The
Day After Tomorrow Movie Review:
A
nagging, disappointing familiarity torments us throughout
this apocalyptic disaster movie. And the problem isn't that
this is a bad film, but that it reminds us of far better
ones. And it proves that corny premises do not need to have
appallingly lame dialog and subplots.
Jack Hall (Quaid)
is a climatologist who's right about global warming ...
except that it's happening right now instead of a century
in the future. The world is in the grip of crazily destructive
weather, the President and Vice-President (King and Welsh)
won't do anything, and Jack's ex-wife (Ward) is worried
that their son Sam (Gyllenhaal) is trapped in Manhattan,
which of course he is. So Jack gets all heroic and heads
to New York with his colleagues (Mihok and Sanders), while
Sam and a huddled mass of survivors tries to stay alive
as the new ice age dawns.
It's all terribly
exciting, and Emmerich clearly loves trashing New York and
L.A. on screen (he's done it before). There's enough outrageous
end-of-the-world stuff to keep us entertained, and the cast
give it everything they've got. Sadly, they get no help
from Emmerich, since the script abandons all of them when
they need it most; the characters are paper thin, the plotting
is lazy and the dialog is painfully earnest. The only joy
in watching this film is in the over-the-top disaster effects
and a series of extremely witty sight gags.
Otherwise,
this was done more profoundly in Deep Impact and with more
wit in The Core. Not to mention obvious references to Titanic
and AI, plus a general lack of logic (if trapped in a freezing
library, which would keep you warmer: burning the books
... or the wooden chairs?). And why do we never see anything
outside North America, besides two guys (Lester and Holm)
huddled in their Scottish weather station? There are a couple
of contrived romantic subplots, a one too many sermons and
way more digital sequences that were required. Some of the
catastrophes are impressive, but others (like the wolves
at the zoo) are just pointless. The whole film feels stingy
and vacuous. And it's only barely trashy enough to be fun.
Rich
Cline
As tornados
tear through Los Angeles, hailstones the size of footballs
pummel Tokyo and it snows for the first time in New Deli,
climatologists
Jack Hall (Quaid) in Washington D.C. and Professor Terry
Rapson (Holm) in Scotland, make an alarming discovery. This
isn’t just a series of freak metrological events but
the start of something that could change the world forever.
For the first time in 10,000 years a super-storm is going
to plunge the Earth into a new ice age.
If you
want to make a disaster movie based on the effects of extreme
climate change due to global warming there is only one man
to go to, Roland Emmerich.
The
master of disaster brings us his best and biggest event
movie yet. This is a director who loves to destroy cities,
especially American metropolises, and put the world in cataclysmic
danger but The Day After Tomorrow is
different, this time the villain is nature itself. There
are no aliens to attack or giant lizards stomping buildings
to the ground, just a wounded
climate reacting to years of pollution and environmental
change in spectacular fashion.
The
wizards behind the special effects have a field day, producing
some of the most devastating phenomena that nature could
unleash. You sit in awe as tornados rip through the L.A.
skyline and your jaw drops as a giant wall of water heads
for New York. These scenes of destruction are some of the
best ever created and the highlights of the movie. Emmerich
uses close and long shots with frightening effect as we
see the destruction tearing through the cites from above
and then we are taken to ground level to witness the human
perspective as the extreme weather roars on.
Mixed
in the all the devastation is a story of human survival.
You realise very early on that this isn’t going to
be your typical disaster movie where America and its gung-ho
heroes save the day by averting the coming Armageddon at
the last possible moment. This is an event that cannot be
stopped so the story becomes one of despair and realisation.
This means characters die and the peril and foreboding is
very real.
The
cast do a very good job at conveying this. The very underrated
Dennis Quaid plays the obsessive scientist Jack Hall very
well. He has an old fashioned, slightly iconic leading man
quality in a similar way to actors like disaster movie veterans
Steve McQueen, Charlton Heston or Gene Hackman and this
lends itself well to the genre. Jake Gyllenhaal continues
live up
to his reputation as one of the best upcoming actors in
the business with another good performance as Sam Hall.
This character could have so easily have been an annoying
teen heartthrob who you are meant to believe is
extremely intelligent but even thought it might start off
looking that way, Gyllenhaal’s performance soon puts
any of these fears to rest. He is
supported well by the beautiful Emmy Rossum as love interest
Laura and Arjay Smith as the geeky Brian. Sela Ward is also
good but slightly underused as Lucy Hall, Jack’s wife
and Sam’s mother. Ian Holm brings some class to the
proceedings and Kenneth Welsh plays the real villain of
the piece, the sceptical, non-environmentalist Vice President.
The
movie does have its problems however. Because of the grandeur
of the situation, the development of the characters does
suffer because of this. Why are Sam’s grades and interest
in school dipping, where were Lucy’s
patient’s parents and why most of the characters with
exception of the main family so unconcerned about their
own relatives or friends? The film also
needed a few more hysterical, panic-stricken people to make
the situation more believeable. Also why do we always only
get to see the American cites been destroyed. Director Roland
Emmerich has now ruined New York three
times, isn’t it about time he took a bash at another
city. We only get told that Europe is been covered with
ice and that Australia was consumed by the Pacific, it would
have been nice to have seen some of this, even if it was
only after shots.
This
aside, The Day After Tomorrow is still a very entertaining
disaster movie with a social message attached. As climatologists
speculate that this could actually happen, but just not
as fast, the film does make you more aware of Global Warming
issues and the current environmental policies of world governments,
especially the US. The film might not totally blow you totally
away but it gives it a very good try.
Star
Rating = * * *
Jamie
Kelwick
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