Leaving
prison, Jake Green (Statham) has spent seven years in solitary
confinement, preparing himself for he is going to do on the
outside. Making more money than he could ever spend, he has
become a burden for every single casino owner. None more so
than Mr. Macha (Liotta), the reason why Mr Green ended up in
prison in the first place. As he comes after Macha, he comes
to the attention of Avi (Benjamin) and Zach (Pastore) who make
him an offer he can’t refuse.
After making a real
impact in the world of cinema with ‘Lock Stock and Two
Smoking Barrels’ and ‘Snatch’, he lost his
way with ‘Swept Away’ but can a return to the crime
genre reinvigorate his career?
Unfortunately with
‘Revolver’, Ritchie could be lost forever. This
movie is filled with his trademark visual flare and his skill
with character development but it is the story that is the major
stalling point of the movie. With three years to get over the
commercial bomb that was ‘Swept Away’, Ritchie’s
decided to return to the world that made his name, the criminal
underworld. Those of you expecting fun loving criminals, doggy
dealings and twists and turns a plenty will be severely disappointed
because the film is a complete mess.
While he was away,
he must have been watching Tarantino, David Fincher and his
good friend Mathew Vaughn’s ‘Layer Cake’ as
this is an amalgamation of all their styles but no coherence.
The movie is filled with references to films of his directors
but what he has made doesn’t come close to anything that
his influences have produced. There is an unneeded animated
sequence (Kill Bill), a main character that narrates the story
(Layer Cake) and grandiose camera shots and beautifully shot
locations (Everything David Fincher has ever done) that try
and come together to make a movie but what we end up with is
something that just lacks any originality. This goes completely
against what he had established in ‘Lock, Stock…’
and ‘Snatch’, turning him from the head of the new
wave of British filmmakers, to the scraping at the bottom of
the barrel.
The main problem
with the movie is that it just doesn’t make sense. The
director himself says that you have to be intelligent to understand
it but you would have to be a top member of Mensa even to have
an inkling of want is going on. As soon as the final third of
the movie kicks in, the film looses all sense of narrative and
reasoning, as confusion consumes the remainder of the story.
The movie supposed to be about playing a con and sizing up you
enemy but when no clear enemy emerges in the final reveal, the
audience it left deflated and dismayed by what they have witnessed.
There are no real answers here, making the film a complete waste
of time.
The only things that
make the film watchable are the good performances from the cast
and how visually stunning the film is. Jason Statham is as good
as ever, showing again that he is a diverse actor who is just
as strong with dialogue as he is with action. Ray Liotta, who
for some reason has far too much mascara on, brings his strong
presence to the film. There are also good performances from
versatile André Benjamin and the gangster stalwart Vincent
Pastore. The visuals of the film also impress, with the whole
movie beautifully shot throughout but there are far too many
nods to other directors from the same vain.
‘Revolver’
is a complete mess. With a complete lack of any structure and
totally confusion taking over during the final third of the
film, the movie just manages to anger the audience as no real
conclusion is offered. Guy Ritchie really needs to reassess
his career if he is going to regain the label as the one of
the leading lights of the British film industry because this
film turns that light completely off.
Star Rating = * *
(For the visuals and performances only)
PICTURE & SOUND
Presented in Anamorphic
Widescreen 2.35:1 with Dolby Digital 5.1 and dts soundtracks,
the movie is presented extremely well.
BONUS FEATURES
Commentary with Guy
Ritchie
In the form of an interview, writer/director Guy Ritchie is
asked question about key scenes of the movie. Those of you hoping
that this would explain what is going on, might be slightly
more enlightened as to what the film is about. This is an interesting
take on the conventional commentary track and offer the chance
to hear more explanations and reasoning’s behind the films
strange plot.
The Concept: Interview
with Guy Ritchie and James Herbert (16.16 mins)
The director and the editor try and explain what the film is
actually about. They try and reveal the layers to the concept,
discussing how cryptic the film is and how the editing set the
tone of the movie. The pair then talks about the editing style
of the piece, revealing this experimentation used to create
the hyper-look of the movie.
The Game: The Making
of Revolver (24.31 mins)
Director Guy Ritchie and stars Jason Statham, André Benjamin
and Vincent Pastore, take you behind the scenes of ‘Revolver’.
The group talk about the lead character Jake Green, mob boss
Dorothy Macha, Avi and Zach and Sam Gold. They also talk about
the some of the ideas behind the film such as the perceived
enemy not being the real enemy, the four rules, chess and the
con of all cons.
Deleted Scenes (24.12
mins)
Entitled ‘Alternative opening scene’, ‘Extended
Chess Game/Rules’, ‘White knickers scene’,
‘Extended roof top golf scene’, ‘Alternative
Lord John Assassination Scene’ and ‘Alternative
ending’, these deleted or alternative scenes are accompanied
by introductions or commentaries by writer director Guy Ritchie.
Outtakes (4.00 mins)
Watch Ray Liotta, Jason Statham and André Benjamin make
a hash of their lines and prove that they are not very good
at golf.
Stills Gallery (11.19
mins)
View a montage of production, promotional and behind the scenes
photographs from ‘Revolver’
Music Trailer (3.43
mins)
View and listen to a music-orientated trailer used to promote
the movie.
OVERALL
The DVD
presentation of the movie is as stylised as the film itself.
The commentary is very good and the accompanying featurettes
only add to the value. Fans of the film will be very pleased
but those confused by it will still be none the wiser.