Beyond
Borders Movie Review:
Filmed
on an epic scale and shadowed with an impossible script,
Beyond Borders has a lot of interesting things but fails
to sizzle.
In this
would-be epic television mini-series, Angelina Jolie stars
as Sarah Jordan, a proper American enveloping the British
lifestyle in mid ‘80s London. Sarah is married to
British industrialist Henry Bauford (Linus Roache) who brings
her to an upper-class charity event. Sarah loves her life
but her soul is challenged when the charity event is interrupted
by the plight of radical relief doctor Nick Callahan (Clive
Owen).
Callahan
tries to shock his audience by bringing a starving boy to
the event in hopes of reigniting his canceled funding at
his camp in starvation-plagued and war-torn Ethiopia. He
fails but his desperate attempt ignites something within
Sarah.
The
film then follows Sarah as she encounters Callahan three
more times in remote corners of the world as she finds love,
struggle, hardship and darkest pain.
“Beyond
Borders” comes off as more of a shrunken 12-hour mini-series
than a statement and praise for relief workers around the
world. If this was made during the “golden-era”
of the television mini-series which was uncannily when the
film takes place then you would have seen the full scope
of what this story could have been. If it was made in the
80s when great mini-series like “Shogun”, “The
Thorn Birds” and “North and South” were
made then you probably would have seen the leads played
by the likes of Rachel Ward and Bryan Brown. All the great
epic romance films of the 80s were mini-series and the scope
of this film feels a lot like the way “Thorn Birds”
and “North and South” would feel if they were
condensed into a punishing 125 minute time frame.
“Borders”
felt like it wanted an epic scale, a strong message and
an enveloping romance but instead it flounders skimming
the surface of the material presented. There are gripping
scenes and beautiful locales but they are lost as soon as
the film leaves one of those lush scenes.
What
could have been a treat was if Jolie spent more time abroad
getting to know Callahan and that her life in England was
simplified. The contrast between worlds makes Jolie’s
character look weak not adventurous or caring. For the film’s
length you would think we would get to know at least one
of the characters in-depth but we don’t. We needed
more detailed and enthralling characters solidified within
the film’s message but instead we get heavy message
and 2-dimensional characters.
I liked
what “Beyond Borders” tries to be. The epic
mini-series of the 80s and early 90s were great favorites
of mine in this genre and I see what could have been. It
is impossible to tell an epic romance without an audience
partially falling in love with the leads.
Trapped
within this uneven epic romance is British stalwart Clive
Owen who does find a way to rise to the occasion when his
fierce determined Callahan is on-screen. Owen is a great
leading man but don’t let the film around the man
fool you. We will be seeing great things from this actor.
Jolie
is strong as Sarah but the script and her character bouncing
across continents and shedding a tear here and there makes
her character come off as almost a hypocrite. Why does she
always have to return to damp, depressing and deathly dull
London? It is a shame really. I can imagine what the filmmakers
and screenwriters could have done if they had settled on
a continent.
The
film is directed by Martin Campbell who got noticed with
his much underrated film “Criminal Law”, which
starred Kevin Bacon and Gary Oldman, in 1988 and another
underrated film “No Escape” with Ray Liotta
in 1991. In the 90s, Campbell became a household-name with
blockbusters “Goldeneye” and “Mask of
Zorro”. But since the failure of 2000’s “Vertical
Limit”, Campbell seems to be faltering. “Borders”
won’t help this seasoned director regain his niche.
Come on, Marty! Pull it together.
It would have
been fun to see the “Beyond Borders” that could
have been. Instead we are left with a globe-trotting, uneven
romance set against the relief aid world. Alas.
(2.5 out of 5)
So Says the Soothsayer
Dean
Kish
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