The guiltiest
distraction in Find Me Guilty, the true life court room
drama from the great filmmaker Sidney Lumet, is the terrible
wig that star Vin Diesel dons throughout. Diesel portrays
mobster Jackie DiNorscio, who with twenty of his close mafia
buddies was a part of the longest criminal trial (21 months)
in U.S. history. DiNorscio was a member of the notorious
Lucchese crime family of New Jersey, whom were taken to
trial in the 80’s by a ruthless and perfectionist
District Attorney named Sean Kierney (Linus Roache).
DiNorscio
was already serving a 30 year sentence for a cocaine deal
gone wrong when he was called to the trial. Kierney in fact
offers DiNorscio a deal to cut down his sentence if he testifies
against his friends. DiNorscio immediately denies stating
that he will never rat out his own. Due to the embarrassing
work of his last attorney and the aide of a knowledgeable
one named Ben Klandis (Peter Dinklage), with a sixth grade
education DiNorscio defends himself through the entire trial.
To the disgust of not only Kierney, the trial’s fiery
judge (Ron Silver) and his fellow mob buddies, DiNorscio
becomes a comedic show for the jury by claiming that he
is a gagster and not a gangster. Most everyone believes
that DiNorscio has fell off the deep end, but soon all of
their minds change once the jury begins chuckling along
with him.
Find
Me Guilty is the long awaited return to the film medium
by the great Sidney Lumet, who has directed other great
court room films such as 12 Angry Men and The Verdict. Lumet
is very comfortable with this atmosphere and his patience
movement throughout the trial in Find Me Guilty is commendable.
The film’s comedy and drama are also balanced effectively
throughout by the veteran filmmaker.
Lumet
co-wrote the script with writers T.J. Mancini and Robert
McCrea. The film at times seems flat with its dialogue and
rushed acceptance (these guys are Mafia members), but the
script for the most part works. A majority of the courtroom
dialogue was taken from the court transcripts themselves,
the final courtroom scenes are were the film comes together
and ultimately wins the audience over. Jackie is a gagster,
though some of antics seem repeatable and perhaps left out,
since the film is only two hours and the trail lingers for
nearly two years. The characters for the most part are all
fleshed out, with like most mafia genres, the supporting
ones being more interesting than the central character.
If this film was not based on a true story, it would be
very hard to accept, even with Lumet’s solid work
or the light nature of similar courtroom film like My Cousin
Vinny.
This
is Vin Diesel’s best work in years; he however does
not come close to knocking it out of the park. It seems
that Lumet would have cast a different type of actor, Diesel
pulls if off, but barely. Many of his choices and cues are
consistent, but repetitive. Of course his delivery is very
likeable, and he when angered he becomes a striking giant.
Diesel gained weight for the role and is nearly unrecognizable,
but the heavy wig that he wears just looks like something
thrown under the bus by a bad stage production. The wig
itself is the real annoyance, not his performance. Perhaps
Diesel can build on this body of work and continue to grow
as an actor, not a movie star. Ron Silver is content as
the judge of the case and though of the top at times over
the top, Linus Roache makes a good slime ball as the opposing
D.A. The great Peter Dinklage (the dwarf character actor
from The Station Agent) is wonderful as Diesel’s advisory
lawyer friend. However, the scene stealer of this film,
which might earn her an Oscar nomination in only ten minutes
of screen time, is the wrenching performance by Annabella
Sciorra as Diesel’s torment wife. Her character arrives
after a modest seventy-five minutes into the film and she
delivers an emotionally striking performance that you will
be remembering long after the credits roll.
Find
Me Guilty is a goofy movie, but it also amusing and well
made by Sidney Lumet. If this story was not a true story,
no one audience would buy it. The casting of Diesel is also
questionable, but Lumet brings the best out him with his
dramatic and comedic acting. There are good reasons to see
Find Me Guilty; to see the great Sidney Lumet back in the
directing chair, but also the very exceptional acting of
Annabella Sciorra.