After
finding out that his wife Anna (West) was pregnant, Jonathan
Rivers (Keaton) is the happiest man alive but when Anna doesn’t
return home that night, he starts to fear the worst. Two weeks
later, Jonathan is approached by Raymond Price (McNeice) who
tells him that Anna is dead but she is communicating with him
through the medium of EVP (Electronic Voice Phenomenon). Jonathan
dismisses his claim until he hears Anna’s voice on his
answering machine.
After years of gore
and killing teenagers, Hollywood has finally realised that there
is more to horror with Asian cinema pointing the way. Can ‘White
Noise’ scale the same heights of terror as ‘The
Ring’ or ‘The Grudge’? No, but it is a good
try.
EVP (Electronic Voice
Phenomenon) is an intriguing subject matter for a movie and
has infinite possibilities in today’s technology driven
world. The ideal that the dead can communicate through audio
and visual mediums such as television, radio, telephones etc
was touched upon in ‘The Ring’ but this tries to
take the phenomena a lot further than a video tape. Here we
get to hear and see the dead on the phone and on the TV and
this sets up the potential for some good shocks.
Why the Asian approach
to horror has worked so well over the last few years is that
the filmmakers rely on shocks and not gore to get their frights.
Sudden flashes, fast cuts and the power of suggestion can breed
much more fear than a masked killer with a bloody knife. ‘White
Noise’ tries this but only succeeds some of the time.
There are some genuine jumpy moments here but nothing to really
creep you out and have you cowering in fear. The reason is a
lack of tension and backstory. Asian movies always have a tale
behind the ghost’s appearance but ‘White Noise’
doesn’t explain the motivations behind the ‘three
spirits’. This means the tension is not as high as it
could have been and the characters and story are not developed
enough.
Michael Keaton was
a superstar in the late 80s early 90s but his star has fallen
over recent years and it is hard to understand why. He is a
very good actor who just doesn’t seem to be offered the
roles he was getting in his glory years. ‘White Noise’
doesn’t do much to give his career any bouncebackability
but it is a start. The character of Jonathan is very one-dimensional
and Keaton doesn’t have much to do other than look at
the TV and play with some equipment. He does do his best with
what he is given but he can’t work miracles. Deborah Unger
also has very little to do as fellow EVP investigator and the
same can be said about Chandra West as Anna.
‘White Noise’
is a good try for Hollywood as it tries to get up to the horror
standard set by Asian cinema but the film just doesn’t
have the plot or backstory elements in place to reach those
types of scares. You need to invest in the characters to become
involved with them and this really doesn’t do enough to
draw you in. With a lack of background on the ‘three spirits’
we never get to know their true motivations and this limits
any terror that can be induced, therefore cutting down on the
scares, which is the most important part of any horror movie.
Lets hope Hollywood can go on from here and produce a really
good scary movie of their own.
Star Rating = * *
BONUS FEATURES
Making Contact: EVP
Experts (8.40 mins)
Co-directors Tom
and Lisa Butler and founder Sarah Estep talk about AA-EVP (American
Association of Electronic Voice Phenomena) and its continuing
research into EVP. Featuring actual recorded EVPs, the featurette
looks into the history of the phenomena and looks at actual
cases that the association has become involved with.
Recording the After
Life at Home (4.25 mins)
AA-EVP co-directors
Tom and Lisa Butler show you how to make EVP recordings of your
own. They reveal what equipment you would need to record something
and give instructions on how to actually to this in your own
home, offering support via their website.
Hearing is Believing:
Actual EVP Sessions (14.32 mins)
Host Jim Moret goes
on two EVP investigations with AA-EVP co-directors Tom and Lisa
Butler. The trio visit two haunted buildings, Holly Mont Castle
in Los Angeles and the Excalibur Nightclub in Chicago. Tom and
Lisa set out to record some EVP and reveal some supernatural
history for both of the sites.
Deleted Scenes (9.34
mins)
Entitled ‘John
drives to work’, ‘John reports Anna missing’,
‘Bar scene’, ‘Balcony hit’ and ‘Shocking
twist’, these deleted or extended scenes suffer from not
having an introduction or commentary telling you why they were
removed.
OVERALL
The DVD
presentation for ‘White Noise’ is very different
to your usual Hollywood fair. With no behind the scenes featurettes
or even a commentary track, the DVD concentrates on the phenomena
of EVP instead and this is a refreshing change. Hearing actual
recordings of EVP is actually more creepy than the film itself
and each featurette makes for compulsive viewing, whatever your
opinion on the phenomena. This makes the DVD an extremely interesting
rent and a good buy for fans.
Electronic
Voice Phenomenon (EVP) is the occurance of the dead contacting
the living through the static generated by modern electronic
devices. EVP is a phenomenon that many people believe to be
a true way of speaking to the dead, and since truth is often
stranger than fiction it seemed an obvious idea to use this
phenomenon in a film. Using the facts about EVP as a springboard
for the film, White Noise begins strong only to find that there
is no safe place for the film to land. In the end a good idea
remains what it was in the conception; just an idea.
Architect
Jonathan Rivers (Michael Keaton) has his life in place when
suddenly his wife goes missing. Her car is found with a flat
tire by the side of the river, but nobody knows whether she
is dead or alive. After months go by and Jonathan has had no
word of his wife he is approached by a man who claims to have
spoken with her dead spirit. Soon after they find his wife’s
body, Jonathan becomes obsessed with the medium in which he
believes he will be able to speak to his dead wife; EVP. Unfortunately
more than just his wife comes through in the recordings and
Jonathan begins to receive dark messages warning him of death.
While there
are some sincerely creepy moments within the film, too much
of the film becomes a mystery. As soon as there are big questions
raised in a film, there had better be an equally big answer.
In White Noise there are some answers, but none of them come
near the level of mystery which was created already. This makes
for a disappointing and somewhat anti-climactic ending for the
film, which also becomes somewhat of a different film near the
end as well. If all of this sounds confusing then I must be
doing an accurate job describing White Noise.
Perhaps
knowing what made the film most interesting, the special features
on White Noise deal almost entirely with the real life phenomenon
of EVP. Aside from the deleted scenes, which could have also
been deleted from the DVD, the other three featurettes all deal
with EVP as shown by experts Tom and Lisa Butler. In the featurette
“Hearing is Believing”, live EVP sessions are recorded
at various haunted sites. “Making Contact” shows
the history of EVP, and “Recording the Afterlife at Home”
shows how you can record on your own.
With an
eye-catching cardboard slipcover, the White Noise DVD is a sharp
looking package. The picture and sound are great, the menu is
fitting, and all of this is somewhat unfortunate considering
the film is not nearly what it could have been. Perhaps the
most unfortunate aspect is the involvement of Michael Keaton,
who has been absent too long from the film world and should
not have reappeared with a film as mediocre as White Noise.
As tempting as it may look to buy, save your money and rent
it if you are curious.