Two
weeks following the completion of The Outsiders, Francis Ford
Coppola began the production of a film version of another S.E.
Hinton novel. Although Rumble Fish is by the same author, is
also about urban teens, and even has a few of the same actors,
it couldn’t be any more different than The Outsiders.
While The Outsiders is a very traditional book and film, Rumble
Fish is a complex and multi-layered art film. There were innovative
measures taken for nearly every element of the film, from special
effects to musical score, and it fits perfectly in this surreal
film.
Rumble Fish follows
the relationship between two brothers in an impoverished industrial
town. Rusty James (Matt Dillon) looks up to his older brother,
The Motorcycle Boy (Mickey Rourke), and he struggles to live
up to the reputation. There isn’t much to do in the town
except wonder about what life would be like outside of it, and
fight. The Motorcycle Boy has a tendency of disappearing for
periods of time, and during those times Rusty defends his reputation
with fights. When he isn’t fighting, Rusty spends his
time with a local girl (Diane Lane).
The complexity of
Rumble Fish comes from all of the symbolism. The plot is actually
quite simple, but the way it is played out is extraordinarily
unique. Most amazing is the cast. This was essentially Nicholas
Cage’s first film, showing that Francis Coppola once again
had the eye to pick out young talent. There are also amazing
performances by Dennis Hopper and Lawrence Fishburne in the
film. Hopper plays the washed up father and Fishburne is a guardian
angel of sorts for Rusty.
The film is nearly
entirely in black and white, aside from a few sequences of color.
There is also an amazing scene in which the two brothers examine
rumble fish in a pet store, and although everything else is
in black and white, the fish are vibrant colors. This is not
a new technique, but at the time it was impressive and innovative.
The special features
on this special edition are slight, but very good. As always,
I am impressed with the director’s commentary. Many directors
can’t seem to be bothered to come back and record a commentary
on their old films, but Coppola always seems willing. There
is a featurette about the making of the film, which deals more
with the technical aspects of the film and the casting than
anything else. It is very interesting and ends very quickly
because of this. There is a featurette on the music of the film,
which was done by Stewart Copeland, the former drummer of The
Police who won a Golden Globe Award for this percussion based
score. There are also deleted scenes, a music video, and the
theatrical trailer. The deleted scenes are not much different
than many scenes already in the film, but I suppose it is nice
to have them just the same. Any little detail in a special edition
is welcome.
Although
the film is fantastic, and the disc seems in great shape, the
packaging seems a bit off. I am not a fan of the cover art,
which just looks old, and there is also no insert inside the
DVD. It seems to me that a new design could have been drawn
up for the special edition, and it could have looked a lot better.
It is these little details which make the package more appealing.