Are
We There Yet? Movie Review:
The question
making up the title of this family comedy will be asked
over and over by filmgoers squirming in their seats, wondering
why the road trip goes off track so quickly by abandoning
modestly raucous situations and physical gags in favor of
sentimental filler about assuming responsibility.
It doesn't begin
like a sappy public service announcement aimed at future
dads. In a promising opening scene that echoes “Home
Alone,” a spiffy suitor comes walking up the path
of a house in Portland, Oregon. He's bearing flowers and
eagerly anticipating his date with an attractive single
mom named Suzanne (Nia Long). His excitement turns to pain
on the front stoop when a series of booby-traps put him
flat on his back, and then have him running for his fancy
sports car. You feel sorry for the guy. But if the movie
kept going in the same slapstick vein, it could have been
an enjoyable ride.
The authors of
the cautionary prank are Suzanne's two dastardly children.
Eleven-year-old Lindsey and eight-year-old Kevin (Aleisha
Allen and Philip Daniel Bolden) are determined to sabotage
their divorced mom’s night out because it might lead
to a serious relationship or even marriage. They hope she'll
get back together with their father.
Their next adversary
-- though the confrontational nature of the relationship
isn't sustained -- is kid-phobic bachelor Nick, the owner
of a sports memorabilia shop played by former gangsta rapper
Ice Cube. This "player's" priority is his latest
flashy purchase, an SUV with all the trimmings. Its most
noteworthy accessory is a bobble-head doll of legendary
baseball pitcher Satchel Paige perched on the dashboard
dispensing commentary and advice in the voice of "Saturday
Night Live" alum Tracy Morgan.
While obsessing
over his new wheels, Nick's eye catches Suzanne and he begins
courting her -- unsuccessfully. As his buddy Marty (a wasted
Jay Mohr) puts it, Nick gets caught in the "friend
zone." She senses his kid allergy and doesn't think
he's mature enough to handle a relationship with a single
parent. "If the kids hate you, the Momma won't date
you," Marty warns.
Sure enough,
she wants to keep things platonic. Nick decides to curry
favor by volunteering to escort the brats on a flight to
Vancouver, where Suzanne is working. They never board the
plane and a train leaves without them, so they end up on
the highway in his pristine, sure-to-be-trashed Lincoln
Navigator. It's not long -- despite feeling like an eternity
-- before his ride goes up in flames and all parties are
converted. The kids learn their daddy is a cad, Nick learns
the joys of being a substitute parent, and Suzanne realizes
the upside of a boyfriend with "blingage."
There are many
low points -- scowling matches and bathroom jokes -- with
Nick getting attacked by a deer being the surest sign all
comic energy has been spent. The youngsters start out so
obnoxious, you root for Nick to give them a taste of their
own medicine. An intergenerational war might have been fun.
Yet deep down he's too nice for such a battle. Besides,
the children lose their bite and simply become annoying.
Over
the last few years, Ice Cube has gotten considerably less
stiff as an actor. His faux rapper's rage has given way
to a mainstream persona like the sensitive teddy bear in
last year's sequel “Barbershop 2: Back in Business.”
That softy certainly belongs in the anodyne “Are We
There Yet?”-- a film which tries to have it both ways
by deploying crude humor that might appeal to teens while
affirming fatherhood and familial duty (even of the blended
variety) to mollify defenders of values entertainment. In
doing so, it gets stuck in the movie equivalent of the friend
zone.





John P.
McCarthy
Nick
Persons (Cube) loves his single life. He owns his own store,
he buys all the best bling and he’s just got himself
a really sweet ride, all of which really impress the ladies.
He has only one rule, never get involved with a woman with
kids. This all changes when he meets Suzanne (Long). The
two quickly become friends and Nick manages to see her every
day without ever meeting her kids but in a moment of weakness,
when Suzanne is at her most desperate, he promises to take
her children Lindsey (Allen) and Kevin (Bolden) to Vancouver.
The problem is that the kids don’t want their Mum
to have a boyfriend and will do anything to get rid of Nick.
Combining
a road trip movie with all the highjinx of the ‘Home
Alone’ franchise might sound like a good idea but
this movie will only get you saying one thing “Are
we at the end yet?”
Ice
Cube’s latest foray into comedy sees him shouting
out the message that single mother’s and their kids
deserve love to. While there is absolutely nothing wrong
with this, the movie approaches it in such a sugary sweet,
Hollywood fashion that the message gets lost under a deluge
of sugar. Here we have a man who hates kids but has an eye
for a beautiful woman and Suzanne certainly is one. But,
in the words of his talking Satchel Paige dashboard ornament,
she has baggage in the shape of her two kids. Nick then
gets into a situation where he has to take the kids on a
road but over time and after many misadventures… well
you can guest the rest.
Needless
to say that the film sticks to the Hollywood formula, even
down to the appallingly clichéd score and an ending
that will make you want to grab a sick bag. The unoriginal
story is punctuated by over the top ‘Home Alone’
style ‘comedy violence’, with people getting
hit, falling from horses and trains and driving their cars
off cliffs and never getting hurt. This is a trend that
we hoped that Hollywood had left behind at the end of the
millennium but this movie brings it back with a vengeance.
The
performances are better than the film deserves however.
Ice Cube is always watchable in whatever he does but even
he can’t push this film above the very average barrier.
He plays a clichéd single male, who thinks more about
his appearance, reputation and what he can get for himself
than the feelings of others but his life is about to change
when he meets Suzanne and her family. This has all been
done before and in a much better way but Ice Cube tries
his best. Aleisha Allen and Philip Bolden good as Lindsey
and Kevin, playing them as brats who have a softer side
when you get to know them. Nia Long is also good as Suzanne
but she doesn’t have enough screen time to make a
real difference.
‘Are
we there yet?” brings nothing new to the family entertainment
genre and the run of the mill, Hollywood look at how life
should be will do nothing to make you look at the world
any better. The performances bring the film up to the average
level however and mean that the younger audiences might
get a laugh or two, but this still won’t stop them
asking “has it finished yet?’





Jamie Kelwick
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