Black
Hawk Down Movie Review:
When
I used to teach History, I used to be asked by my students
why it was important to know history since it was nothing
but events in the past. When asked this question, I would
mention that if one remains ignorant of what had happened
before, one might be doomed to repeat it. I used the recent
conflict in Bosnia that was spurred on by the Horrors of
World War II, and the need to make sure that people are
protected from ethnic violence as an example.
While many students saw the wisdom in this answer, it is
a shame that history has a sad way of repeating itself.
Take the case of the current conflict in Afghanistan, as
our forces are engaged in a battle to capture and topple
an individual who has caused suffering and death amongst
millions of people, it is all to familiar to those of us
who were in the Armed forces in the early 90s. Just
as the conflict with Iraq was winding down, reports of widespread
deaths and abuses in the nation of Somalia were reported.
The local warlords had started an all out battle for power,
and 300,000 people had been killed and scores more were
starving and suffering. The world poured in relief supplies
only to learn that the items were being confiscated upon
arrival by the top Somalian warlord Mohamed Farrah Aidid
and his followers.
Unwilling to stand aside and let this continue, The United
States sent in troops to assist the UN troops in restoring
order and bringing Aidiad and his men to justice.
In the film Blackhawk Down, director Ridley
Scott has combined with action producer Jerry Bruckheimer
to bring the true story of the battle of Mogadishu that
took place on October 3rd 1993. The film is based on the
book by Mark Bowden and tells the story of the elite soldiers
that were sent on a mission to capture top officials of
Aidiad as they met for a meeting. What started as a textbook
mission soon became a nightmare when two Blackhawk helicopters
were shot down, and the soldiers found themselves separated
and cut off as they attempted to rescue crash survivors
and accomplish their mission. Filmed on location in Moracco,
the film centers on a group of men many facing combat for
the first time. Josh Hartnett Staff Sgt. Matt Eversmann,
(Josh Hartnett), is the young soldier taking command of
combat troops for the first time, Grimes (Ewan McGregor)
is a soldier who has spent his time behind a desk and now
gets to taste combat, Gen. William Garrison (Sam Shepard),
is a leader who cares for his men but is pressured by the
military brass to bring and end to the conflict, Lt. Colonel
McKnight (Tom Sizemore), is a officer who gets things done
and makes sure his men are taken care of. There are a number
of other characters and while lesser, they are every bit
as important to the mission as the men commanding them.
The film is a fascinating look into an event that got little
coverage in the media at the time. The aftermath of the
mission left 18 Soldiers dead, 73 wounded and hundreds of
Somalians dead as the planned one-hour mission became a
fifteen-hour standoff. Several city blocks of controlled
population descended upon the men and the crash sites with
the goal of killing or capturing the soldiers and getting
the technology in the Blackhawks. By following the strict
leave no soldier behind policy, the troops constantly re-entered
dangerous areas, even when safely clear of the fighting
in order to retrieve their comrades. While heroic, this
caused even more casualties as wounded men continued to
fight and worsen their injuries.
Blackhawk shows the true horror of combat, as the action
is intense and graphic. It also avoids many of the soldier
clichés of most war films. Aside from a new recruit
that viewers are sure is about to get in over his head,
the men are a diverse and unique bunch. The men are regular
people who are doing a job they were asked to do. The biggest
problem with the film is that it is long, and Scotts
pacing at times makes the film plod and drag out. Another
issue I had with the film is that due to the short hair,
the blood, and the dirt, on the cast, it was very difficult
to tell many of the actors apart and this hindered forming
an attachment to various soldiers as many of them became
faceless grunts.
That being said, the film was enjoyable and very informative.
With a bit of editing this movie could have been a fast
paced action film with substance and story. As it stands
now, it is a long, slow, and at times interesting look into
a tragic event that paved the way for the removal of American
troops from the region.
Gareth Von Kallenbach
How
many of you out there remember "the first twenty minutes"
of Saving Private Ryan? For many (myself included) the high
point of that film was director Steven Spielberg's handheld
vision of the harsh chaotic realism of war. Well, the "last
90 minutes" of Black Hawk Down offer a similar view
of the mayhem and brutality of war. Ridley Scott's Black
Hawk Down avoids preaching (like Ryan) or reflection (like
A Thin Red Line) in favor of a searing display of the grim
realities of disorganized conflict on foreign soil.
Those
of you who prefer our movie with more than just a dollop
of character or story won't find this picture entirely to
your tastes. Nevertheless, the visceral charge generated
by the battle sequences form an incredible assault on the
senses. Like overcaffeinated spiked coffee, the movie is
gripping, intense and violent, but in a good way.
The
film is adapted from a book of the same name written by
journalist Mark Bowden. The story focuses on the elite group
of American military personnel who are given the difficult
assignment of traveling into the heart of Mogadishu to seize
political prisoners and attack certain advisers of the military
warlord Farrah Aidid based on the true events of 1993. Commanded
by Sam Shepard's haggard looking General Harrison, the teams
of US Rangers and Delta Force personnel are given different
tasks for what should be a simple one-hour mission. Instead
of a straightforward mission, the conflict ultimately turns
into a bloody 12 hour ordeal in the heart of hostile territory.
The title of the film refers to the special brand of US
helicopter which transports many of the men to the battle
site and two of which are felled during the fighting.
Bowden's
minute-by-minute account is far more detailed and offers
profiles of Somali characters too. The film's portrayal
of Somalis as unidentified mass of fighters uncomplicates
the war for viewers. By refusing the acknowledge the identity
of their opposition or even of the people they are trying
to "save," this choice prevents the film from
facing perhaps the most brutal aspect of war - the killing
of other humans. No Somali in the film is a fully-realized
character and while the filmmakers may use time constraints
as their excuse, the choice is one of the few that opts
for patriotic over realistic.
The
performances in the film are strong. Josh Hartnett's sensitive
turn as the idealistic young leader Eversmann makes us forget
about his comic book flyboy role in that "other"
war movie. Tom Sizemore also stands out as a no b.s. Ranger
who supervises the prisoner evacuation. Other familiar faces
include Jeremy Piven and Ron Eldard as helicopter pilots
and Ewan McGregor as a typist turned soldier. Even with
the strong performances what stands out above all else are
the incredible battle sequences. The brutal chaos and gory
nature of armed conflict is presented in a manner that honestly
makes the viewer feel like part of the action. While that
sounds great in a "I have good seats to the war"
kind of way, the scene is not pretty. Most will leave the
theater totally exhausted from the intensity of the battle
that they only watched for some 100 odd minutes. It is incredible
to think of those who fought for the entire twelve-hour
ordeal. The only physical pain I experienced afterward came
from my hand which was still locked in its armrest deathgrip.
Black
Hawk Down is a good film. Its intensity and realism are
enough to overcome its plot and character shortcomings.
In a way, I imagine that was the point of the film - to
depict the complexity, brutality and chaos of the modern
war rather than focus on any particular solider or unit's
story. On that account, the film certainly succeeds.
Abhijay
Prakash
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