
For those sort of people Samurai Spy will prove very pleasing.
Although the story is often difficult to follow because of all
of the clans and different characters, some of which are not
even exposed until near the end of the film, there is more action
in this film than nearly any other Samurai film I have seen.
It is also not a subtle form of violence. There are limbs removed
and daggers placed in the heads of enemies. Many people die
and it is done in the same artistic yet violent beauty of samurai
tradition.
In a time
where spies are sent out despite the fact that it is peacetime,
a lone samurai, Sasuke Sarutobi, longs for peace. He travels
to escape the constant fighting, but is drawn into a conflict
when he meets a man on the road and is brought into battle.
He faces a samurai in all white and is forced to set out on
a journey when he is framed for murder as well. It is a journey
filled with double-crossing and endless swordplay.
The DVD
has a new 16-minute video interview with director Masahiro Shinoda
and a gallery of the main characters in the film. As with the
other films there is an essay in the insert. It is written by
film scholar Alain Silver.
Kill! Is
another untraditional samurai film, mixing humor with many of
the same themes. Most of the action towards the beginning of
the film is handled with a slapstick style, but as the story
turns into something more serious, so follows the action. There
are two loner characters in this film, allowing for something
of a buddy film as well.
When Genta
and Hanjiro arrive in a dusty and seemingly abandoned town looking
for work, they run into each other in a search for food. One
is a former samurai while the other is a farmer with the hopes
of becoming a samurai. In search for work they both manage to
stumble upon the wrongdoings of the clan leader which will be
detrimental to a group of men hiding at the top of a mountain.
The interesting
thing about the two main characters is that neither of them
are perfect heroes. One is seemingly indifferent, and when he
does take action there is a point at which he is brutally beaten,
something which doesn’t often happen to the heroes in
samurai films. The other hero is somewhat of a bumbling fool,
despite his incredible strength.
The DVD
has an original theatrical trailer and teaser for special features.
There is a new essay by film and culture critic Howard Hampton
in the insert, along with the chapter stops and cast and credits.
This is the first time that Kill! Is available on DVD in the
United States.