Every
year around award season there are a slew of biopics released,
because these films more than any other seem to inspire acting
nominations. The only thing that increases the chances are music
biopics, which is why there was a great deal of talk when word
got around that Joaquin Phoenix would be playing the guitar
and singing in the film based n Johnny Cash’s musical
career, Walk the Line. Anyone who knows the history of Johnny
Cash may have been very excited about this film, but I was a
skeptic so soon after Ray. The similarities between the lives
of these two is astounding, but I had no urge to see the same
film twice, no matter how good the performances. Both were scarred
at a young age by the loss of a brother in tragic accidents,
both struggled with drugs, and both had a hard time remaining
faithful to their wife. The difference which makes Walk the
Line a great film, is that Johnny Cash may not be the hero in
his own film. Instead it is clear that June Carter is the solid
rock which Walk the Line can rely on, which is helped a great
deal by Reese Witherspoon’s performance.
Johnny Cash tried
to start his career singing gospel music, but he soon realized
that his granite voice was better served singing dark songs
written about prison, even though he had never been there himself.
Walk the Line does its best to answer questions about Cash’s
career, such as the meaning behind his songs or how he got the
nickname “Man in Black”, but the film works best
when it uses the power of storytelling. There might be essential
elements from the plot missing, but because Walk the Line focuses
on the romance between Johnny and June there is obvious direction
in the story. There is a clear purpose and audiences are insured
a happy conclusion. It is the same element which made another
film in the best actress category work as well. Pride and Prejudice
also knew how to make the audience want something, and then
make them wait the remainder of the film to get it. Walk the
Line lets us know early on that if we care at all for Johnny
Cash, we must care for June. Then the film forces us to watch
them unable to be together just to allow the tension to build.
This is great filmmaking, whether it really happened this way
or not.
As with all films
based on a musical artist, it will help a great deal if you
are a fan of the music, but Walk the Line has the ability to
draw crowds that have never heard Johnny Cash. Because of the
romance element, it is possible that audiences that hate country
music may still enjoy the film. The same can not be said about
many other films of this sort. Although the music is good, and
Phoenix and Witherspoon both do a great job singing and entertaining,
the real magic comes from their performances during the private
moments. Although the music is certain to push one or both of
them on stage to win an award, it was the rest of the film which
got them the nomination in the first place.
I would have to
say that the DVD menus are among my favorite of any film I own.
There were a number of great production stills taken of the
actors onset, some of which were black and white teaser posters,
and these snapshots are scattered over the menu as melodic guitar
plays softly. These photographs are works of art in themselves,
and I am glad that they were put to use instead of just hung
in a studio office hallway.
Although there is
a two-disc collector’s edition available as well, the
single disc has a few great perks as well. Most exciting is
the commentary track by director and co-writer James Mangold,
but instead of talking about how the film was shot or giving
insight to meaning behind scenes, Mangold spend a little too
much time just praising his cast. There are also ten deleted
scenes with optional commentary by Mangold, some of which are
entertaining but most make better sense as deleted scenes than
part of the film. Walk the Line could easily have been a much
longer film, like nearly every other film nominated, but luckily
it was edited down appropriately.