Fahrenheit
9/11 Movie Review:
Oscar
winning documentarian Michael Moore looks into the US Government’s
policies after the devastating attacks on September 11th,
2001. Through revealing testimony, video evidence and detailed
research, he exposes the possibility of the fact that the
Bush Administration might have used the tragedy to fuel
their own agenda of finishing what his father started by
invading Iraq.
Dowsed
in controversy, political statements and grave indictments
against the current Government, Michael Moore strives to
make American people aware of what is going on in their
country and the consequences of their actions overseas.
This
is no-holds-barred, in your face material that pulls no
punches when it comes to telling the US citizens the real
motivations behind the fight against terror. Moore doesn’t
shy away from showing footage of what could be disturbing
and not show the country he lives in and loves in the best
light.
Starting
with the “election” of George W. Bush to the
office of the President, Moore takes you through his first
eight months in the White House, most of which he spent
on holiday, to the moment the second plane hit the World
Trade Centre. In a brilliantly understated remembrance of
that terrible event, a black screen with sounds from the
attack relying the terror and then the reactions of witnesses,
Moore cuts to Bush’s reaction to the news at the time
of great crisis. This is when the film grabs you and doesn’t
let go.
From
here on in we are shown how the propaganda machine was turned
up to maximum, as the Bush Administration saw this as a
chance to push forward with their own political agenda.
From invasion of Afghanistan to the liberation of Iraq from
Saddam’s tyrannical regime, the documentary tries
to expose the true reasons behind the military action and
the consequences of these policies.
To achieve
this Moore refrains from this usual in your face style and
spends little time on screen. He lets his footage speak
for him, offering a simple but powerful narration to piece
the evidence together. The material is evidence enough and
instantly makes you take notice of what he is trying to
say but there are a few things missing.
By taking
more of a backseat to the footage, the movie loses some
of Moore’s usual confrontational style. The film is
more of a political statement than an exposé as we
only ever see the Democrat side of the actions. He doesn’t
try and interview any Republican representatives, even just
to get any kind of reaction to his evidence, making the
movie seem very one sided. Yes the evidence is compelling
but you have to inject some objectivity into your arguments.
Fahrenheit
9/11 is a powerful documentary that all Americans, whatever
their political allegiances, should see. Michael Moore has
gathered together some damming evidence against the current
policies of the US Government but it is the way he highlights
how the escalating problems in occupied Iraq is affecting
the families of US servicemen and women stationed there.
This is when the movie is at its most powerful as it makes
you think that whatever the reasons for going to war, there
are always consequences in doing so.
Star
Rating = * * * *
Jamie
Kelwick
“The
temperature where freedom burns!”
The
documentary (if you can call it that) that stunned audiences
at Cannes and has split opinions of future American voters
is getting ready to burst into theatres.
The
fourth theatrical documentary released from edgy director
Michael Moore opens with the controversial Florida vote
in the 2000 election that saw incumbent George W. Bush topple
Vice President Al Gore for the presidency. Then the film’s
timeline continues as it looks at the horrific events of
9/11 and eventually the Afghanistan and Iraq conflicts.
In the
film there however seems to be three entities fighting for
screen time. First you have a documentary that tries to
cover the timeline of George W. Bush, then you have Moore’s
mission statement to uncover the dark side of a president
and finally you have a film of raw emotion that seems to
tie everything together.
Moore’s
timeline in the film is erratic as it jumps ahead quite
quickly so that he can get it all in. So much is covered
that we really never know where he is going to jump to next.
Moore’s
mission to unseat a president seems to be the focus of his
documentary and his bold one-sided argument is presented
as a documentary but can it be classed as such. Documentaries
are defined as a presentation of facts objectively without
editorializing or inserting fictional matter. In Moore’s
film he uncovers evidence and footage to support his hypotheses
but does it without really giving the audience a chance
to see the other side. Are his claims true? In some respects
yes and in others who knows because he never allows the
viewer to make their own conclusions.
Finally
the third portion of his film deals with the epic struggle
of a Flint, Michigan woman who loves her country and is
devoted to sending her children into the military. In her
city it seems to be the only recourse since most have no
other choice. Her life and vision is abruptly shattered
when her son is killed in the crash of a Blackhawk helicopter
in Iraq. Her emotional breakdown and doubt of her country
should have been the focus of Moore’s piece instead
of his own Anti-Bush agenda.
Her
story is crippling but its power is lost as Moore’s
warpath overshadows the significance of what we sacrifice
when our country goes to war. Moore does do a good job on
uncovering the fact that a lot of rich well off senators
don’t really care and think he’s nuts when he
asks them to sign up their children for the military.
I won’t
get into my views on the whole Bush situation, I won’t
tell you my opinions of Moore or what he is doing because
I am just here to look at how it is all presented.
It is
an amazing piece of celluloid that is sure to make a lot
of people mad. But at least with that they watched and listened
to a viewpoint that isn’t at the forefront of democracy.
I just
hope after the heat leaves the theatre that people think
about what they saw, discuss it and develop their own conclusions.
We should never follow anything blindly even if it is a
charismatic president or an edgy documentarian.
(4
out of 5) So Says the Soothsayer
Dean
Kish
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