An injured
race horse brings a family together in “Dreamer: Inspired
by a True Story,” a heartwarming film about courage,
hard work and going the distance. Kurt Russell and Dakota
Fanning deliver superb performances here as a father and
daughter who finally bond while nursing and training an
almost magical thoroughbred named Sonador, the Spanish word
for “dreamer.” The plot may be predictable,
but this movie is utterly irresistible and definitely worth
seeing.
“Every
child actress worth her salt must have a-girl-and-her-horse
picture,” my husband insists. He cites Elizabeth Taylor
in “National Velvet” and Shirley Temple in “The
Story of Seabiscuit” to back up his point. Fanning
has certainly proven “worth her salt” in such
films as “I Am Sam,” “Uptown Girls”
and “Hide and Seek.” In “Dreamer,”
Fanning’s portrayal of a youngster in tune with her
horse -- and yearning to be so with her distant father --
emerges as one of her best. With every look and gesture,
this amazing little actress nails her character, a sad “old
soul” in a young body who changes into a happy, excited
owner of the horse she builds a dream on.
Russell
(“Sky High”), Hollywood’s most underrated
actor, almost breaks my heart as a father who’s lost
faith in himself and in the joy of living. Drowning in financial
problems and estranged from his own father (Kris Kristofferson,
quite moving in this low-key supporting role), the character
he plays owns the only horse farm without a horse in an
area where the “sport of kings” rules. To make
matters worse, this very unhappy man loses his job at a
prosperous neighboring farm when he refuses to “put
down” Sonador after the horse fractures a leg in a
race the filly almost won. He takes the animal back to his
farm, not realizing how attached his daughter will become
to the ailing horse. She even sneaks out at night to feed
Sonador popsicles!
The
most compelling aspect of this film involves its depiction
of how the father, daughter and grandfather develop more
healthy relationships with one another because of their
intense work with Sonador. Their improved rapport also makes
a big difference to Russell’s worried wife (lovely
Elisabeth Shue), who begins to smile more and more each
day. When the entire family cheers while watching Sonador’s
big race, I wanted to stand and shout with them.
As a
matter of fact, most audience members at the screening I
attended DID cheer loudly during the movie’s thrilling
race sequence, something I’ve never seen an audience
do before, not even during those exciting Seabiscuit (2003)
races. Credit for evoking this much viewer involvement goes
to first-time director and writer (“Coach Carter”)
John Gatins and to cinematographer Fred Murphy (“Secret
Window”) for their expert pacing and visual storytelling
skills.
“Dreamer:
Inspired by a True Story” reminds us not to give up
on our dreams, no matter how many obstacles stand in the
way. After all, chasing those dreams might be as important
as achieving them. It’s a treat to watch this inspiring
story unfold on the big screen.
A little
girl, her horse and a triumph of spirit are all elements
that we have seen before in a lot of classic films like
“The Black Stallion”, “National Velvet”,
“International Velvet” and of course “The
Horse Whisperer”.
“Dreamer”
tells the story of Ben Crane (Kurt Russell), a rancher/horse
trainer who acquires a crippled racehorse and with the help
of his young daughter (Dakota Fanning) nurse the horse back
to health in hopes of breeding or racing the horse once
more.
Can
you for a minute imagine the world of Disney films from
the late 1960s and early 1970s? You know those heart-warming
dramas that you knew that the whole family would enjoy.
Well imagine those films mixed with “The Horse Whisperer”
and “The Black Stallion” and you might have
an idea of what “Dreamer” is like.
Like
a lot of those old Disney films, the film itself is predictable,
sweet, enduring and sometimes manipulative but its primary
focus is to entertain. “Dreamer” doesn’t
apologize for being that kind of film and it is magical
in a lot of respects.
One
thing I was surprised with was how silent the film was.
There was no soaring theme music to add extra emotion and
there was no raging race music to amplify the underdog.
It was almost tranquil.
What
I thought was pure genius about the film was the casting
of Kris Kristofferson as Kurt Russell’s father. Why
haven’t we seen that before? They look so much like
they should be father and son.
I really
enjoyed Russell and little Dakota in the film and they brought
me to remember a lot of the infamous father-daughter duos
from previous family films. I didn’t really feel a
presence from Elizabeth Shue who plays Russell’s wife.
She was just there but it is basically a father-daughter
movie. David Morse is also very effective as the film’s
villain but we have seen this before from him.
This
one is one of those films for the whole family even if has
all the typical hang-ups.