FBI agent Thomas Mackelway receives faxes detailing missing
people from an unknown source. Investigating a series of local
murders, he finds corpses that have had their eyelids removed
and a crossed zero that seems to be the calling card of a serial
killer. On the hunt for the mystery man, Mackelway is joined
by a fellow agent and old flame played by Carrie Anne Moss.
Following up clues provided by the assassin, Mackelway discovers
that the victims too have committed murder, and that the man
they are looking for was once a member of the FBI. The killer
they hunt is wising up the FBI to his own parallel investigations
and executions; he was, it turns out, a member of FBI’s
psy-ops, and has the ability to see and foresee crimes, but
having become a renegade, is hardly different from the criminals
he abhors. Mackelway has to find him, but will he stop him or
use his powers to solve the case?
The serial killer
genre has a life of its own, a fascination which draws us in
(or lots of us anyway) even when there is little on offer but
variations on a familiar theme. In this case the variation,
the psychic serial killer, is a folder straight from the X-files.
With an actor of Ben Kingsley’s ability, this provides
some shackle-raising moments. His gnomic, man-from-nowhere look
manages to suggest some of the disturbing mental powers, however,
that the scriptwriters themselves could only fantasise about.
Surprisingly, Eckhart and Moss manage to be uninteresting, really
the biggest condemnation of the film; their love affair seems
to be part of a subplot that was amputated in the final cut.
You might
find this film as entertaining for its improbabilities as for
its plot twists; this film’s improbability twists, if
you will, include the inability of the FBI to locate the source
of hundreds of faxes. The opening scene has a killer approach
a victim in a bar, with a loud altercation between them, yet
no-one remembers Ben Kingsley’s face. Two FBI agents set
to work on a case that involves potentially dozens of corpses,
although in fairness, they do solve it alone. The police appear
and disappear in a chase sequence as if by magic. Asked if it’s
possible for a serial killer to plan his crimes in such a way
that he doesn’t he get caught, a professor of sociology
mulls it over and replies with a slow yes. This is indeed a
film in which all the characters seem to have picked up their
life skills and intuitions from watching B movies. Suspect Zero
is no better, and no worse than a late night TV film script
that wound up by oversight in the cinema, and is now out on
DVD.
PICTURE AND SOUND
Presented in 1.78
Anamorphic widescreen with a Dolby Digital 5.1 track, nothing
could be missing from your experience of the original release
except what was missing in the original.
BONUS MATERIAL
Other than scene
selections, the only features on the DVD are the audio options
in English or Czech, together with subtitles in English, Dutch,
Arabic and Bulgarian, not to memtion Czech. There are trailers,
other than for Suspect Zero, for Anacondas: the hunt for the
wild orchid, Closer, Resident Evil: Apocalypse, and The Forgotten.
It would have been interesting to hear the three stars talk
about their career choices and attitude to work, but alas they
don’t.