Recovered
Classic: I Went Down
Rather amusingly released in the UK the same week as James
Cameron’s Titanic, I Went Down is a deliciously quirky
and sporadically violent road movie crime caper which came
in so far under the radar in 1998 it probably made passing
acquaintance with the Earth’s core.
Set
in the Emerald Isle and rife with Irish humour and fizzing
local vernacular, director Paddy Breathnach’s intensely
enjoyable movie succeeds so impressively because it plays
to its strengths—devastating dialogue, colourful characters,
macabre humour—and just uses the plot as something
of an occasional reference point to help move the story
along. It’s almost as if what actually happens is
incidental, because it’s what’s said while it’s
happening that gives the movie its real substance and entertainment
value.
It all
kicks off when unlucky-in-love ex-con Git (Peter McDonald)
falls foul of a gangster played by Tony Doyle the very day
he gets out of prison. To make it up to the Dublin mobster,
Git agrees to carry out a seemingly innocent job for him
to repay the debt. To keep an eye on him, Doyle sends one
of his goons along for the ride, the not-so-bright Bunny
(Brendan Gleeson). An ageing bruiser with sideburns as criminal
as his police record, it’s his job to make sure Git
carries out the errand, namely tracking down a man who may
or may not have £25,000 of Doyle’s money.
So begins
a journey of theft, greed, murder and deception as Bunny
and Git find themselves embroiled in a past secret which
manifests itself in increasingly violent fashion as their
task turns out to be not so straightforward after all.
Intelligently
scripted and full of deftly crafted surprises, this isn’t
exactly your standard road movie (there’s too much
bog trudging for a start), nor are Git and Bunny your average,
everyday gangsters. Neither of them are skilled lawbreakers
(Gleeson can’t pick locks if someone’s watching
him and McDonald has never fired a gun), although they do
get better as the mood becomes darker and the violence intensifies.
Brimming
with offbeat touches, the engaging central dynamic between
the two main characters is key to the whole shebang, their
relationship building as the movie unfolds and their task
becoming more complex the closer they get their quarry.
Laced with smart, witty dialogue, Breathnach’s direction
is confident and breezy, and he always manages to conjure
up something unexpected to grab the attention—when
Bunny’s dress sense isn’t doing the job for
him.
In between
all the punch-ups, car theft, one night stands and hilarious
conversations, there’s the occasional pause for pathos,
but Breathnach is careful to maintain a steady, energetic
pace and the episodic nature of the story development is
highly effective, giving the whole thing a fresh, inventive
spin. All in all, a spankingly enjoyable ride through the
world of dis-organised crime.
David
Lichtneker
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