Left For Dead
Movie Review:
Firstly
let me say that I have always been a huge fan of martial
arts movies... from when I saw The Big Boss when I was just
seven through to
Jackie Chan, Jet Li and beyond. Hell I even sat through
and enjoyed US movies such as American Ninja through China
O'Brien... well you get the
point.
So when
I heard that a UK martial arts film had been produced, I
was far
from excited. After all in the past most UK film efforts
have been, well
dubious to say the least. After all not only was it British
but low-budget? I couldn’t help but think this was
going to be bad…
However
being from Brighton and having heard of Big Cat Productions
(the team behind L4D) through local news and radio, I thought
hey I’ll give it a
chance. An open screening in a posh venue… that little
old liger side of me couldn’t help but jump at the
chance…
The
first thing I noticed was, that whilst the film had it’s
flaws, the pace and more importantly the script and action
sequences were way better than I
was expecting. The film shot along at a rollicking pace
and the near 100 mins running time seemed almost half that.
And
whilst the story is a basic revenge plot; guy betrayed by
bad guys, guy sets about getting revenge kind of deal, the
dialogue and performances were way better than they deserved
to be…
The
cast, made up mainly of bit part actors and performers from
film like A Better Tomorrow 2, Baby Juice Express, Distant
Shadow, Queens Messenger and the like all looked like they
were having fun and the two leads, Prior and
Salvage, looked very comfortable carry a film like this.
The bad guy quota was enjoyable also – characters
like Kincaid, Dillon and a frankly scary
turn by Adrian Foiadelli as Taylor lit up the screen…
most certainly not the kind of people I’d want to
run into in a dark alley way.
Speaking
to the producer afterwards he mentioned they were going
for a Fist Of Fury meets Point Blank feel– a gritty
action film that just happened to
have martial arts in it… and that was pretty much
the case.
The
set pieces were well above average, in fact bloody good
in places, and this film can most certainly hold it’s
own up there with its bigger counter parts.
The
film suffered from a lack of money in places but seeing
what was achieved gives you hope that maybe someone, somewhere
is actually making
films in the UK that people are going to enjoy over a beer
and a curry which, quite frankly, is the kind of film I
look for on Saturday night!
Paul
Williams
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