Bedazzled
Movie Review:
Bedazzled
is an average comedy that his some good moments. Elliot
Richards (Fraser) is a lonely computer programmer that resides
in San Francisco. He believes that his co-workers are his
friends, but there not. The circle of co-workers that Elliot
is outside of, continously try to avoid him and always make
fun of his attempts to get into their crowd. Alison (O’
Connor) works for the same company as Elliot and he has
been in love with her for the last four years, even though
she has never laid eyes on him. A mysterious and beautiful
woman (Hurley) then approaches Elliot and tells him that
she can give him everything and anything that he has every
wanted. Elliott confusingly asks the woman who she is and
she replies, “I’m the devil.” Unconvinced at first, but
he eventually comes to believe her and then she offers Elliott
seven wishes for his soul. Thinking of Alison and his heart,
Elliott makes the deal with the devil. Believing that his
dreams of love and popularity could come true, Elliott begins
wishing. However, the devil isn’t going to give him a chance
in hell.
Bedazzled
has some cheesy moments, but I found more of the film enjoyable
than dumb.
Harold
Ramis directed and co-wrote the film with two other writers.
Ramis’ version is a remake of the 1967 film version of Bedazzled,
which starred Dudley Moore and Peter Cook. Ramis has openly
stated that he loves the original version, but he thought
that it needed a updating. Though this film is not nearly
as pleasing as Ramis’ previous films (Ghostbusters, Groundhog
Day and Analyze This), I found his direction fine and fit
for this film. The interesting choice made by Ramis and
his writing partners, was to make the devil a sexual and
naughty female. I thought the idea worked, even though I
didn’t care much for the actress who played the devil. Ramis
makes his devil filled with lust and harsh comedy, but he
still maintains her objectivity. This gender selection stood
out to me as an original selection by Ramis. He also creates
multiple personalities for Elliot that he inhabits through
his wishes. An example is when Elliott wishes to be rich
and powerful, and the devil turns him into a Cuban drug
lord. Also, I thought Ramis’ decision to have all the dialogue
spoken in Spanish while Elliott is the drug lord was hysterical.
Having some knowledge of the Spanish language, my conclusion
is the actors were also given more demand on their Spanish
fluencies during this part of the film.
Brendan
Fraser does well with his Spanish dialect, in which I thought
the Cuban drug lord scenes were the best in the film. Fraser
shows very impressive flexibility that I didn’t believe
he had. Outside of his performance in Gods and Monsters,
I never thought of Brendan Fraser as much of an actor, but
he is good in this movie. He does quite a number with all
the personalities he inherits from his wishes. I really
didn’t care much for Elizabeth Hurley as the devil. Though
I liked the choices and structure of the devil character,
but not Hurley's tactics or awareness. A few months ago
in a review for The Replacements, I said that Orlando Jones
needs a couple of films to help break him into stardom.
Jones has a tiny role in Bedazzled as Elliott’s co-worker
Dan, but he isn’t given enough material to hardly get noticed.
Jones, who has a new “Make 7 Up Yours” commercial, is a
comedian that I really like. I know he is getting many film
offers, I hope he selects better roles. Lastly, Frances
O’Connor shows stable range as Alison. She talks in Spanish
too and changes personalities as well with Elliott, since
she is involved in every one of his wishes.
If
you can look past some of the typical comedic cheesiness
in this film, there are some funny moments. I don’t believe
this film will find box office gold, but it will do well
on video.
Report
Card Grade: C+
Joseph
Tucker

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