Horror
movies seem to follow trends more than any other genre. In the
eighties slasher films were the thing, with Freddy, Jason, and
Michael as spokespersons for the onslaught. In the nineties
the teen horror film became popular with Scream, and it was
driven into the ground after many bad attempts to copy. Recently
the trend has been supernatural thrillers, usually involving
ghosts and small children. The Skeleton Key has no small children,
but it definitely falls under the category of supernatural thriller.
This horror film attempts to be different than other thrillers,
but it never truly achieves anything great in the process. What
occurs is mildly entertaining, and only somewhat predictable,
but never great.
Kate Hudson stars
as Caroline Ellis, a nurse tired of her job, who decides to
take a new job living in a home in the Louisiana bayous, watching
over a decrepit old man. Caroline begins to suspect that there
might be foul play involving the old man and his wife (Gena
Rowland), and the more she tries to investigate, the deeper
she finds herself in a world of strange rituals. Deep in the
swamps it seems that many people practice a strange art of Hoodoo,
or Voodoo, and although Caroline doesn’t believe in it,
she soon finds that some of the rituals work. She finds that
many of the answers could possibly be found in the attic of
the house in which she works.
It isn’t that
The Skeleton Key is boring, but there seem to be a lot of unnecessary
scenes. In truth, many of the scenes seem to be showcasing the
fact that Kate Hudson has already gotten rid of the extra weight
from having a child. There are plenty of scenes with skimpy
clothes to serve as evidence for this. The suspense builds as
the film progresses, but by the time it reaches the climax it
feels as though the journey is far too much for the outcome.
The DVD comes full
of special features, which would make you think that it was
a big hit, but in all truth it passed through the theaters like
so many films do these days. There are twenty minutes of deleted
scenes, but very few of them are actually worth watching. As
it is the film seems to drag in spots that these scenes were
deleted from. There is a short feature in which Kate Hudson
tells a quick story from her past which is eerie, but it doesn’t
fit in the special features as much as some of the others. There
is a featurette exploring the truth behind voodoo and hoodoo,
which is actually a great deal about herbs.
The behind the scenes
featurette is one of the better features, with all of the usual
interviews. There is also a featurette about the music in the
film, which is traditional blues mixed with a more modern feel,
and a commentary track with Iain Softley. There are other assorted
features, but they aren’t anything special.