When
I first saw the trailer for this film, I cringed. The hair
on the back of my neck stood up and I could feel the sugar
flow off the screen and into my lap. For most guys, this
is what a trailer for a “chick flick” does to
us. I was no exception.
I will
admit here in print that I do like some “chick-flicks”
but the really good and intelligent ones. “In Her
Shoes” is one of those flicks.
The
film itself is more about the human condition and what it
means to be family. It’s thought-inducing and structures
these complex emotions around such interesting characters.
The
film central focus is two sisters Maggie (Cameron Diaz)
and Rose (Toni Colletter) who are both living in two different
worlds.
Maggie’s
life is in shambles as she prides herself on drinking, sleeping
with strange men and drifting between meaningless jobs.
She isn’t very well educated and it’s really
tough to find her niche in society. She is lost to the void
of life.
Rose
is the straight-shooter whose life seems to very work oriented.
Rose is a self-confessed workaholic as her fast-tracked
lawyer job monopolizes a lot of her life.
Even
though they never see eye-to-eye Maggie and Rose still have
an unbreakable bond. Their lives collide and the sisters
have an eventual falling out that could destroy that bond.
When Maggie seeks out a grandmother (Shirley MacLaine) they
never knew they had, the healing begins and a new lease
on family emerges.
What
makes this film so different from others of its kind is
that it’s focused on something other than whose sleeping
with whom. It’s about who these characters are and
the struggles they endure.
I have
to give a lot of the film’s credit to director Curtis
Hanson (“Wonder Boys”) who has found a way to
allow the movie to soar on character development and revelation
opposed to love and relationships. I was so enchanted by
the intelligence in this film. I guess I had given up on
seeing it again in a genre like this which has become so
littered with cliché and rudimentary characters.
I also
liked that Hanson didn’t allow the film to focus on
the laughs but instead the performances even if they were
sometimes more dramatic and less light and fluffy.
I am
not a huge supporter of Cameron Diaz but this role seems
to be one she was born to play. I don’t know how much
of herself is in the character but it’s so honest,
forthcoming and complicated that she shocked me. I could
see a second Golden Globe nod for this role.
Toni
Collette is such a gifted actress but Hollywood doesn’t
seem to know what to do with her a lot of the time. Thank
goodness she found this project because she brings such
innocence, compassion and strength to Rose that perfectly
butts heads against Diaz’s Maggie.
What
was else so great about this film was that senior citizens
were actually portrayed like human beings. Finally the “Golden
Girls” perception of seniors is starting to wean.
I also
liked that the film had a mystery intertwined within the
confines of family angle. It’s such a beautiful and
human story.
“In
Her Shoes” really surprised me and I hope it does
the same for you.
There's
a strong stream of real emotion running through this film,
which manages to get the comedy-drama balance just right.
Yes, you'll probably need a tissue or two, but the film
earns every sniffle due to its sharply astute writing, directing
and acting.
Rose
(Collette) is a successful Philadelphia lawyer whose life
is turned upside down by the arrival of her close but tearaway
sister Maggie (Diaz), recently thrown out by their father
and stepmother (Howard and Azzara). What Maggie does to
Rose is even worse. Thrown out again, she heads for Florida
to see her long-lost grandmother Ella (MacLaine), who turns
out to be the one person who might be able to tame the wild
beast. Meanwhile Rose doesn't miss Maggie, since she's busy
falling for a colleague (Feuerstein). Give her time.
Hanson
and Grant are wise enough to keep things understated, so
the film is more warmth and wit than outright humour. Sure
there's a lot of overwhelmingly emotive sister-my-sister
stuff, but it's the recognisable truth that gets us laughing
(and crying)--a sense of authentic interaction and self-examination
that's sharply observed by cast and crew. Despite being
played by top stars, these people feel almost painfully
real, and we enjoy every moment we're with them.
Collette,
of course, is the shining light in the cast, completely
inhabiting Rose to such an extent that we learn things about
her when she's doing absolutely nothing. MacLaine is wonderfully
restrained, speaking volumes through subtlety for a change,
using blank eyes and a wry smile to say what in previous
films would have been a fit of hysteria. And Diaz is surprisingly
good; the role plays to her ditzy-sexy strengths, while
giving her a chance to reveal Maggie's deeply buried self-doubt.
This
is a story about expectations and hopes, disappointments
and self-flagellation, and mostly how difficult it is to
see ourselves for who we really are. This makes it sound
like existential slop, but it's actually a sparky James
L Brooks-like comedy. It's also beautifully observed--perhaps
a bit too long, but we can't help but fall in love with
it.
Even
though they were sisters, all Maggie (Diaz) and Rose (Collette)
have in common was their shoe size. While Rose is a prominent
lawyer at a prestigious law firm but has absolutely no luck
with men, Maggie just costs through life from one no hope
job to another but she never had any problem attracting
the opposite sex. Even though they might be completely different,
they are still best friends as well as sister but this all
changes when Maggie does something almost unforgivable.
Director
Curtis Hanson continues to produce a varied body of work
but after stories about rappers, writers and police officers
can he bring the same inventiveness to a story of sibling
rivalry?
What
makes Curtis Hanson’s movies so watchable is that
his films are always filled with strong characters. ‘In
her Shoes’ is no different. Based on the novel by
Jennifer Weiner, the heart of the movie are two extremely
strong and well-developed female leads. The two protagonists
are very different, each seeing life in very different ways
but together they make a whole. Rose is the more intelligent
of the two. A successful lawyer who has just started a tempestuous
affair with her boss, against her better judgement, she
thinks that men never really take an interest in her. Maggie
is the complete opposite. Her main talent is her beauty
and she has played upon that all her life. She has never
had a job for more than a few months and has always struggled
with basic English and maths but her looks have always got
her by. They have been as thick as thieves for all of their
lives together but they are slowly coming apart.
Bringing
these interesting characters to life are two exceptional
performances from two of Hollywood’s finest. Cameron
Diaz is known more for her beauty and amazing figure than
her acting skills but when a director takes a chance on
her she reveals a side to her talents that only need to
be woken to shine through. Watch ‘Being John Malkovich’,
‘Gangs of New York’ and ‘Vanilla Sky’
and you will she there is more to her than just good looks.
As Maggie she reveals a more tender and vulnerable side
to her acting as the character realises that her life might
just be a complete disaster. This is another important role
for Diaz as she tries to push her career further than her
looks.
Toni
Collette has always been a character actress worth watching
and as Rose she proves this again. This is a character that
gives her the chance to grow with both confidence and beauty.
While Rose might think of herself as someone men just don’t
notice, as her confidence grows the character really become
a different person as she lets the world and love in. The
role proves again that Toni Collette is an extremely talented
actress and one that deserves more plaudits that she gets.
Joining
the two leads is a performance from a Hollywood legend that
steals every scene that she is in, the incomparable Shirley
MacLaine. As Ella Hirsch, Rose and Maggie’s long lost
grandmother, she brings an element of class to the proceeding
as the character grows along with her younger granddaughters.
‘In
her Shoes’ proves again that Curtis Hanson is one
of the most diverse directors working in the business. What
makes the film so memorable are the characters and the drive
of the story. While it may be slightly overlong with some
unnecessary side-plots such as Maggie’s difficulties
with reading and maths that is never really explained, it
is the believable performances and the intelligence of the
screenplay. Yes this is still a ‘chick-flick’
but it is far above anything Hollywood has produced for
a very long time.