Considering
the difficulty of the subject, it is a miracle that Rory O’Shea
Was Here does not spend more time in melodramatic turmoil. With
the two main characters in wheelchairs and unable to use their
limbs efficiently if at all, this could have easily been a strong
drama, but instead it decides to bounce back and forth from
humor and drama, much in the way life actually is.
Michael is perfectly
content in the institution which he has lived since his father
abandoned him. He is quiet and reserved, unable to be understood
because of the strong speech impediment which slurs all of his
words. When Rory O’Shea arrives things begin to change
for Michael. Rory is a rebel who looks to break rules constantly,
but Michael gravitates towards him when he finds Rory is able
to understand what he is saying. Rory has been denied for assisted
living for years because of his rebellious nature, but when
Michael applies he is approved immediately. The two of them
move out together and hire an attractive grocery store worker,
Siobhan, who they met in a bar to be their live-in aid. Freedom
suits them well until Michael begins to develop feelings for
Siobhan, causing a great deal of problems.
The greatness of
Rory O’Shea Was Here comes in its ability to understate
the elements of the story. It is a story about freedom, but
the advances that the characters make are seemingly small and
often difficult. There is no huge triumph of the spirit at the
end of the film, but rather a quiet realization. This simplicity
is what makes the film remarkably honest.
There are fantastic
performances all around in this cast. From the two leading men
all the way down the line, this film was excellently cast with
very able actors. This helped by the dialogue, which must take
into consideration that the audience will not be able to understand
what Michael is saying in the same way that Rory can. One of
the traps that films with translation fall into is that they
feel every word must be translated, but this is not the problem
with Rory O’Shea. Often times there is dialogue which
is left un-translated, or merely responded to in a way that
allows the audience to realize for themselves what is being
said.
The DVD has a wonderful
menu, rather fitting for the film in its simplicity. The video
and audio also looks great, and the film is picture perfect
in 2.35:1 anamorphic widescreen. Although the bonus features
are somewhat lacking with only deleted and extended scenes,
the alternate ending is worth watching. This film comes from
the producers of Bridget Jones’s Diary and Billy Elliot
and it has the fun of those two with a bit more maturity in
the material as well.