Honey
Movie Review:
Take
the tenacious drive of Flashdance, the street dancing of
Fame and the basic plot of Glitter, and you've got this
American Dream drama about finding yourself, making a difference
in the community, standing up against corporate greed and
so on. Besides some terrific dancing, there's absolutely
nothing new to see here.
Honey
(Alba) works three jobs in the Bronx to make ends meet--as
a barmaid, a record shop clerk and teaching hip-hop dance
in the community centre run by her parents (Sherwood and
McKee). Eventually she's noticed by a hot-shot music video
director (Moscow) and her climb to stardom as a dancer-choreographer
begins. Meanwhile, she struggles to find time for her best
friend (Bryant), is romanced by a local barber (Phifer)
and tries to help two kids (Romeo and Williams) make the
most of their talent. But it's not easy juggling success,
relationships and social responsibility, especially when
your boss starts hitting on you and all the big stars want
to work with you.
The
plot is pure fluff, with a script structured in such a way
that you never doubt anything for a second (and you never
believe anything either). The screenplay was probably only
about 30 pages long, since the film is padded out with endless
dance sequences. Fortunately, these numbers are energetically
performed and choreographed, with Alba providing a strong
presence at the centre. Romeo and Williams are able to make
a lot more of their underwritten roles than Phifer manages
(but then, he's also badly cast here). And Moscow makes
a nicely charming creep--the kid from Big all grown up!
OK, so the film's enjoyable in a guilty pleasure sort of
way, especially while laughing at the sloppy sentiment.
And you realise what a mess it is when Missy Elliot completely
steals the show in two brief scenes. With a bit more of
this sparky personality, the film could have been a lot
more fun. As it is, you'll be just as entertained watching
MTV for 90 minutes.
Rich
Cline
Spotted in a
nightclub by high profile director Michael Ellis (Moscow),
Honey Daniels (Alba) is asked to dance in his next music
video. Michael quickly realises that he has a real talent
on his hands and gives Honey her dream job as his dance
choreographer. As she starts to become famous, Honey decides
to put her fame to good use and bring dance to her New York
community.
In the 1980s
Flashdance, Footloose, Fame and even Breakdance brought
dancing to the big screen and Honey is the first attempt
of the new millennium to re-ignite that craze. The problem
is that the complete lack of the plot throws a bucket of
water over that tender flame.
While the aforementioned
movies didn’t excel in the story department either,
Honey feels more lacking than any of them. Characters and
subplots are forgotten about and left dangling throughout,
with only Honey’s main plotline having any real development
and even that isn’t much. The film does come into
its own during the dance sequences however with local kids
showing their skills.
Most men would
gladly watch Jessica Alba writing her shopping list for
ninety minutes, so the image of her in skimpy, tight fitting
clothing getting jiggy with it could be what dreams are
made of. She is extremely beautiful and very talented, so
it is a shame that the script only concentrates on her physical
and dancing attributes and not on her acting ability. There
is nothing really to challenge her here meaning that it
probably won’t be the highest movie on her résumé
when she auditions for a more dramatic role.
The story doesn’t
really give much to the supporting cast with David Moscow
as Michael Ellis and Lil’ Romeo as Benny having the
largest roles. Mekhi Phifer is wasted as Honey’s love
interest Chaz but there are cameos from Hip Hop stars such
as Missy Elliott to please fans of the music.
Trying to bring
the dance movie back for a new generation could have been
achieved with a better screenplay but while Honey has the
moves in the dance sequences, it just trips and falls everywhere
else.
Star Rating =
* *
Jamie
Kelwick
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